Leather-bound book - tribute to Hip-hop, that reveals the roots, birth, evolution, and global impact of Hip-hop culture over past four decades.

"Cold-water surfing, the most remote surf spots, spectacular photography, illustrations, and custom boards: Surf Odyssey documents the modern cult of surfing as its own subculture and way of life. There's much more to surfing than palm trees and beach boy cliches. People surf not only in Hawaii, but also in Norway, South Korea, and India. Surf Odyssey is a book about the world of surfing today and those that live in it. This community is made up of the surfers themselves as well as surf photographers and board builders who are also spreading its distinctive spirit into other creative fields. Comparable to the new outdoor movement, today's surfing is about an attitude toward life, a lust for adventure, and a love of nature that one can only find far away from established spots. Surf Odyssey presents this scene's places, people, stories, and brands. Its stunning photography is sure to inspire many further surfing exploits."

This volume looks into the ways in which film has contaminated and re-shaped culture(s) and the collective unconscious, at both local and global levels, arguing that our lives have been impacted by the 'then' that we keep revisiting, lest we forget. It takes the reader from the Berlin Wall to China, and from the terror of communist political prisons and labour camps to the rosy image promoted by propaganda. A key point throughout the text is its interdisciplinary nature, as it brings together literature and film scholars, directors, sociologists and philosophers, whose overall conclusion is that communism, lingering in mentalities, still needs interrogation. Structured along four parts which trace a Homeric (or rather Joycean) journey to a home metonymysed by the long-awaited freedom, this book sets out from the gloomiest aspects of totalitarianism in the Romanian, Serbian and Soviet 'Hades(es)' of traumatic psychological and physical experiences and of imposed silencing. The second part gathers together case studies of films illustrating more optimistic views of communism as 'spring' (in the USSR) or as a 'golden age' (in Romania), thus narcotising the communist 'subjects' and preventing them from seeing the actual inferno. The third section offers filmic accounts of the aftermaths of communism, engaging the readers in a nostalgic process that revisits, questions, reflects on and remembers communism on a larger, world stage. The coda rounds up the volume (and the journey therein) by crossing genre frontiers to written narratives with a cinematic component.

SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE 2017 SHORTLISTED FOR THE LONDON HELLENIC PRIZE 2017 WINNER OF THE PRIX MÉDITERRANÉE 2018 From the award-winning, best-selling writer: a deeply moving tale of a father and son’s transformative journey in reading – and reliving – Homer’s epic masterpiece.

Parents often feel at a loss with popular culture and how it fits in with their families. They want to love their children well, but it can be overwhelming to navigate the murky waters of television, movies, games, and more that their kids are exposed to every day. Popular culture doesn’t have to be a burden. The Pop Culture Parent equips mothers, fathers, and guardians to build relationships with their children by entering into their popular culture–informed worlds, understanding them biblically, and passing on wisdom. This resource by authors Ted Turnau, E. Stephen Burnett, and Jared Moore, provides Scripture-based, practical help for parents to enjoy the messy gift of popular culture with their kids. By engaging with their children’s interests, parents can explore culture while teaching their children to become missionaries in a post-Christian world. By providing realistic yet biblical encouragement for parents, the coauthors guide readers to engage with popular culture through a gospel lens, helping them teach their kids to understand and answer the challenges raised by popular culture. The Pop Culture Parent helps the next generation of evangelicals move beyond a posture of cultural ignorance to one of cultural engagement, building grace-oriented disciples and cultural missionaries.

