Does your child dream of winning a school spelling bee, or even competing in the Scripps National Spelling Bee in the Washington, D.C., area? You've found the perfect place to start. Words of the Champions: Your Key to the Bee is the new official study resource from the Scripps National Spelling Bee. Help prepare your child for a 2020 or 2021 classroom, grade-level, school, regional, district or state spelling bee with this list of 4,000 spelling words. The School Spelling Bee Study List, featuring 450 words, is part of the total collection. All words in this guide may be found in our official dictionary, Merriam-Webster Unabridged (http: //unabridged.merriam-webster.com/)

MacNolia Cox won the Akron District Spelling Bee, and at the age of 13 she became the first African American to reach the final round of the national competition. The Southern judges, it is thought, kept her from winning by presenting a word not on the official list. The word that tripped MacNolia, ironically, was "nemesis." When she died 40 years later, the girl who "was almost/ The national spelling champ" had become a cleaning woman, a grandmother, and "the best damn maid in town." Cox's ambition and her later frustration find incisive shape in this remarkably varied meditation on ambition, racism, discouragement and ennui, where successive pages can bring to mind a handbook of poetic forms (a double sestina, Japanese-inspired syllabics, a blues ghazal and prose poems based on definitions of prepositions), Ann Carson's "TV Men" poems, Rita Dove's Thomas and Beulah and the documentary film Spellbound. Jordan (Rise) begins in Cox's later life, giving voice to her husband, John Montiere, at "The Moment Before He Asks MacNolia Out on a Date," then to MacNolia herself when in 1970 her son dies just after his return from Vietnam. As counterpoints, Jordan intersperses poems about African-Americans who won more lasting public acclaim, among them Richard Pryor, Josephine Baker and the great labor organizer and orator A. Philip Randolph. Jordan's most quotable poems, however, return to the voice of the 13-year-old speller, who "learned the word chiaroscuro/ By rolling it on my tongue// Like cotton candy the color/ Of day and night." (June) Copyright 2004 Reed Business Information. Library Journal.

A narrative portrait of the America's national spelling bee competition offers insight into its subculture of young wordsmiths, competitive parents, and spectator tension, sharing the stories of five top contestants to offer insight into their ambitions and winning strategies. 40,000 first printing.

“Extraordinary...beautifully precise...[an] earnestly ambitious debut.” —The New York Times Book Review “A wild, angry, and devastating masterpiece of a book.” —NPR “[A] descendent of the Dickensian ‘social novel’ by way of Jonathan Franzen: epic fiction that lays bare contemporary culture clashes, showing us who we are and how we got here.” —O, The Oprah Magazine “A book that has stayed with me ever since I put it down.” —Seth Meyers, host of Late Night with Seth Meyers One sweltering night in 2013, four former high school classmates converge on their hometown in northeastern Ohio. There’s Bill Ashcraft, a passionate, drug-abusing young activist whose flailing ambitions have taken him from Cambodia to Zuccotti Park to post-BP New Orleans, and now back home with a mysterious package strapped to the undercarriage of his truck; Stacey Moore, a doctoral candidate reluctantly confronting her family and the mother of her best friend and first love, whose disappearance spurs the mystery at the heart of the novel; Dan Eaton, a shy veteran of three tours in Iraq, home for a dinner date with the high school sweetheart he’s tried desperately to forget; and the beautiful, fragile Tina Ross, whose rendezvous with the washed-up captain of the football team triggers the novel’s shocking climax. Set over the course of a single evening, Ohio toggles between the perspectives of these unforgettable characters as they unearth dark secrets, revisit old regrets and uncover—and compound—bitter betrayals. Before the evening is through, these narratives converge masterfully to reveal a mystery so dark and shocking it will take your breath away.

Longlisted for the PEN/Hemingway Award for Debut Novel “Cuyahoga is tragic and comic, hilarious and inventive—a 19th-century legend for 21st-century America” (The Boston Globe). Big Son is a spirit of the times—the times being 1837. Behind his broad shoulders, shiny hair, and church-organ laugh, Big Son practically made Ohio City all by himself. The feats of this proto-superhero have earned him wonder and whiskey, but very little in the way of fortune. And without money, Big cannot become an honest husband to his beloved Cloe (who may or may not want to be his honest wife). In pursuit of a steady wage, our hero hits the (dirt) streets of Ohio City and Cleveland, the twin towns racing to become the first great metropolis of the West. Their rivalry reaches a boil over the building of a bridge across the Cuyahoga River—and Big stumbles right into the kettle. The resulting misadventures involve elderly terrorists, infrastructure collapse, steamboat races, wild pigs, and multiple ruined weddings. Narrating this “very funny, rambunctious debut novel” (Los Angeles Times) tale is Medium Son—known as Meed—apprentice coffin maker, almanac author, orphan, and the younger brother of Big. Meed finds himself swept up in the action, and he is forced to choose between brotherly love and his own ambitions. His uncanny voice—plain but profound, colloquial but poetic—elevates a slapstick frontier tale into a “breezy fable of empire, class, conquest, and ecocide” (The New York Times Book Review). Evoking the Greek classics and the Bible alongside nods to Looney Tunes, Charles Portis, and Flannery O’Connor, Pete Beatty has written “a hilarious and moving exploration of family, home, and fate [and] you won’t read anything else like it this year” (BuzzFeed).

