From Archibald MacLeish to David Sedaris, radio storytelling has long borrowed from the world of literature, yet the narrative radio work of well-known writers and others is a story that has not been told before. And when the literary aspects of specific programs such as The War of the Worlds or Sorry, Wrong Number were considered, scrutiny was superficial. In Lost Sound, Jeff Porter examines the vital interplay between acoustic techniques and modernist practices in the growth of radio. Concentrating on the 1930s through the 1970s, but also speaking to the rising popularity of today's narrative broadcasts such as This American Life, Radiolab, Serial, and The Organist, Porter's close readings of key radio programs show how writers adapted literary techniques to an acoustic medium with great effect. Addressing avant-garde sound poetry and experimental literature on the air, alongside industry policy and network economics, Porter identifies the ways radio challenged the conventional distinctions between highbrow and lowbrow cultural content to produce a dynamic popular culture.

“Romantic, urgent, valuable and appealing as hell.” —Andrew McCarthy, New York Times Book Review Writer Porter Fox spent three years exploring 4,000 miles of the border between Maine and Washington, traveling by canoe, freighter, car, and foot. In Northland, he blends a deeply reported and beautifully written story of the region’s history with a riveting account of his travels. Setting out from the easternmost point in the mainland United States, Fox follows explorer Samuel de Champlain’s adventures across the Northeast; recounts the rise and fall of the timber, iron, and rail industries; crosses the Great Lakes on a freighter; and traces the forty-ninth parallel from Minnesota to the Pacific Ocean. He weaves in his encounters with residents, border guards, Indian activists, and militia leaders to give a dynamic portrait of the northland today, wracked by climate change, water wars, oil booms, and border security.

In this study of Porter’s work, Tanner focuses on Porter’s denial of her Texas heritage, her apparent urge to distance herself from Texas and all things Texan. He analyzes Porter’s settings and characters, emphasizing and clarifying the influence of her Texas upbringing on her creative art, exploring the conflict between the Texas Porter and the urbane-sophisticate Porter. Born in Indian Creek, Texas, in 1890, Katherine Anne Porter was always a Texas writer, even though she roamed widely, and seemed to represent, for many readers, a more Southern and genteel facet of Texas culture than they were prepared to accept. Tanner deals with Porter as a Texas story-teller, who, her wanderings over the earth notwithstanding, was a Texas writer first and last.

One man’s “curiously thrilling joyride” of travelogue, history, and climatology, across a planet on the brink of cataclysmic transformation (Donovan Hohn). As the planet warms, winter is shrinking. In the last fifty years, the Northern Hemisphere lost a million square miles of spring snowpack and in the US alone, snow cover has been reduced by 15-30%. On average, winter has shrunk by a month in most northern latitudes. In this deeply researched, beautifully written, and adventure-filled book, journalist Porter Fox travels along the edge of the Northern Hemisphere's snow line to track the scope of this drastic change, and how it will literally change everything—from rapid sea level rise, to fresh water scarcity for two billion people, to massive greenhouse gas emissions from thawing permafrost, and a half dozen climate tipping points that could very well spell the end of our world. This original research is animated by four harrowing and illuminating journeys—each grounded by interviews with idiosyncratic, charismatic experts in their respective fields and Fox's own narrative of growing up on a remote island in Northern Maine. Timely, atmospheric, and expertly investigated, The Last Winter will showcase a shocking and unexpected casualty of climate change—that may well set off its own unstoppable warming cycle.

A century later, Josephine Lang, a prodigiously talented pianist and dedicated composer, participated at various times in the German Romantic world of lieder through her important arts salon. Lastly, the twentieth century brought forth two exceptional women: Baroness Maria Bach, a composer and pianist of twentieth-century Vienna's upper bourgeoisie and its brilliant musical milieu in the era of Gustav Mahler, Richard Strauss, Arnold Schoenberg, and Erich Korngold; and Ann Schein, a brilliant and dauntless American piano prodigy whose career, ongoing today though only partially recognized, led her to study with the legendary virtuosos Arthur Rubinstein and Myra Hess.

Born into a distinguished military family, Fitz John Porter (1822-1901) was educated at West Point and breveted for bravery in the war with Mexico. Already a well-respected officer at the outset of the Civil War, as a general in the Union army he became a favorite of George B. McClellan, who chose him to command the Fifth Corps of the Army of the Potomac. Porter and his troops fought heroically and well at Gaines's Mill and Malvern Hill. His devotion to the Union cause seemed unquestionable until fellow Union generals John Pope and Irvin McDowell blamed him for their own battlefield failures at Second Bull Run. As a confidant of the Democrat and limited-war proponent McClellan, Porter found himself targeted by Radical Republicans intent on turning the conflict to the cause of emancipation. He made the perfect scapegoat, and a court-martial packed with compliant officers dismissed him for disobedience of orders and misconduct before the enemy. Porter tenaciously pursued vindication after the war, and in 1879 an army commission finally reviewed his case, completely exonerating him. Obstinately partisan resistance from old Republican enemies still denied him even nominal reinstatement for six more years. This revealing new biography by William Marvel cuts through received wisdom to show Fitz John Porter as he was: a respected commander whose distinguished career was ruined by political machinations within Lincoln's administration. Marvel lifts the cloud that shadowed Porter over the last four decades of his life, exposing the spiteful Radical Republicans who refused to restore his rank long after his exoneration and never restored his benefits. Reexamining the relevant primary evidence from the full arc of Porter's life and career, Marvel offers significant insights into the intersections of politics, war, and memory.

Between World War I and World War II, African Americans' quest for civil rights took on a more aggressive character as a new group of black activists challenged the politics of civility traditionally embraced by old-guard leaders in favor of a more forceful protest strategy. Beth Tompkins Bates traces the rise of this new protest politics--which was grounded in making demands and backing them up with collective action--by focusing on the struggle of the Brotherhood of Sleeping Car Porters (BSCP) to form a union in Chicago, headquarters of the Pullman Company. Bates shows how the BSCP overcame initial opposition from most of Chicago's black leaders by linking its union message with the broader social movement for racial equality. As members of BSCP protest networks mobilized the black community around the quest for manhood rights and economic freedom, they broke down resistance to organized labor even as they expanded the boundaries of citizenship to include equal economic opportunity. By the mid-1930s, BSCP protest networks gained platforms at the national level, fusing Brotherhood activities first with those of the National Negro Congress and later with the March on Washington Movement. Lessons learned during this era guided the next generation of activists, who carried the black freedom struggle forward after World War II.

The tumultuous North Carolina Senate primaries of 1950 are still viewed as the most bitter chapter in the state's modern political history. The central figure in that frenzied race was the appointed incumbent, Frank Porter Graham, former president of the University of North Carolina (1931-49) and liberal activist of national stature.

For many people, seashells are just part of the beach scenery--thousands of pretty but nameless objects strewn along the shore. Other people know the names of shells but often wonder how they were formed and what type of animal lived inside. Such incidental knowledge may not seem important, but it can encourage people to observe their environment more closely and to gain a better understanding of it. As a result, they may become better fishers, more informed teachers or more conscientious stewards of our coast. To this end, the seashell guide was produced. Many collectors get started when they find an intriguing shell, perhaps after a storm, and search for it in a guide. Others, by chance, meet an experienced sheller on the beach. Talking with a collector passionate about shells is likely to spark an interest in anyone who has spent time at the coast. A walk down the beach is never the same once you begin to recognize a few shells. Gradually, you learn to use certain marks to solve the puzzle of shell identification. The walk becomes more satisfying as you recognize familiar shells like old friends, and it becomes more exciting as you look for new ones.