_______________ 'Unexpectedly funny' - New York Times 'Full of imagination, humour and invention ... A glorious debut' - Irish Times 'Mesmerising ... She writes with a heartbreaking clarity ... and is dexterously able to evoke emotional extremity through pitch-perfect narrative compression' - The Times _______________ THE EXQUISITE DEBUT NOVEL FROM THE AUTHOR OF WEATHER, SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2020 To eight-year-old Grace Davitt, her mother, Anna, is a puzzling yet wonderful mystery. This is a woman who has seen a sea serpent in the lake, who paints a timeline of the universe on the sewing-room wall, and who teaches her daughter a secret language which only they can speak. For Grace's father, however, the only truth is science, and increasingly he finds himself shut out by Anna as she draws Grace deeper and deeper into a strange world of myth and obsession. _______________ Selected as a Book of the Year in Guardian, Telegraph, Observer, Irish Times and New York Times 'The charisma and damage of madness lend a desperate glamour' - Elle 'A gem of a book' - Tatler 'Brilliantly captures the confusion of childhood' - Red

'That is how it works in the City. Every time you think you know the answer to a question, you discover that the question makes no sense . . .' This is the story of Anna Blume and her journey to find her lost brother, William, in the unnamed City. Like the City itself, however, it is a journey that is doomed, and so all that is left is Anna's unwritten account of what happened. Paul Auster takes us to an unspecified and devastated world in which the self disappears amidst the horrors that surround us. But this is not just an imaginary, futuristic world: like the settings of Kafka stories, it is one that echoes our own, and in doing so addresses some of our darker legacies. In the Country of Last Things is a tense, psychological take on the dystopian novel. It continues Auster's deep exploration of his central themes: the modern city, the mysteries of storytelling, and the elusive and unstable nature of truth.

"Everything I love in a book."—Victoria Schwab, author of #1 New York Times bestseller This Savage Song “The kind of taut, atmospheric thriller that gets your heart racing and sets your imagination on fire. Sensational.”—Claire Legrand, New York Times-bestselling author of Furyborn Finalist for the Minnesota Book Award New York Times–bestselling author Jacqueline West captivates readers with a dark, hypnotic story about the cost of talent—and the evil that lurks just out of sight. Fans of Holly Black and Victoria Schwab will be mesmerized by this gorgeous, magnetic novel. High school senior Anders Thorson is unusually gifted. His band, Last Things, is legendary in their northern Minnesota hometown. With guitar skills that would amaze even if he weren’t only eighteen, Anders is the focus of head-turning admiration. And Thea Malcom, a newcomer to the insular town, is one of his admirers. Thea seems to turn up everywhere Anders goes: gigs at the local coffeehouse, guitar lessons, even in the woods near Anders’s home. When strange things start happening to Anders, blame immediately falls on Thea. But is she trying to hurt him? Or save him? Can he trust a girl who doesn’t seem to know the difference between dreams and reality? And how much are they both willing to sacrifice to get what they want? Told from Anders’s and Thea’s dual points of view, this exquisitely crafted novel is full of unexpected twists and is for fans of Holly Black’s The Darkest Part of the Forest and Melissa Albert’s The Hazel Wood.

Last Things is the true and intensely personal story of how one woman coped with the devastating effects of a catastrophic illness in her family. Using her trademark mix of words and pictures to sharp effect, Marissa Moss presents the story of how she, her husband, and her three young sons struggled to maintain their sense of selves and wholeness as a family and how they continued on with everyday life when the earth shifted beneath their feet. After returning home from a year abroad, Marissa’s husband, Harvey, was diagnosed with ALS. The disease progressed quickly, and Marissa was soon consumed with caring for Harvey while trying to keep life as normal as possible for her young children. ALS stole the man who was her husband, the father of her children, and her best friend in less than 7 months. This is not a story about the redemptive power of a terminal illness. It is a story of resilience—of how a family managed to survive a terrible loss and grow in spite of it. Although it’s a sad story, it’s powerfully told and ultimately uplifting as a guide to strength and perseverance, to staying connected to those who matter most in the midst of a bleak upheaval. If you’ve ever wondered how you would cope with a dire diagnosis, this book can provide a powerful example of what it feels like and how to come through the darkness into the light.

