Includes music.

"One of the finest works to come out in recent years on cowboy songs, in addition to being the first good collection of the cowboy's bawdy material. . . . A must for anyone who is a student of cowboy music--or anyone who just likes the sound of dirty subject matter rhyming." -- Hal Cannon, Journal of Country Music "A brave and honest step toward increasing our understanding of what cowboys really sing." -- Bob Bovee, Old Time Herald "A thorough piece of scholarship and collectanea and a valuable, welcome addition to cowboy song literature." -- Keith Cunningham, Mid-America Folklore "Logsdon has written the book with a scholar's attention to detail. But what shows through the scholarship is the collector's enthusiasm for the material. . . . A superb job in a difficult area." -- Angus Kress Gillespie, Journal of American History "A major contribution to the folklore and popular culture, history, and social psychology of American cowboy culture." -- Kenneth S. Goldstein, former president, American Folklore Society

Never Without a Song focuses on the centrality of folksong in the life of Jennie Devlin, a woman who worked for fourteen years as a "bound-out girl" along the New York-Pennsylvania border and later lived in Philadelphia and Gloucester, New Jersey. Katharine Newman met Devlin in 1936 and compiled information about the older woman's life and music. Half a century later, Newman returned to her collection in retirement-with her own perspective of age. The result is a unique biography of an American working-class woman, told with depth and candor. It includes "I Wish I'd Been Born a Boy," "James Bird," "Martha Decker," "My Grandmother's Old Armchair," and other pieces, both British and American, most with tunes.

Anna Cabot Lowell Quincy (1812-1899), the youngest daughter of Josiah Quincy-onetime U.S. Congressman, former Mayor of Boston, and President of Harvard University-was a discerning twenty-one-year-old woman of privilege when she kept a diary during the spring and summer of 1833. Although Anna was respectful in polite company regarding her limited status in a male-dominated society, her journal entries of the Quincy family's social activities reveal an unexpectedly trenchant and amused view of the affectation in the Harvard community as well as in upper class life in Boston. Quincy's lively, lighthearted, and satirical accounts of Harvard University soirees and Boston cotillions portray a world where rites of courtship predominate, appearances are both significant and deceiving, and callow young men vie for an eligible woman's attention. Evoking the style of her admired Jane Austen, Anna re-creates a comfortable life-akin to Pride and Prejudice-spent walking, drawing, reading, writing letters, attending the theatre, and entertaining visitors. She describes receiving Harvard students and faculty at biweekly socials, dancing at formal balls, visits from "Cambridge Worthies" and dignitaries such as Supreme Court Justice Joseph Story, naturalist John J. Audubon, and President Andrew Jackson, and seeing the acclaimed British actress Fanny Kemble in Much Ado About Nothing. Above all, Anna's diary presents a young woman keenly aware of her early nineteenth-century milieu and her own place in society. She ponders her role in a prominent family clearly governed, professionally and economically, by men. She recounts dutifully receiving gentlemen callers in the gracious manner expected of young ladies, yet dismisses the "ridiculous and the unmeaning behavior of the young men" who end up as targets for her pen rather than potential suitors. While dramatizing her own position, Anna inexorably mocks society's pretensions, superficiality, and emphasis on appearance.

A report by the Chief of the Music Division of the Library of Congress on the history and evolution of several of the United State's most evocative and patriotic songs --: "The Star-Spangled Banner," "Hail Columbia," "America," and "Yankee Doodle," with fascinating details on each of these works, and examination of many false popular legends about the various songs.