When an old friend asked him to write a weekly dispatch from New Hampshire for the Mail on Sunday's Night and Day magazine, Bill Bryson firmly turned him down. So firm was he, in fact, that gathered here are nineteen months' worth of his popular columns about the strangest of phenomena -- the American way of life.Whether discussing the dazzling efficiency of the garbage disposal unit, the mind-boggling plethora of methods by which to shop, the exoticism of having your groceries bagged for you, or the jaw-slackening direness of American TV, Bill Bryson brings his inimitable brand of bemused wit to bear on the world's richest and craziest country.

Before New York Times bestselling author Bill Bryson wrote The Road to Little Dribbling, he took this delightfully irreverent jaunt around the unparalleled floating nation of Great Britain, which has produced zebra crossings, Shakespeare, Twiggie Winkie’s Farm, and places with names like Farleigh Wallop and Titsey.

"After nearly two decades in Britain, Bill Bryson took the decision to move Mrs Bryson, little Jimmy et al. back to the States for a while. But before leaving his much-loved Yorkshire, Bryson insisted on taking one last trip around old Blighty, a sort of valedictory tour of the green and kindly island that had for so long been his home. The resulting book, Notes from a Small Island, is a eulogy to the country that produced Marmite, George Formby, by-elections, milky tea, place names like Farleigh Wallop, Titsey and Shellow Bowells, Gardeners' Question Time and people who say, 'Mustn't grumble.' Britain will never seem the same again. Once ensconced back home in New Hampshire, Bryson couldn't resist the invitation to write a weekly dispatch for the Mail on Sunday's Night & Day magazine. Notes from a Big Country is a collection of eighteen months' worth of his popular columns about that strangest of phenomena - the American way of life. Whether discussing the dazzling efficiency of the garbage disposal unit, the exoticism of having your groceries bagged for you, or the mind-numbing frequency of commercial breaks on American TV, Bill Bryson brings his inimitable brand of bemused wi

The New York Times bestselling author of Bet Me, Tell Me Lies and Welcome to Temptation delivers her long-awaited novel Andie Miller is ready to move on in life. She wants to marry her fiancé and leave behind everything in her past, especially her ex-husband, North Archer. But when Andie tries to gain closure with him, he asks one final favor of her before they go their separate ways forever. A very distant cousin of his has died and left North as the guardian of two orphans who have driven out three nannies already, and things are getting worse. He needs a very special person to take care of the situation and he knows Andie can handle anything. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What's worse, Andie's fiancé thinks this is all a plan by North to get Andie back, and he may be right. Andie's dreams have been haunted by North since she arrived at the old house. And that's not the only haunting. What follows is a hilarious adventure in exorcism, including a self-doubting parapsychologist, an annoyed medium, her Tarot-card reading mother, an avenging ex-mother-inlaw, and, of course, her jealous fiancé. And just when she thinks things couldn't get more complicated, North shows up on the doorstep making her wonder if maybe this time things could be different between them. If Andie can just get rid of all the guests and ghosts, she's pretty sure she can save the kids, and herself, from the past. But fate might just have another thing in mind...