An accessible, carry-along handbook to Turkish history and culture, both ancient and modern, written by a Turkish tour guide and teacher. Abundant color photographs. Contact the publisher via email at [email protected]. Annotation copyrighted by Book News, Inc., Portland, OR

This is the fascinating account of the people who live in the central Italian city of Ascoli Piceno, city of one hundred towers, and the surrounding villages and hilltowns. Lola Romanucci-Ross describes the long and rich cultural heritage of these people and their strategies for cultural and personal survival from both an insider's and an outsider's perspective. In this innovative book, the author goes beyond the newest approach in anthropology, most frequently called reflexive ethnography, where the anthropologist provides information on the researcher as well as the researched. After years of anthropological research in diverse cultures of the world, Romanucci-Ross returns to the town in Italy where her Italian-American family came from. In Ascoli Piceno she is not only anthropological researcher but also niece and aunt, cousin and daughter; here the professional outsider with the insider's perspective deals effectively with the parallax error inherent in views of observer and observed in the anthropological enterprise. A beautifully written yet scholarly account of a vivid and lively culture, this book is also a groundbreaking approach to the ever-growing effort by anthropologists to overcome the limitations that emerge from the separation between researcher and subjects. Romanucci-Ross focuses on the families, their language, personal and cultural identity, mythic thought, and magical thinking in the negotiation of social and personal identity. Both the general reader and professional anthropologists will find One Hundred Towers a source of stimulating ideas and valuable insight.

"Join Cole's incredible journey of personal discovery as he recounts a professional career defined by a strong sense of community and civic service. Beginning at Berkeley campaigning for George H. W. Bush and ending with a post-election controversy with George W. Bush, Cole weaves the tale of his memoir with a bounty of adventure, humor, and adversity."--BOOK JACKET.

A Cyclops is popularly assumed to be nothing more than a flesh-eating, one-eyed monster. In an accessible, stylish, and academically authoritative investigation, this book seeks to demonstrate that there is far more to it than that - quite apart from the fact that in myths the Cyclopes are not always one-eyed! This book provides a detailed, innovative, and richly illustrated study of the myths relating to the Cyclopes from classical antiquity until the present day. The first part is organised thematically: after discussing various competing scholarly approaches to the myths, the authors analyse ancient accounts and images of the Cyclopes in relation to landscape, physique (especially eyes, monstrosity, and hairiness), lifestyle, gods, names, love, and song. While the man-eating Cyclops Polyphemus, famous already in the Odyssey, plays a major part, so also do the Cyclopes who did monumental building work, as well as those who toiled as blacksmiths. The second part of the book concentrates on the post-classical reception of the myths, including medieval allegory, Renaissance grottoes, poetry, drama, the visual arts, contemporary painting and sculpture, film, and even a circus performance. This book aims to explore not just the perennial appeal of the Cyclopes as fearsome monsters, but the depth and subtlety of their mythology which raises complex issues of thought and emotion.

Whether they focus on the bewitching song of the Sirens, his cunning escape from the cave of the terrifying one-eyed Cyclops, or the vengeful slaying of the suitors of his beautiful wife Penelope, the stirring adventures of Ulysses/Odysseus are amongst the most durable in human culture. The picaresque return of the wandering pirate-king is one of the most popular texts of all time, crossing East-West divides and inspiring poets and film-makers worldwide. But why, over three thousand years, has the Odyssey's appeal proved so remarkably resilient and long-lasting? In her much-praised book Edith Hall explains the enduring fascination of Homer's epic in terms of its extraordinary susceptibility to adaptation. Not only has the story reflected a myriad of different agendas, but - from the tragedies of classical Athens to modern detective fiction, film, travelogue and opera - it has seemed perhaps uniquely fertile in generating new artistic forms. Cultural texts as diverse as Joyce's Ulysses, Suzanne Vega's Calypso, Monteverdi's Il Ritorno d'Ulisse in Patria, the Coen Brothers' O Brother Where Art Thou?, Daniel Vigne's Le Retour de Martin Guerre and Anthony Minghella's Cold Mountain all show that Odysseus is truly a versatile hero. His travels across the wine-dark Aegean are journeys not just into the mind of one of the most brilliantly creative of all the ancient Greek writers. They are as much a voyage beyond the boundaries of a narrative which can plausibly lay claim to being the quintessential global phenomenon.