“Delve into this beautiful book. You’ll come away sharing his passion for the beauty that gardens bring into our lives.” —Sigourney Weaver, environmentalist, actor, trustee of New York Botanical Garden How does an individual garden relate to the larger landscape? How does it connect to the natural and cultural environment? Does it evoke a sense of place? In Spirit of Place, Bill Noble—a lifelong gardener, and the former director of preservation for the Garden Conservancy—helps gardeners answer these questions by sharing how they influenced the creation of his garden in Vermont. Throughout, Noble reveals that a garden is never created in a vacuum but is rather the outcome of an individual’s personal vision combined with historical and cultural forces. Sumptuously illustrated, this thoughtful look at the process of garden-making shares insights gleaned over a long career that will inspire you to create a garden rich in context, personal vision, and spirit.

From the bestselling author of the The House of God comes an ambitious novel about the complicated relationships between mothers and sons, doctors and patients, the past and the present, and love and death... Settled into a relationship with an Italian yoga instructor and working in Europe, Dr. Orville Rose's peace is shaken by his mother's death. On his return to Columbia, a Hudson River town of quirky people and “plagued by breakage,” he learns that his mother has willed him a large sum of money, her 1981 Chrysler, and her Victorian house in the center of town. There's one odd catch: he must live in her house for one year and thirteen days. As he struggles with his decision—to stay and meet the terms of the will or return to his life in Italy—Orville reconnects with family, reunites with former friends, and comes to terms with old rivals and bitter memories. In the process he’ll discover his own history, as well as his mother’s, and finally learn what it really means to be a healer, and to be healed.

Artists today are at a crossroads. With funding for the arts and humanities endowments perpetually under attack, and school districts all over the United States scrapping their art curricula altogether, the place of the arts in our civic future is uncertain to say the least. At the same time, faced with the problems of the modern world—from water shortages and grave health concerns to global climate change and the now constant threat of terrorism—one might question the urgency of this waning support for the arts. In the politically fraught world we live in, is the “felt” experience even something worth fighting for? In this soul-searching collection of vignettes, Patrick Summers gives us an adamant, impassioned affirmative. Art, he argues, nurtures freedom of thought, and is more necessary now than ever before. As artistic director of the Houston Grand Opera, Summers is well positioned to take stock of the limitations of the professional arts world—a world where the conversation revolves almost entirely around financial questions and whose reputation tends toward elitism—and to remind us of art’s fundamental relationship to joy and meaning. Offering a vehement defense of long-form arts in a world with a short attention span, Summers argues that art is spiritual, and that music in particular has the ability to ask spiritual questions, to inspire cathartic pathos, and to express spiritual truths. Summers guides us through his personal encounters with art and music in disparate places, from Houston’s Rothko Chapel to a music classroom in rural China, and reflects on musical works he has conducted all over the world. Assessing the growing canon of new operas performed in American opera houses today, he calls for musical artists to be innovative and brave as opera continues to reinvent itself. This book is a moving credo elucidating Summers’s belief that the arts, especially music, help us to understand our own humanity as intellectual, aesthetic, and ultimately spiritual.

A pictorial study of the Prince Edward Island that Lucy Maud knew and loved. Passages from her autobiography and from her voluminous personal correspondence supply the text. The illustrations have been taken specially to illustrate the landscape she described.

Federal Twist is set on a ridge above the Delaware River in western New Jersey. It is a naturalistic garden that has loose boundaries and integrates closely with the natural world that surrounds it. It has no utilitarian or leisure uses (no play areas, swimming pools, or outdoor dining) and the site is not an obvious choice for a garden (heavy clay soil, poorly drained: quick death for any plants not ecologically suited to it). The physical garden, its plants and its features, is of course an appealing and pleasant place to be but Federal Twist's real charm and significance lie in its intangible aspects: its changing qualities and views, the moods and emotions it evokes, and its distinctive character and sense of place. This book charts the author's journey in making such a garden. How he made a conscious decision not to "improve the land", planted large, competitive plants into rough grass, experimented with seeding to develop sustainable plant communities. And how he worked with light to provoke certain moods and allowed the energy of the place, chance, and randomness to have its say. Part experimental horticulturist and part philosopher, James Golden has written an important book for naturalistic and ecological gardeners and anyone interested in exploring the relationship between gardens, nature, and ourselves.

Built environment surrounds us for 90% of our lives but only now are we realising its influence on the environment, our health, and how we think, feel and behave both individually and socially. Spirit & Place shows how to work towards a sustainable environment through socially inclusive processes of placemaking, and how to create places that are nourishing psychologically and physically, to soul and spirit as well as body. This book's unique arguments identify important, but often unrecognised, principles and illustrate their applicability in a wide range of situations, price-ranges and climates. It shows how to reconcile the apparently incompatible demands of environmental, economic and social sustainability; how to moderate climate to make places of delight, and realign social pressures so places both support society and maximise economic viability. Thought provoking and easy to understand, Christopher Day uses everyday examples to relate his theories to practice and our experience.

The natural synergy between photography and travel is explored in these exquisite, lavishly illustrated, and instructive pages that demonstrate how artful camera use can record the true spirit of a place. On this thrilling worldwide tour, the author shows traveling nonprofessional photographers how to bring home memorable pictures of people, festivals, wildlife, architecture—even aerial and underwater shots. Directions are detailed for composing landscapes with a variety of lenses, working in both natural and artificial lilght. Valuable tips tell how to pack and carry photo equipment, deal with airport and hotel security, and prepare for various locations and weather conditions.

What happens to buildings when they are no longer needed or have outlasted their original purpose? They are either lovingly restored so they can be used for something else--or they fall into ruin, where they remain as silent witnesses of a bygone era. French photographer Aurelien Villette has made it his mission to trace these dilapidated buildings--some completely forgotten by history--and capture their incomparable beauty in wondrous colour photographs. Whether his subject is a Christian chapel, an erstwhile theatre, or the events centre in a former Communist country, Villette brings the spirit and pathos the place once embodied back to life. At the same time, the ruins in his evocative photographs are stylised to create cultural heirlooms of the various periods and countries where they are located. The technically perfect photography allows the viewer to infer various architectural influences of earlier times, making this volume a very special historical and cultural documentation. Allow yourself to be transported by the breathtaking beauty of these images and dive into a former era where time stands still. SELLING POINTS: * Aurelien Villette captures the beauty of years gone by * Discover buildings of majestic grace and elegance * A must for any lover of wonderful photography and fascinating architecture of the past 100 colour photographs

A new revised edition of the classic title on Zen and Christian living. Zen Spirit, Christian Spirit is a study of the intersection between Zen Buddhism and Christianity. Robert Kennedy explores how Zen can help us to live deeper lives and how we can return from a study of Zen to a more profound understanding of Christian living and practice. "What I looked for in Zen," says the author, "was not a new faith, but a new way of being Catholic that grew out of my own lived experience and would not be blown away by authority or by changing theological fashion." Kennedy is unique in being competent in both Catholic and Zen practice and who responds to people who are drawn to this form of prayer and life. This is a refreshingly simple but also most beautiful book.

Have you ever asked yourself what changed when you were "born again?" You look in the mirror and see the same reflection - your body hasn't changed. You find yourself acting the same and yielding to those same old temptations - that didn't seem to change either. So you wonder, Has anything really changed? The correct...