ABOUT THE BOOK The first time I read a Bill Bryson book, I was not expecting much at all. For many years my family shared a rustic cottage on a lake with all the other members of my mother's family. Entertainment on nice days usually involved swimming, swimming, more swimming, and the occasional nap. On gray days, we read. Over the years four generations of the family left behind a muddled collection of books. When I read through the books I had brought with me, I'd grab whatever my relations had left behind. That's how I first encountered Bill Bryson. I found a well-worn, tattered copy of A Walk in the Woods, left behind by a relative. I picked it up with uncertainty, not sure I was completely interested in a stranger's account of a summer spent hiking the Appalachian Trail. As for a stranger who told that story while trying to be funny? I suspended my disbelief. But, Bryson really was funny. So funny that when I returned home I promptly ordered a copy and made my husband read it. After finishing it, he went out and got still more Bryson books. They were funny, too. That's the first thing that should be said about Bryson, and about Notes from a Big Land: It's a funny book written by a man who has a mastery of funny. MEET THE AUTHOR Peg Robinson holds a BA in Religious Studies from the University of California at Santa Barbara, and has partially completed an MA/PhD in Mythological Studies from Pacifica Graduate Institute. She holds a certificate in copy editing from Media Bistro. Her publishing career started in 1998, on winning a place in Simon and Schuster's Star Trek: Strange New Worlds competition. Her novelette "Tonino and the Incubus" qualified for the 2007 Nebula Awards. She has worked as a content provider, copy writer, informational writer, copy editor, and developmental editor. EXCERPT FROM THE BOOK Notes from a Big Country is the British version of a book published in the United States under the title I'm a Stranger Here, Myself. Both books are compiled of essays written for the British publication, Mail on Sunday's Night and Day, edited by Simon Kelner, a friend and associate of Bryson's. There are extensive differences between the two books. Notes from a Big Country contains a full 78 essays; I'm a Stranger Here, Myself contains only 70. Editorial adjustments were made to take the language and assumptions of each nation into account. An extensive comparison of the two volumes can be found from the Department of Translation Studies, at the University of Tanjere. The linguistic analysis may not interest everyone, but it provides a fairly extensive overview of the changes made in adapting the book for two distinct audiences. There is no question to an American reader that Notes from a Big Country was written for an English audience. While Bryson is on record as considering his identity in England that of an outsider it's impossible to read the essay chapters without realising how deeply Bryson has adapted to English culture. It's equally impossible to miss how profoundly he felt the culture-shock on returning to the United States. Buy a copy to keep reading! CHAPTER OUTLINE Quicklet on Bill Bryson's Notes from a Big Country Bill Bryson’s Notes from a Big Country + Introduction + Biographical Information + Overview: Notes from a Big Country + Material and Tone + ...and much more

LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.

Winner of the Overseas Press Club of America's Cornelius Ryan Award • Finalist for the Pulitzer Prize in Nonfiction A New York Times Book Review Notable Book • Named a Best Book of the Year by New York Magazine and The Progressive "A deeply honest and brave portrait of of an individual sensibility reckoning with her country's violent role in the world." —Hisham Matar, The New York Times Book Review In the wake of the September 11 attacks and the U.S.-led invasion of Iraq, Suzy Hansen, who grew up in an insular conservative town in New Jersey, was enjoying early success as a journalist for a high-profile New York newspaper. Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul. Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.” Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.

'Funny, wise, learned and compulsive' - GQ Bill Bryson turns away from travelling the highways and byways of middle America, so hilariously depicted in his bestselling The Lost Continent, The Life and Times of the Thunderbolt Kid and Notes from a Big Country, for a fast, exhilarating ride along the Route 66 of American language and popular culture. In Made in America, Bryson tells the story of how American arose out of the English language, and along the way, de-mythologizes his native land - explaining how a dusty desert hamlet with neither woods nor holly became Hollywood, how the Wild West wasn't won, why Americans say 'lootenant' and 'Toosday', how they were eating junk food long before the word itself was cooked up - as well as exposing the true origins of the words G-string, blockbuster, poker and snafu. 'A tremendously sassy work, full of zip, pizzazz and all those other great American qualities' Will Self, Independent on Sunday

From actress and activist Angelina Jolie comes the personal journals she compiled while performing humanitarian relief efforts in such countries as Sierra Leone and Tanzania, Pakistan and Cambodia. When award-winning actress Angelina Jolie took on a radically different role as a Goodwill Ambassador for the UN High Commissioner for Refugees (UNHCR), she was determined to document everything she witnessed and experienced. Here are her memoirs from her journeys to Sierra Leone, Tanzania, Pakistan, Cambodia, and Ecuador, where she lived and worked and gave her heart to those who suffer the world’s most shattering violence and victimization. Here are her revelations of joy and warmth amid utter destitution...compelling snapshots of courageous and inspiring people for whom survival is their daily work, and candid notes from a unique pilgrimage that completely changed her worldview—and the world within herself.

"I come from Des Moines. Somebody had to." And, as soon as Bill Bryson was old enough, he left. Des Moines couldn't hold him, but it did lure him back. After ten years in England he returned to the land of his youth, and drove almost 14,000 miles in search of a mythical small town called Amalgam, the kind of smiling village where the movies from his youth were set. Instead he drove through a series of horrific burgs, which he renamed Smellville, Fartville, Coleslaw, Coma, and Doldrum. At best his search led him to Anywhere, USA, a lookalike strip of gas stations, motels and hamburger outlets populated by obese and slow-witted hicks with a partiality for synthetic fibres. He discovered a continent that was doubly lost: lost to itself because he found it blighted by greed, pollution, mobile homes and television; lost to him because he had become a foreigner in his own country.