A new history of Islamic practice told through the aesthetic reception of medieval religious objects.

God is often at work through the ordinary: ordinary people, ordinary objects, ordinary grace. Through the ordinary, God communicates epiphanies, salvation, revelation, and reconciliation. It is through the mundane that we hear Gods quiet voice. In this devotion for the season of Lent, Jill J. Duffield draws readers attention to ten ordinary objects that Jesus would have encountered on his way to Jerusalem: dust, bread, the cross, coins, shoes, oil, coats, towels, thorns, and stones. In each object, readers will find meaning in the biblical account of Jesus final days. Each week, readers encounter a new object to consider through Scripture, prayer, and reflection. From Ash Wednesday to Easter, Lent in Plain Sight reminds Christians to open ourselves to the kingdom of God.

This book demonstrates the importance of the study of fetishes and fetishism in the study of popular culture. Some of the essays cover rather "conventional" manifestations in the world today; others demonstrate the fetishistic qualities of some unusual items. But all illustrate without any doubt that, like the icon, the ritual, and many other items in society, fetishes, fetishism and fetishists must be studied and understood before we can begin to understand the complexity of present-day society.

At Christmas, God came into our ordinary world in the form of a child, and still today, God is at work through the ordinary stuff of life, if we train our eyes to see. In this daily devotional for Advent, Christmas, and Epiphany, Jill J. Duffield draws readers' attention to ten ordinary objects that appear in the biblical narratives of messianic prophesy and incarnation—objects we encounter in our own lives. Through objects such as gates, trees, cloth, light, and water, readers will find new meaning in the biblical account of Jesus’ coming. By connecting everyday objects with biblical texts, Advent in Plain Sight prompts readers to see the near kingdom of heaven on earth and ponder what that divine proximity enables and asks them to do and be. Each daily devotional features a Scripture reading, prayer, and reflection, reminding Christians that God still dwells among us, even in the most ordinary places.

"What brings religious scholars Constance Furey, Sarah Hammerschlag, and Amy Hollywood together in Devotion is a shared conviction that "reading helps us live with and through the unknown." For them, the nature of reading raises questions fundamental to how we think about our political futures and modes of human relation. Each essay suggests different ways to characterize the object of devotion and the stance of the devout subject before it. Furey writes about devotion in terms of vivification, energy, and artifice; Hammerschlag in terms of commentary, mimicry, and fetishism; and Hollywood in terms of anarchy, antinomianism, and atopia. They are interested in literature not as providing models for ethical, political, or religious life, but as creating the site in which the possible-and the impossible-transport the reader, enabling new forms of thought, habits of mind, and modes of life. Ranging from German theologian Martin Luther to French-Jewish philosopher Sarah Kofman to American poet Susan Howe, this volume is not just a reflection on forms of devotion, it is also an enactment of devotion itself"--

Daily religious devotion in the Greek and Roman worlds centered on the family and the home. Besides official worship in rural sacred areas and at temples in towns, the ancients kept household shrines with statuettes of different deities that could have a deep personal and spiritual meaning. Roman houses were often filled with images of gods. Gods and goddesses were represented in mythological paintings on walls and in decorative mosaics on floors, in bronze and marble sculptures, on ornate silver dining vessels, and on lowly clay oil lamps that lit dark rooms. Even many modest homes had one or more religious objects that were privately venerated. Ranging from the humble to the magnificent, these small objects could be fashioned in any medium from terracotta to precious metal or stone. Showcasing the collections in the Getty Villa, this book’s emphasis on the spiritual beliefs and practices of individuals promises to make the works of Greek and Roman art more accessible to readers. Compelling representations of private religious devotion, these small objects express personal ways of worshiping that are still familiar to us today. A chapter on contemporary domestic worship further enhances the relevance of these miniature sculptures for modern viewers.

Focuses on one of the most attractive features of late medieval manuscript illumination: the portrait of the book owner at prayer within the pages of her prayer-book.

The key to happiness is the mind. With the mind, we can switch our life to suffering or we can switch it to happiness, just as we change television channels, choosing to watch programs about fighting and war, or peaceful things, like the nature programs people seem to enjoy. Experiencing happiness or suffering depends entirely on what we do with our mind. -Lama Zopa Rinpoche in Sun of Devotion, Stream of Blessings Sun of Devotion, Stream of Blessings is the record of a remarkable series of powerful and clear Dharma teachings given by Kyabje Lama Zopa Rinpoche in 2014 to students at Leeds and London in the United Kingdom. Lama Yeshe Wisdom Archive⿿s editor Gordon McDougall was present throughout these teachings and has now skillfully edited them into written form that retains the flavor of a great master giving precise instructions to the students sitting before him. In Sun of Devotion, Stream of Blessings, Rinpoche explains how to take care of our minds so that our happiness is in our own hands, gives profound teachings on the Buddhist philosophy of emptiness, discusses the need for ethics and a solid refuge, shows us how to cut the root of samsara, explores why practicing certain tantras is important and especially emphasizes how the guru is the most powerful object of our Dharma practice. Gordon has presented the subjects taught by Rinpoche in the order in which they were given, beginning with a deep commentary on the meaning of sang-gyä, the Tibetan term usually translated as "buddha," and retaining the powerful method by which Rinpoche would repeatedly reinforce and expand upon earlier topics. Rinpoche also spends much time discussing the great qualities of Khadro-la (Rangjung Neljorma Khadro Namsel Drolma), the incredible being who has become so important to Tibetan Buddhism, FPMT and the world.

This volume sets out to explore the world of domestic devotions and is premised on the assumption that the home was a central space of religious practice and experience throughout the early modern world. The contributions to this book, which deal with themes dating from the fifteenth to the eighteenth century, tell of the intimate relationship between humans and the sacred within the walls of the home. The volume demonstrates that the home cannot be studied in isolation: the sixteen essays, that encompass religious history, the histories of art and architecture, material culture, literary history, and social and cultural history, instead point individually and collectively to the porosity of the home and its connectedness with other institutions and broader communities. Contributors: Dotan Arad, Kathleen Ashley, Martin Christ, Hildegard Diemberger, Marco Faini, Suzanna Ivanič, Debra Kaplan, Marion H. Katz, Soyeon Kim, Hester Lees-Jeffries, Borja Franco Llopis, Alessia Meneghin, Francisco J. Moreno Díaz del Campo, Cristina Osswald, Kathleen M. Ryor, Igor Sosa Mayor, Hanneke van Asperen, Torsten Wollina, and Jungyoon Yang.