Who was your mother before she was a mother? Essays and photos from Brit Bennett, Jennifer Egan, Danzy Senna, Laura Lippman, Jia Tolentino, and many more. In this remarkable collection, New York Times–bestselling novelist Edan Lepucki gathers more than sixty original essays and favorite photographs to explore this question. The daughters in Mothers Before are writers and poets, artists and teachers, and the images and stories they share reveal the lives of women in ways that are vulnerable and true, sometimes funny, sometimes sad, and always moving. Contributors include: Brit Bennett * Jennine Capó Crucet * Jennifer Egan * Angela Garbes * Annabeth Gish * Alison Roman * Lisa See * Danzy Senna * Dana Spiotta * Lan Samantha Chang * Laura Lippman * Jia Tolentino * Tiffany Nguyen * Charmaine Craig * Maya Ramakrishnan * Eirene Donohue * and many others

The funniest, most popular kid in school, Charles Aubrey Rogers suffered from depression and later addiction, then ultimately died by suicide. "Diary of a Broken Mind" focuses on the relatable story of what lead to his suicide at age twenty and answers the "why" behind his addiction and this cause of death, revealed through both a mother's story and years of Charles' published and unpublished song lyrics. The closing chapters focus on hope and healing-and how the author found her purpose and forgave herself.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

Stories of the stepmother, the substitute mother, or the “other mother” have infused popular culture for centuries and continue to do so today. She plays a substantial role in our collective imagination, whether we are a part of a step family or not. Despite the fact that the stepmother remains a prevalent figure, both in popular culture and reality, scholars have largely avoided addressing this fraught figure. I Could Not Call Her Mother explores representations of the stepmother in American popular culture from the colonial period to 1960. The archetypal stepmother appears from nineteenth-century romance novels and advice literature to 1930s pulp fiction and film noir. Leslie J. Lindenauer argues that when considered in her historic context, the stepmother serves as a bellwether for changing constructions of motherhood and family. She examines popular culture's role in shaping and reflecting an increasingly normative middle class definition of the ideal mother and family, which by the 1920s became the dominant construct. Lindenauer adds to the rich and growing literature on the history of motherhood. It echoes and is informed by the scholarship that has defined ideal motherhood as a moving target, historically constructed. In so doing, it illuminates the relationship between ideal motherhood and ideal womanhood.