A century and a half after the publication of Origin of Species, evolutionary thinking has expanded beyond the field of biology to include virtually all human-related subjects—anthropology, archeology, psychology, economics, religion, morality, politics, culture, and art. Now a distinguished scholar offers the first comprehensive account of the evolutionary origins of art and storytelling. Brian Boyd explains why we tell stories, how our minds are shaped to understand them, and what difference an evolutionary understanding of human nature makes to stories we love. Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives from play, itself an adaptation widespread among more intelligent animals. More particularly, our fondness for storytelling has sharpened social cognition, encouraged cooperation, and fostered creativity. After considering art as adaptation, Boyd examines Homer’s Odyssey and Dr. Seuss’s Horton Hears a Who! demonstrating how an evolutionary lens can offer new understanding and appreciation of specific works. What triggers our emotional engagement with these works? What patterns facilitate our responses? The need to hold an audience’s attention, Boyd underscores, is the fundamental problem facing all storytellers. Enduring artists arrive at solutions that appeal to cognitive universals: an insight out of step with contemporary criticism, which obscures both the individual and universal. Published for the bicentenary of Darwin’s birth and the 150th anniversary of the publication of Origin of Species, Boyd’s study embraces a Darwinian view of human nature and art, and offers a credo for a new humanism.

David Christian, creator of Big History ('My favourite course of all time' Bill Gates), brings us the epic story of the universe and our place in it, from 13.8 billion years ago to the remote future 'Nails home the point: Life is a miracle ... A compelling history of everything' Washington Post 'Spectacular' Carlo Rovelli How did we get from the Big Bang to today's staggering complexity, in which seven billion humans are connected into networks powerful enough to transform the planet? And why, in comparison, are our closest primate relatives reduced to near-extinction? Big History creator David Christian gives the answers in a mind-expanding cosmological detective story told on the grandest possible scale. He traces how, during eight key thresholds, the right conditions have allowed new forms of complexity to arise, from stars to galaxies, Earth to homo sapiens, agriculture to fossil fuels. This last mega-innovation gave us an energy bonanza that brought huge benefits to mankind, yet also threatens to shake apart everything we have created. 'Rather like the Big Bang, the book is awe-inspiring ... Superb' The Times 'With fascinating ideas on every page and the page-turning energy of a good thriller, this is a landmark work' Sir Ken Robinson, author of The Element

Origin Stories: The Pioneers Who Took Football to the World charts the growth of the game in each major footballing country, from the very first kick to the first World Cup in 1930. Football's global spread from muddy playing fields to colossal, purpose-built stadiums is a story of class, race, gender and politics. Along the way, you'll meet the people who established football around the world and discover the challenges they faced. Featuring interviews with leading historians, journalists, club chairmen and descendants of club founders and players, Origin Stories tells the fascinating country-by-country tale of how football put down its roots around the world. The sport's early growth includes a cast of English aristocrats and 'Scotch professors', French tournament pioneers, international merchants, keen students, raucous rebels and more. Origin Stories shows that football's early development was a truly global team effort.

The debut English-language collection of one of South Korea's most distinctive and accomplished sci-fi authors Straddling science fiction, fantasy and myth, the writings of award-winning author Bo-Young Kim have garnered a cult following in South Korea, where she is widely acknowledged as a pioneer and inspiration. On the Origin of Species makes available for the first time in English some of Kim's most acclaimed stories, as well as an essay on science fiction. Her strikingly original, thought-provoking work teems with human and non-human beings, all of whom are striving to survive through evolution, whether biologically, technologically or socially. Kim's literature of ideas offers some of the most rigorous and surprisingly poignant reflections on posthuman existence being written today. Bo-Young Kim (born 1975) won the inaugural Korean Science & Technology Creative Writing Award with her first published novella in 2004 and has gone on to win the annual South Korean SF Novel Award three times. In addition to writing, she regularly serves as a lecturer, juror and editor of sci-fi anthologies, and served as a consultant to Parasite director Bong Joon Ho's earlier sci-fi film Snowpiercer. She has novellas forthcoming from HarperCollins in 2021. She lives in Gangwon Province, South Korea, with her family.

Collects folklore of the Cherokee people on various topics including animals, the origin of the Earth, and spirits.

Presents approximately eighty myths of the Seneca Native Americans as recorded by folklorist Jeremiah Curtin in 1883, covering such themes as animals' unique traits, the seasons and weather, tribal customs, and relations with other tribes.

The epic story of the scientists through the ages who have sought answers to life’s biggest mystery: How did it begin? In this essential and illuminating history of Western science, Bill Mesler and H. James Cleaves II seek to answer the most crucial question in science: How did life begin? They trace the trials and triumphs of the iconoclastic scientists who have sought to solve the mystery, from Darwin’s theory of evolution to Crick and Watson’s unveiling of DNA. This fascinating exploration not only examines the origin-of-life question, but also interrogates the very nature of scientific discovery and objectivity.

What is race and why does it matter? Why does the presence of Others make us so afraid? America’s foremost novelist reflects on themes that preoccupy her work and dominate politics: race, fear, borders, mass movement of peoples, desire for belonging. Ta-Nehisi Coates provides a foreword to Toni Morrison’s most personal work of nonfiction to date.

Opal has been planning to go to Chicago and join the Midwest's superhero team, the Sentinels, since she was a little kid. That dream took on a more urgent tone when her superpowered dad was unjustly arrested for protecting a neighbor from an abusive situation. Now, she wants to be a superhero not only to protect people, but to get a platform to tell the world about the injustices of the Altered Persons Bureau, the government agency for everything relating to superpowers. But just after Opal's high school graduation, a supervillain with a jet and unclear motives attacks the downtown home of the Sentinels, and when Opal arrives, she finds a family on the brink of breaking apart. She meets a boy who's been developing secret (and illegal) brain-altering nanites right under the Sentinel's noses, another teenage superhero-hopeful who looks suspiciously like a long-dead supervillain, and the completely un-superpowered daughter of the Sentinels' leader. Can four teens on the fringes of the superhero world handle the corruption, danger, and family secrets they've unearthed?

A century and a half after the publication of Origin of Species, evolutionary thinking has expanded beyond the field of biology to include virtually all human-related subjects—anthropology, archeology, psychology, economics, religion, morality, politics, culture, and art. Now a distinguished scholar offers the first comprehensive account of the evolutionary origins of art and storytelling. Brian Boyd explains why we tell stories, how our minds are shaped to understand them, and what difference an evolutionary understanding of human nature makes to stories we love. Art is a specifically human adaptation, Boyd argues. It offers tangible advantages for human survival, and it derives from play, itself an adaptation widespread among more intelligent animals. More particularly, our fondness for storytelling has sharpened social cognition, encouraged cooperation, and fostered creativity. After considering art as adaptation, Boyd examines Homer’s Odyssey and Dr. Seuss’s Horton Hears a Who! demonstrating how an evolutionary lens can offer new understanding and appreciation of specific works. What triggers our emotional engagement with these works? What patterns facilitate our responses? The need to hold an audience’s attention, Boyd underscores, is the fundamental problem facing all storytellers. Enduring artists arrive at solutions that appeal to cognitive universals: an insight out of step with contemporary criticism, which obscures both the individual and universal. Published for the bicentenary of Darwin’s birth and the 150th anniversary of the publication of Origin of Species, Boyd’s study embraces a Darwinian view of human nature and art, and offers a credo for a new humanism.