Over the course of the long 18th century, many of England's grandest country houses became known for displaying noteworthy architecture and design, large collections of sculptures and paintings, and expansive landscape gardens and parks. Although these houses continued to function as residences and spaces of elite retreat, they had powerful public identities: increasingly accessible to tourists and extensively described by travel writers, they began to be celebrated as sites of great importance to national culture. This book examines how these identities emerged, repositioning the importance of country houses in 18th-century Britain and exploring what it took to turn them into tourist attractions. Drawing on travel books, guidebooks, and dozens of tourists' diaries and letters, it explores what it meant to tour country houses such as Blenheim Palace, Chatsworth, Wilton, Kedleston and Burghley in the tumultuous 1700s. It also questions the legacies of these early tourists: both as a critical cultural practice in the 18th century and an extraordinary and controversial influence in British culture today, country-house tourism is a phenomenon that demands investigation.

The first comprehensive study of the emergence of Devon's seaside resorts. Relating the development of these resorts to the wider processes of social and economic change, it explains why early tourists were drawn to the remote Devon coast and shows how fishing villages were transformed into fashionable watering places. Themes covered include bathing rituals and sea-water drinking, health cures and cholera epidemics, sophisticated amusements and improving recreations, paddle-steamers and excursion trains.

Draws on previously unexplored visual and ephemeral sources to re-evaluate the British city, its changing form, representation and impact.