The Sanskrit Mahabharata is one of the greatest works of world literature and pivotal for the understanding of both Hindu traditions and wider society in ancient, medieval and modern South Asia. This book presents a new synthesis of philological, anthropological and cognitive-linguistic method and theory in relation to the study of narrative text by focusing on the form and function of the Mahabharata in the context of early South Asia. Arguing that the combination of structural and thematic features that have helped to establish the enduring cultural centrality of religious narrative in South Asia was first outlined in the text, the book highlights the Mahabharata’s complex orientation to the cosmic, social and textual past. The book shows the extent to which narrative is integral to human social life, and more generally the creation and maintenance of religious ideologies. It highlights the contexts of origin and transmission and the cultural function of the Mahabharata in first millennium South Asia and, by extension, in medieval and modern South Asiaby drawing on both textual and epigraphic sources. The book draws attention to what is culturally specific about the origination and transmission of early South Asian narrative and what can be used to enrich our orientation to narrative in human social life more globally.

A collection of essays exploring the different ways in which the ruined city of Pompeii has been a major source of inspiration to Western imaginations. Creative and popular, as well as scholarly approaches are covered, including an interview with the novelist Robert Harris, and the volume is fully illustrated, with several images in full colour.

This book discusses that imagination is as important to thinking and reasoning as it is to making and acting. By reexamining our philosophical and psychological heritage, it traces a framework, a conceptual topology, that underlies the most disparate theories: a framework that presents imagination as founded in the placement of appearances. It shows how this framework was progressively developed by thinkers like Plato, Aristotle, Descartes, and Kant, and how it is reflected in more recent developments in theorists as different as Peirce, Saussure, Wittgenstein, Benjamin, and Bachelard. The conceptual topology of imagination incorporates logic, mathematics, and science as well as production, play, and art. Recognizing this topology can move us past the confusions to a unifying view of imagination for the future. ​

"This remarkable book enhances Ariella Azoulay’s position as the most compelling theorist of photography writing today." –Jonathan Crary, author of Scorched Earth A groundbreaking work on the power of photography as a vehicle for civil protest Understanding photography is more than a matter of assessing photographs, writes Ariella Azoulay. The photograph is merely one event in a sequence that constitutes photography and which always involves an actual or potential spectator in the relationship between the photographer and the individual portrayed. The shift in focus from product to practice, outlined in Civil Imagination, brings to light the way images can both reinforce and resist the oppressive reality foisted upon the people depicted. Through photography, Civil Imagination seeks out relations of partnership, solidarity, and sharing that come into being at the expense of sovereign powers that threaten to destroy them. Azoulay argues that the “civil” must be distinguished from the “political” as the interest that citizens have in themselves, in others, in their shared forms of coexistence, as well as in the world they create and transform. Azoulay’s book sketches out a new horizon of civil living for citizens as well as subjects denied citizenship—inevitable partners in a reality they are invited to imagine anew and to reconstruct. Beautifully produced with many illustrations, Civil Imagination is a provocative argument for photography as a civic practice capable of reclaiming civil power.

Omar Khayyam’s Secret: Hermeneutics of the Robaiyat in Quantum Sociological Imagination is a twelve-book series of which this book, subtitled New Khayyami Studies: Quantumizing the Newtonian Structures of C. Wright Mills’s Sociological Imagination for A New Hermeneutic Method, is the first volume. Each book is independently readable, although it will be best understood as a part of the whole series. In the overall series, the transdisciplinary sociologist Mohammad H. Tamdgidi shares the results of his decades-long research on Omar Khayyam, the enigmatic 11th/12th centuries Persian Muslim sage, philosopher, astronomer, mathematician, physician, writer, and poet from Neyshabour, Iran, whose life and works still remain behind a veil of deep mystery. Tamdgidi’s purpose has been to find definitive answers to the many puzzles still surrounding Khayyam, especially regarding the existence, nature, and purpose of the Robaiyat in his life and works. To explore the questions posed, he advances a new hermeneutic method of textual analysis, informed by what he calls the quantum sociological imagination, to gather and study all the attributed philosophical, religious, scientific, and literary writings of Khayyam. In this first book of the series, following a common preface and introduction to the series, Tamdgidi develops the quantum sociological imagination method framing his hermeneutic study in the series as a whole. In the prefatory note he shares the origins of this series and how the study is itself a moment in the trajectory of a broader research project. In his introduction, he describes how centuries of Khayyami studies, especially during the last two, have reached an impasse in shedding light on his enigmatic life and works, especially his attributed Robaiyat. The four chapters of the book are then dedicated to developing the quantum sociological imagination as a new hermeneutic method framing the Khayyami studies in the series. The method builds, in an applied way, on the results of Tamdgidi’s recent work in the sociology of scientific knowledge, Liberating Sociology: From Newtonian Toward Quantum Imagination: Volume 1: Unriddling the Quantum Enigma (2020), where he explored extensively, in greater depth, and in the context of understanding the so-called “quantum enigma,” the Newtonian and quantum ways of imagining reality. In this first book, he shares the findings of that research in summary amid new applied insights developed in relation to Khayyami studies. In the first chapter, Tamdgidi raises a set of eight questions about the structure of C. Wright Mills’s sociological imagination as a potential framework for Khayyami studies. In the second chapter, he shows how the questions are symptomatic of Newtonian structures that still continue to frame Mills’s sociological imagination. In the third chapter, the author explores how the sociological imagination can be reinvented to be more in tune with the findings of quantum science. In the last chapter, the implications of the quantum sociological imagination for devising a hermeneutic method for new Khayyam and Robaiyat studies are outlined. In conclusion, the findings of this first book of the Omar Khayyam’s Secret series are summarized. CONTENTS About OKCIR—i Published to Date in the Series—ii About this Book—iv About the Author—vi Note on Transliteration—xv Acknowledgments—xvii Preface to the Series: Origins of This Study—1 Introduction to the Series: The Enigmatic Omar Khayyam and the Impasse of Khayyami Studies—9 CHAPTER I—The Promise and the Classical Limits of C. Wright Mills’s Sociological Imagination—27 CHAPTER II—The Newtonian Way of Imagining Reality, Society, Sociology, and Khayyami Studies—61 CHAPTER III—Quantum Sociological Imagination As A Framework for New Khayyami Studies—109 CHAPTER IV—Hermeneutics of the Khayyami Robaiyat in Quantum Sociological Imagination: Source Availability and Matters of Secrecy—177 Conclusion to Book 1: Summary of Findings—215 Appendix: Transliteration System and Book 1 Glossary—225 Book 1 Cumulative Glossary of Transliterations—238 Book 1 References—243 Book 1 Index—251

