Collects pages from the private sketchbooks of architects and studios from around the world, and includes comments from the artists as well as details on how they use sketching to evolve inspirations and concepts into more developed ideas.

This exhibition, which was held at Ivorypress Art+Books in September 2009, featured 200 drawings by Norman Foster. This catalogue includes the exhibited drawings as well as texts of a series of paneled discussions which were mediated by LuÃÂs Fernández Galiano, with contributions from Norman Foster, Richard Long, Deyan Sudjic, Not Vital, Ricky Burdett, Jordi Gual, Saskia Sassen, Stefan Behling and Herbert Girardet. This catalogue is the first in a series devoted to architecture relating to art, sustainability and economy.

"'Norman Foster Talking and Writing' brings together, for the very first time, a selection of Norman Fosters most seminal lectures and essays. Spanning four decades, the publication is a comprehensive compilation of Fosters thoughts on architecture, urbanism, design, and technology and also compiles detailed descriptions of the development of some of Foster + Partners most influential projects. The publication presents a selection of lectures and essays alongside the original slides used in each of their presentations, spanning from the 1960s to the early 2000s, in what will surely be a point of reference for students, practitioners, and lovers of architecture for years to come" -- Amazon.com.

Despite being at the forefront of high-tech innovation in architecture, Chris Wilkinson obe ra is an architect who believes passionately in the importance of drawing by hand. Where many practices are now dominated by computeraided design, Wilkinson still uses drawing as a way to think through ideas, to grapple with design problems and as a tool of communication. This volume brings together images selected from twenty years of Wilkinson's sketchbooks, presenting a fascinating record not just of draughtsmanship but of the creation of architectural narrative. Covering every stage of the design process, this unique insight into the working drawings of a hugely influential architect includes sketches for many of his practice's most groundbreaking works - from structures for the London Olympics to the restoration and reconstruction of the three Grade II listed gas holders in Kings Cross, London - as well as a gazetteer with photographs of the final projects. Chris Wilkinson: Sketchbooks is both an essential purchase for anyone interested in the development of architectural draughtsmanship and a powerful demonstration of its importance.

This second edition is fully revised and updated and includes new chapters on sustainability, history and archaeology, designing through drawing and drawing in architectural practice. The book introduces design and graphic techniques aimed to help designers increase their understanding of buildings and places through drawing. For many, the camera has replaced the sketchbook, but here the author argues that freehand drawing as a means of analyzing and understanding buildings develops visual sensitivity and awareness of design. By combining design theory with practical lessons in drawing, Understanding Architecture Through Drawing encourages the use of the sketchbook as a creative and critical tool. The book is highly illustrated and is an essential manual on freehand drawing techniques for students of architecture, landscape architecture, town and country planning and urban design.

"The nature of colour should change -no longer just a thin layer of change, but something that genuinely alters perception" -this stipulation of Rem Koolhaas is echoes by the world famous architects and designers Alessandro Mendini and Norman Foster. In this volume, they present between them a total of 90 colours -each covering half a page -accompanied by comments on the background, the significance and the applications of the colours. Studies of colours from each office form the basis of this book, and were previously only available in extravagant individual editions. With this comprehensive and consistent presentation of the varying approaches to colour, we have a compendium which shows the wide use of colour in today's technologically advanced architecture with its modern, post-modern and deconstructive orientation. The range of examples of the colours in practice includes load-bearing structures, facades, interior design, furnishing and the entire specturm of product design.

- Featuring photography of every completed work from the practice's first fifty years - from Reliance Controls in 1967 to Comcast in 2017 - Foster + Partners Portfolio is the only comprehensive book on the complete work of the renowned practice ever published - Foster + Partners Portfolio features previously unpublished photography and drawings of some of the practice's most significant built and unbuilt work - Features Foster + Partners' recent work, including the European headquarters of Bloomberg in London - winner of the 2018 RIBA Stirling Prize - The book opens with a foreword from Norman Foster - the Pritzker Prize-winning founder and executive chairman of Foster + Partners - Essays from respected writer, curator and consultant Peter Buchanan offer fresh insight into the practice and its exacting standards of design, sustainability, innovation and excellence - Foster + Partners Portfolio is the first in a new line of publications produced directly by the award-winning practice Foster + Partners Portfolio is a complete and extraordinary account of the first fifty years of Foster + Partners - a globally renowned studio for sustainable architecture, urbanism and design. Over the past half-century, the practice - founded as Foster Associates in 1967 - has grown into a multi-disciplinary studio, motivated by sustainable design and leading through creativity and innovation. This book provides a beautiful visual record that celebrates the practice's remarkable breadth of works - both built and unbuilt. For the first time ever, Portfolio features photography of every project completed in the practice's first five decades, as well as drawings of its most important unrealized designs. Through over 480 carefully edited images - many previously unpublished - the book highlights the enormous contribution the practice has made to a range of design disciplines. Portfolio is delineated into five decade-long chapters, spanning from 1967 to 2017. Photographic pairings, acting as a chronological record of over 340 built works, provide the book's visual narrative. Drawings of unbuilt works appear at the end of each decade, celebrating the people behind the projects and hinting at the depth of ideas that permeate the practice. By placing projects side-by-side that would not normally be seen together, the book offers new readings of Foster + Partners' oeuvre. Always thought-provoking, often surprising and sometimes humorous, the juxtaposed photographs and drawings have been chosen to illuminate evolving design ideas rather than detail the finished architecture. Connected by color and light, or contrasted by form and function, the image pairings are shown without the responsibility of spatial explanation. This abstraction puts the viewer close to the creative spark of the architect and offers a unique insight into one of the most inventive studios in the world.

The sketching stage is integral to any piece of art -- it forms the foundations that everything else balances on. Sketches can often provide interesting insights into the processes and thinking behind the finished piece as well as showing off technique and skill. An artist's sketchbook is sacred and personal -- often thought of like a diary -- filled with uncensored thoughts, emotions and unique flourishes that are special to them. The freewheeling excitement in sketches -- where artists don't hold back, don't over-think, don't censor -- is hard to beat. 'Sketchbook' is about captured moments bursting with creativity, straight from the minds of the finest illustrators around the world. Whether made by pencil or stylus, sketches may be loose and generous or precise and economic, but all reveal something about the pure fun of creation.

Concepts from architects’ minds evolve through sketches and as a mode of transference are conveyed to the finished building. This book compares qualities of sketches to reveal unique approaches to the instruments of thinking in which all architects engage. It provides new insight into the relationship between architectural sketches and the process of creative manipulation. Sketches comprise a thinking mechanism, and through the qualities of ambiguity, quickness and change, they initiate a dialogue for architects. As a medium to facilitate communication, recording, discovery and evaluation, their pertinence lies in their ability to exhibit both the precise and the imprecise. Exploring four related theoretical approaches, play, memory-imagination-fantasy, caricature and the grotesque, the book shows how imprecision stimulates imagination to conceive new forms in the dialogue of architectural sketches.