A middle grade novel in verse about Samira, an eleven-year-old Rohingya refugee living in Cox's Bazar, Bangladesh, who finds strength and sisterhood in a local surf club for girls. Samira thinks of her life as before and after: before the burning and violence in her village in Burma, when she and her best friend would play in the fields, and after, when her family was forced to flee. There's before the uncertain journey to Bangladesh by river, and after, when the river swallowed her nana and nani whole. And now, months after rebuilding a life in Bangladesh with her mama, baba, and brother, there's before Samira saw the Bengali surfer girls of Cox's Bazar, and after, when she decides she'll become one. Samira Surfs, written by Rukhsanna Guidroz with illustrations by Fahmida Azim, is a tender novel in verse about a young Rohingya girl's journey from isolation and persecution to sisterhood, and from fear to power.

An intriguing, unusual and chilling look at the destructiveness of racism in the U.S.

The #1 New York Times bestseller! “Witty, wise, and tender. It's a marvel.” —Paula Hawkins, author of The Girl on the Train and A Slow Fire Burning “To say I love this book is an understatement. It’s a deep psychological mystery about the power of motherhood, the intensity of teenage love, and the danger of perfection. It moved me to tears.” —Reese Witherspoon From the bestselling author of Everything I Never Told You and Our Missing Hearts comes a riveting novel that traces the intertwined fates of the picture-perfect Richardson family and the enigmatic mother and daughter who upend their lives. In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned—from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules. Enter Mia Warren—an enigmatic artist and single mother—who arrives in this idyllic bubble with her teenaged daughter Pearl, and rents a house from the Richardsons. Soon Mia and Pearl become more than tenants: all four Richardson children are drawn to the mother-daughter pair. But Mia carries with her a mysterious past and a disregard for the status quo that threatens to upend this carefully ordered community. When old family friends of the Richardsons attempt to adopt a Chinese-American baby, a custody battle erupts that dramatically divides the town—and puts Mia and Elena on opposing sides. Suspicious of Mia and her motives, Elena is determined to uncover the secrets in Mia’s past. But her obsession will come at unexpected and devastating costs. Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood—and the danger of believing that following the rules can avert disaster. Named a Best Book of the Year by: People, The Washington Post, Bustle, Esquire, Southern Living, The Daily Beast, GQ, Entertainment Weekly, NPR, Amazon, Barnes & Noble, iBooks, Audible, Goodreads, Library Reads, Book of the Month, Paste, Kirkus Reviews, St. Louis Post-Dispatch, and many more... Perfect for book clubs! Visit celesteng.com for discussion guides and more.

"Beautifully paced . . . heartbreaking and hilarious."—USA Today Augusten Burroughs meets Mary Karr: a deeply funny and wickedly entertaining family memoir. The youngest of four daughters in an old, celebrated St. Louis family-- of prominent journalists and politicians on one side, debutantes and equestrians on the other-- Jeanne Darst grew up hearing stories of past grandeur. And the message she internalized as a young girl was clear: While things might be a bit tight for us right now, it’s only temporary. Soon her father would sell the Great American Novel and reclaim the family’s former glory. The Darsts move from St. Louis to New York, and Jeanne’s father writes one novel, then another, which don’t find publishers. This, combined with her mother’s burgeoning alcoholism, lead to financial disaster and divorce. And as Jeanne becomes an adult, she is horrified to discover that she is not only a drinker like her mother, but a writer like her father. At first, and for years, she embraces both activities— and until she can stop putting drinking and writing ahead of everything else, it’s a questionable choice. Ultimately, Darst sets out to discover whether a person can have the writing without the ruin, whether it’s possible to be both sober and creative, ambitious and happy, a professional author and a parent. Filled with brilliantly flawed, idiosyncratic characters and punctuated by Darst’s irreverent eye for absurdity, Fiction Ruined My Family is a lovingly told, wickedly funny portrait of an unconventional life.

NEW YORK TIMES BESTSELLER "A riveting book."—The Wall Street Journal "Essential reading."—David Brooks, New York Times From a former marine and Yale Law School graduate, a powerful account of growing up in a poor Rust Belt town that offers a broader, probing look at the struggles of America’s white working class Hillbilly Elegy is a passionate and personal analysis of a culture in crisis—that of white working-class Americans. The decline of this group, a demographic of our country that has been slowly disintegrating over forty years, has been reported on with growing frequency and alarm, but has never before been written about as searingly from the inside. J. D. Vance tells the true story of what a social, regional, and class decline feels like when you were born with it hung around your neck. The Vance family story begins hopefully in postwar America. J. D.’s grandparents were “dirt poor and in love,” and moved north from Kentucky’s Appalachia region to Ohio in the hopes of escaping the dreadful poverty around them. They raised a middle-class family, and eventually their grandchild (the author) would graduate from Yale Law School, a conventional marker of their success in achieving generational upward mobility. But as the family saga of Hillbilly Elegy plays out, we learn that this is only the short, superficial version. Vance’s grandparents, aunt, uncle, sister, and, most of all, his mother, struggled profoundly with the demands of their new middle-class life, and were never able to fully escape the legacy of abuse, alcoholism, poverty, and trauma so characteristic of their part of America. Vance piercingly shows how he himself still carries around the demons of their chaotic family history. A deeply moving memoir with its share of humor and vividly colorful figures, Hillbilly Elegy is the story of how upward mobility really feels. And it is an urgent and troubling meditation on the loss of the American dream for a large segment of this country.