The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.

In Creating the Empress, Vera Proskurina examines the interaction between power and poetry in creating the imperial image of Catherine the Great, providing a detailed analysis of a wide range of Russian literary works from this period, particularly the main Classical myths associated with Catherine (Amazon, Astraea, Pallas Athena, Felicitas, Fortune, etc.), as well as how these Classical subjects affirmed imperial ideology and the monarch's power. Each chapter of the book revolves around the major events of Catherine's reign (and some major literary works) that give a broad framework to discuss the evolution of important recurring motifs and images.

The book is dedicated to M. V. Lomonosov’s living in St. Petersburg. The book pages tell us about M. V. Lomonosov’s activity as a consistent and convinced successor to Peter the Great’s traditions, who initiated the science development and made it a part of the national strategy, a necessary condition of Russia’s development in economic, technical and cultural fields of knowledge.The book covers every stage of scientist’s biography, such as Lomonosov’s childhood, education, his work in the Academy of Sciences and Arts, and his pass from a student to the academician. It tells us about M. V. Lomonosov’s contribution to the formation of the national science and the Academy transformation into the educational center of the Russian Empire. It gives consideration to the scientist’s role in the development of physics, chemistry, economics, geography, literature, and tool engineering.This publication is of interest both for specialists and for a wide range of the scientific community.This book is a translation of the edition in Russian, original name “M.V. Lomonosov in St. Petersburg“, published at the commission of the Committee on Science and Higher school of St. Petersburg Government on the occasion of the celebration of 300th anniversary of Mikhail Lomonosov’s birth in St. Petersburg in accordance with the decree of St. Petersburg Government of 16.04.2010, N 407, “On the approval of the List of activities for 2011 on the preparation and holding of 300th anniversary of Mikhail Lomonosov’s birth in St. Petersburg”.

An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.

First published in 1981. A Concordance to the Poems of John Keats intended to provide the user with a volume suitable to the varying and increasingly specialised interests of scholarship. This title offers a high degree of inclusiveness that attends to the poems and plays, the emended and authoritative headings, and virtually all of the variant readings considered substantive in the riches of the Keats manuscript materials. This title will be of interest to students of literature.

In the shadow of Pushkin's Golden Age, Russia's eighteenth-century culture was relegated to an obscurity hardly befitting its actually radical legacy. Why did nineteenth-century Russians put the eighteenth century so quickly behind them? How does a meaningful present become a seemingly meaningless past? Interpreting texts by Lomonosov, Derzhavin, Pushkin, Viazemsky, Turgenev, Tolstoy, and others, Luba Golburt finds surprising answers.

'We Japanese', is a collection of answers to questions that the author as a hotel manager in Japan has answered for hotel guests over the years. He was the manager for over 28 years at the Fujiya Hotel at Miyanoshita. These are naturally questions concerning those things which are different in Japan from the countries from which the visitors come. First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.

The collaborative effort of nearly 100 China scholars from around the world, this unique one-volume reference provides 89 in-depth biographies of important Chinese women from the fifth century B.C.E to the early twentieth century.