"The sky was our original calendar, our original storybook, the first illustrated edition, the prototype GPS. Beyond its pragmatic usefulness, the sky was the domain of spirit, traversed by deities and a place to which human souls departed. Let's re-enchant it, shall we?"–Renna Shesso Impeccably researched by one of the most eclectic pagan scholars working today, this book aims to reengage our fascination with the planets and stars. Shesso looks at the mythology, legend, science and lore about the planets and most significant stars in a chapter-by-chapter format. Included are nearly 150 diagrams and illustrations—of the heavens, astrological views, depictions of gods and goddesses, sky totems, Tarot symbols, star charts, and more. Anyone with even a vaguely pagan bent, anyone with a reverence for the natural world, who has ever marveled at the night sky will love this enchanted view of the planets and stars. Previously published as A Magical Tour of the Night Sky 9781578634958

This is the first extended analysis of Simon’s novels, examining the relationship between the work of the French Nobel prize-winning novelist Claude Simon and that of a number of visual artists whose work he has used as stimuli in the production of his novels.

The Apocalypse of Enoch and Bhuśunda The Apocalypse of Enoch and Bhuśunda challenges the underlying assumptions of the classical roots of civilization by restoring the original context of creation mythology. In this second volume of A Chronology of the Primeval Gods and the Western Sunrise, ancient myths from multiple geographies are correlated to spikes in cosmic rays over the past 120,000 years – as documented in ice core data. The chronology and content of these myths tell us that the primary forces behind these cataclysms were the most ancient gods - hyper-nova at the Galactic Center associated with Sgr A*(The Dragon), Sgr West (The Beast) and Sgr East (Hiranyâksha and Hiranyakas'ipu), with secondary supernova seen as the birth of new, destructive gods. Ancient myth has documented the cataclysmic destruction of the world on at least twenty occasions with four major geo-polar migrations, which has resulted in a shift of the earth’s equator on at least one occasion. Multiple myths are shown to represent a view of the sky that can only be seen from the Antarctic region. Multiple versions of the myths of Orion are analyzed, showing clear linkages between the Vedic myth of Trisanku, the Book of Genesis, Senmut's Tomb, and the myths of Prajāpati Daksa representing the oldest version of the Orion myth – older than Trishanku and Genesis by 20,000 years! The stunning conclusion explains how the “Watchers” of Enoch were the Vedic descendants of Ila and Iksvaku. These descendants of the seventh Manu had been observing and recording the stars as a source of cataclysm for at least 15,000 years prior to Enoch, thus allowing Enoch to prophesize a ‘new heaven.’ That prophecy became the foundation for St John’s Book of Revelations, which is shown to be a description of a series of cataclysms attributed to Sgr West. The book offers a new theory for explaining geo-polar migration. That theory suggests small shifts in the location of the earth’s center of gravity underlie each migration, but that there are multiple causes for the shifts.

Elegant, slippery, and provocative, Antiquity is a queer Lolita story by prize-winning Swedish author Hanna Johansson—a story of desire, power, obsession, observation, and taboo On a Greek island rich with ancient beauty, a lonely woman in her thirties upends the relationship between a mother and her teenage daughter. Lust and admiration for Helena, a chic older artist, brings Antiquity’s unnamed narrator to Ermoupoli, where Helena’s daughter, Olga, seems at first like an obstacle and a nuisance. But the unpredictable forces of ego and desire take over, leading our narrator down a more dangerous path, and causing the roles of lover and beloved, child and adult, stranger and intimate to become distorted. As the months go by, the fragile web connecting the three women nears rupture, and the ominous consequences of their entanglement loom just beyond a summer that must end. With echoes of Death in Venice, Call Me by Your Name, and The Lover, but wholly original and contemporary, Antiquity probes the depths of memory, beauty, morality, and the narratives that arrange our experience of the world.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

Employing the methodologies of the new art history as well as some tools provided by poststructuralism, historiography, and analytic philosophy, Poussin's Paintings offers a novel approach to the art of Poussin. David Carrier begins with a comprehensive analysis of Poussin's self-portraits, which provides the starting point for a critical discussion of the traditional strategies of Poussin scholarship and for an evaluation of the status of this artist. Carrier shows that Poussin can be properly understood only by seeing how his visual and political culture differs from ours. Carrier examines the traditional approaches of Poussin scholars, noting the limitations of their views and showing how they not only shape our image of the artist but also restrict out ability to properly grasp his concerns. Carrier also considers the important conceptual claims of connoisseurs and reveals how their work invokes an implicit theory of Poussin's development. Carrier then focuses on a group of paintings concerned with erotic themes, demonstrating the inadequacy of traditional accounts of these pictures. He extends his analysis to a discussion of Poussin's landscapes, which have a different and more important place in his development than the older accounts claim. Carrier places Poussin within the artistic and political culture of seventeenth-century Rome. He asserts that artists of the time were concerned with the problem of belatedness and that Poussin attempted to return to the tradition of the High Renaissance, reworking images from that tradition in response to his own visual culture. Carrier argues that Poussin's art is thus best understood as a response to that setting for baroque art, and he relates Poussin's work to the later tradition of French history painting.

Three mind controllers abduct Mary Byram. They show her the government’s secret mind control center in Virginia, explain to her that she’s been a subject in their mind control program her whole life, and reveal that even her husband was one of them. The mountains and an island paradise set the scenes for this novel about a girl on the run.

A comprehensive exploration of Dr. Faust, the man who sold his soul to the devil, and those who lived to tell his tale. Volume I includes: New insights into the life and times of the historical Dr. Faustus, the notorious occultist and charlatan who reputedly declared the devil was his brother-in-law. A detailed study of the first Faust books and the popular Faustian folk tales. Original discussions on Christopher Marlowes famous drama and his atheistic rendition of the Faustian myth, including a unique and controversial analysis of the A and B texts. The days of the Faust puppet plays. Gotthold Ephraim Lessings unfinished Faust drama. Volume II features: A unique, in-depth account of Johann Wolfgang von Goethes masterpiece, Faust, Parts One and Two. An examination of the early sketches of his classic drama. Includes detailed explanations of Goethes hidden symbolism in the text, his interest in history and science, the occult, alchemy, Freemasonry and his warnings to future generations.