This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.

Although Churchill is a 1953 Nobel laureate in literature, his famous speeches have overshadowed his other writing. Winston Churchill's Imagination concentrates on key works in modes other than political rhetoric to show how Churchill engages readers with those words and ideas that are hallmarks of his imagination. Chapters take up his literary relationship with Lawrence of Arabia; Churchill's intense but little-known involvement with cinema in an essay on Charlie Chaplin and as a script writer and consultant in the 1930s for Alexander Korda's film studio; Churchill's evocation of paintings as templates for narrative in his first history and in his only novel; his imaginative engagement with science and science fiction; the depiction of time, duration, and alternative history in his biography of Marlborough; and Churchill's last testament in the realm of imagination, The Dream.

Chinese Women Writers and the Feminist Imagination, 1905-1948 provides a compelling study of leading women writers in modern China, charting their literary works and life journeys to examine the politics and poetics of Chinese transcultural feminism that exceed the boundaries of bourgeois feminist selfhood. Unlike recent literary studies that focus on the discursive formation of the modern Chinese nation state and its gendering effects, Haiping Yan explores the radical degrees to which Chinese women writers re-invented their lives alongside their writings in distinctly conditioned and fundamentally revolutionary ways. The book draws on these women's voluminous works and dramatic lives to illuminate the range of Chinese women's literary and artistic achievements and offers vital sources for exploring the history and legacy of twentieth-century Chinese feminist consciousness and its centrality in the Chinese Revolution. It will be of great interest to scholars of gender studies, literary and cultural studies and performance studies.

The reach of the Catholic Church is arguably greater than that of any other religion, extending across diverse political, ethnic, class, and cultural boundaries. But what is it about Catholicism that resonates so profoundly with followers who live under disparate conditions? What is it, for instance, that binds parishioners in America with those in Mexico? For Joseph M. Palacios, what unites Catholics is a sense of being Catholic—a social imagination that motivates them to promote justice and build a better world. In The Catholic Social Imagination, Palacios gives readers a feeling for what it means to be Catholic and put one’s faith into action. Tracing the practices of a group of parishioners in Oakland, California, and another in Guadalajara, Mexico, Palacios reveals parallels—and contrasts—in the ways these ordinary Catholics receive and act on a church doctrine that emphasizes social justice. Whether they are building a supermarket for the low-income elderly or waging protests to promote school reform, these parishioners provide important insights into the construction of the Catholic social imagination. Throughout, Palacios also offers important new cultural and sociological interpretations of Catholic doctrine on issues such as poverty, civil and human rights, political participation, and the natural law.

Bloody and fiery spectacles in American public life, from the 1960s to the present, have given us moments of catastrophe that easily answer to the question of where-were-you-when, events that shape our ways of seeing the Cold War and after. Three such iconic catastrophes are the John F. Kennedy assassination, the response by Ronald Reagan to the Challenger disaster, and 9/11. Why are these spectacles so packed with meaning? They are images of destruction, raising the questions for us of where their power comes from, what sort of history might they construct, what sort of world do they destroy. O Gorman approaches each one as an icon of iconoclasm, as an exemplar of fiery demise that gives us a distinct way to imagine social existence in American life. Here is his argument: in the 50 years since the Kennedy assassination, a period that witnessed the rise of neoliberalism, the most powerful way for publics to see America was in the destruction of its representative symbols, or icons, because in such catastrophes we grasp the impossibility of any image adequate to representing America. If neoliberalism the emergence of free market economics in social philosophy and public policy is linked with iconoclasm, that is, if neoliberalism promotes and benefits from the destruction of icons, we are led to reconsider events that seem to rupture a given world (catastrophes), or are beyond representation (the economy). Market ideology moves to a transcendent realm of invisible principles that can escape accountability and command sacrifice. The core arguments are challenging (indeed, iconoclastic), but this book will put a whole new kind of spotlight on neoliberalism and on the status of the image (and visual representation) in American political culture. The results are stunning: richly interwoven philosophical, theological, and rhetorical traditions turn out to be a basis for a complex and innovative approach to Cold War America, political theory, and visual culture studies."