A beautifully rendered reference guide to the Great Plains portion of the famous expedition through the American West highlights the explorer's remarkable encounters with previously undocumented flora and fauna as they moved through the Plains region. Original. (Biology & Natural History)

In the late 1920s an exciting discovery was made at the New Mexico site of Folsom - spear points, found embedded between the ribs of an Iron Age bison - that was to resolve decades of bitter conflict amongst archaeologists.

Almost from the day of its accidental discovery along the banks of the Columbia River in Washington State in July 1996, the ancient skeleton of Kennewick Man has garnered significant attention from scientific and Native American communities as well as public media outlets. This volume represents a collaboration among physical and forensic anthropologists, archaeologists, geologists, and geochemists, among others, and presents the results of the scientific study of this remarkable find. Scholars address a range of topics, from basic aspects of osteological analysis to advanced ?research focused on Kennewick Man’s origins and his relationships to other populations. Interdisciplinary studies, comprehensive data collection and preservation, and applications of technology are all critical to telling Kennewick Man’s story. Kennewick Man: The Scientific Investigation of an Ancient American Skeleton is written for a discerning professional audience, yet the absorbing story of the remains, their discovery, their curation history, and the extensive amount of detail that skilled scientists have been able to glean from them will appeal to interested and informed general readers. These bones lay silent for nearly nine thousand years, but now, with the aid of dedicated researchers, they can speak about the life of one of the earliest human occupants of North America.

This incisive, provocative, and wide-ranging book casts a critical eye on the representation of Native Americans in the Western film since the genre's beginnings. Armando José Prats shows the ways in which film reflects cultural transformations in the course of America's historical encounter with "the Indian." He also explores the relation between the myth of conquest and American history. Among the films he discusses at length are Northwest Passage, Stagecoach, The Searchers, Hombre, Hondo, Ulzana's Raid, The Last of the Mohicans, and Dances With Wolves.Throughout, Prats emphasizes the irony that the Western seems to be able to represent Native Americans only by rendering them absent. In addition, he points out that Native Americans who appear in Westerns are almost always male; Native women rarely figure into the plot, and are often portrayed by white women rendered "Indian" by narrative necessity. Invisible Natives offers an intriguing view of the possibilities and consequences--as well as the historical sources and cultural origins--of the Western's strategies for evading the actual portrayal of Native Americans.