In The Last Things Donald G. Bloesch takes up difficult and sometimes controversial themes such as the coming of the kingdom of God, the return of Jesus Christ, the life hereafter, the millennial hope, the final judgment, hell, heaven, purgatory and paradise. Wrestling with biblical texts that often take metaphorical form, Bloesch avoids rationalistic reductionism as well as timid agnosticism. While he acknowledges mystery and even paradox, Bloesch finds biblical revelation much more than sufficient to illuminate the central truths of a Christian hope articulated throughout the history of the church. The Last Things is not just a review of past Christian eschatology but a fresh articulation of the grace and glory of God yet to be consummated. The triumph of the grace of Jesus Christ and the dawning of hope beckon us to reach out in the power of the Spirit to receive that blessed future and the promise to renew the life of the church universal today.

An inside look into Paul Auster's art and craft, the inspirations and obsessions, mesmerizing and dramatic in turn. A remarkably candid, and often surprisingly dramatic, investigation into one writer's art, craft, and life, A Life in Words is rooted in three years of dialogue between Auster and Professor I. B. Siegumfeldt, starting in 2011, while Siegumfeldt was in the process of launching the Center for Paul Auster Studies at the University of Copenhagen. It includes a number of surprising disclosures, both concerning Auster's work and about the art of writing generally. It is a book that's full of surprises, unscripted yet amounting to a sharply focused portrait of the inner workings of one of America's most productive and successful writers, through all twenty-one of Auster's narrative works and the themes and obsessions that drive them.

The last in the Strangers and Brothers series has Sir Lewis Eliot’s heart stop briefly during an operation. During recovery he passes judgement on his achievements and dreams.

Every so often a love story captures our hearts and becomes more than just a story - it becomes an experience to treasure and to share. The Notebook is such a book. It is a celebration of a passion both ageless and timeless, a tale of laughter and tears, and makes us believe in true love all over again. At thirty-one, Noah Calhoun is rebuilding his life on the coast after the horrors of World War II, but he is haunted by images of the girl he lost more than a decade earlier. Allie Nelson is about to marry into wealth and security, but she cannot stop thinking about the boy who stole her heart years ago. And so begins an extraordinary tale of a love so strong it turns tragedy into strength and endures everything . . . 2014 marks the 10th anniversary of the film adaptation of The Notebook starring Ryan Gosling and Rachel McAdams. This new edition includes gorgeous colour photographs from the film, author Q & A, discussion questions and an exclusive chapter from The Longest Ride, the new Nicholas Sparks novel.

The Stark Beauty of Last Things is set in Montauk, the far reaches of the famed Hamptons, an area under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a stake in the outcome, among them Julienne, an environmentalist and painter fighting to save the landscape that inspires her art; Theresa, a bartender whose trailer park home is jeopardized by coastal erosion; and Molly and Billy, who are struggling to hold onto their property against pressure to sell. When a forest fire breaks out, Clancy comes under suspicion for arson, complicating his efforts to navigate competing agendas for the best uses of the land and to find the healing and home he has always longed for. Told from multiple points of view, The Stark Beauty of Last Things explores our connection to nature—and what we stand to lose when that connection is severed.

Emily Brontë's poems are more frequently celebrated than read. Ironically, their very uniqueness and strangeness have made them less interesting to current feminist critics than other poetry written by Victorian women. This much-needed study reinstates Emily Brontë's poems at the heart of Romantic and Victorian concerns while at the same time underlining their enduring relevance for readers today. Last Things presents the poems as the achievement of a powerfully independent mind responding to its own inner experience of the world while seeking always an abrogation of human limits compatible with a stern morality. Although the book does not discuss all of Brontë's poems, it seeks to be comprehensive by undertaking an analysis of individual poems, the progress she made from the beginning of her career as a poet to its end, her poetical fragments and her writing practice, and her motives for writing poetry. Last Things also brings the emotions and concerns that inform Wuthering Heights into sharper focus by relating them to the poems.