Old Wine and New by Joseph Cross is about previous and progressive views on Scripture. Excerpt: "Dear Reader: In the preface to Pauline Charity, did not the writer promise thee that volume should be his last? Some months later, however, at the bottom of the homiletical barrel, he found a few old acquaintances, in threadbare and tattered guise, smiling reproachfully out of the dust of an undeserved oblivion. He beckoned them forth, gave them new garments, and bade them go to the printer. And lo! here they are—twenty-two of them—in comely array, with fresh-anointed locks, knocking modestly at thy door. If any of the former groups from the same family were deemed worthy of thy hospitality—if any of the twenty-two Evangelists gladdened thy soul with good tidings—if any of the twenty-two Knights-Banneret stimulated thy zeal in the holy conflict—if any of the twenty white-hooded sisters of Charity warmed thy heart with words of loving kindness..."

Three Discourses on Imagined Occasions was the last of seven works signed by Kierkegaard and published simultaneously with an anonymously authored companion piece. Imagined Occasions both complements and stands in contrast to Kierkegaard's pseudonymously published Stages on Life's Way. The two volumes not only have a chronological relation but treat some of the same distinct themes. The first of the three discourses, "On the Occasion of a Confession," centers on stillness, wonder, and one's search for God--in contrast to the speechmaking on erotic love in "In Vino Veritas," part one of Stages. The second discourse, "On the Occasion of a Wedding," complements the second part of Stages, in which Judge William delivers a panegyric on marriage. The third discourse, "At a Graveside," sharpens the ethical and religious earnestness implicit in Stages's "'Guilty'/'Not Guilty'" and completes this collection.

Søren Kierkegaard's 13 communion discourses constitute a distinct genre among the various forms of religious writing composed by Kierkegaard. Originally published at different times and places, Kierkegaard himself believed that these discourses served as a unifying element in his work and were crucial for understanding his religious thought and philosophy as a whole. Written in an intensely personal liturgical context, the communion discourses prepare the reader for participation in this rite by emphasizing the appropriate posture for forgiveness of sins and confession.