Police officer Kain Walker has gone to great lengths to prevent his coworkers, family, and friends from finding out he’s gay. But when Kain meets Mel Fredericks, he realizes at once that his whole world is about to change. For the first time, Kain wants more than a one-night stand, but a relationship carries risks, discovery not least among them. Battling with others’ expectations and biases—and his own—Kain struggles to balance his desire for secrecy with his feelings for Mel at a time when being out could cost him dearly...Set in New York in the 1990s, this heartbreaking love story makes its English debut in a beautiful, oversized omnibus edition.

Jason Polan is on a mission to draw every person in New York, from cab drivers to celebrities. He draws people eating at Taco Bell, admiring paintings at the Museum of Modern Art, and sleeping on the subway. With a foreword by Kristen Wiig, Every Person in New York, Volume 1 collects thousands of Polan's energetic drawings in one chunky book. As full as a phone book and as invigorating as a walk down a bustling New York street, this is a new kind of love letter to a beloved city and the people who live there.

"I seem to live: the New York diaries, 1950-2011 is Jonas Mekas's key literary work. The first volume of this magnum opus, covering the period from 1950-1969, appears posthumously in the year of his death. It stands on an equal fooing with his cinematic oeuvre, which he initially developed together with his brother Adolfas after their arrival in New York. In 1954, the two brothers founded Film Culture magazine, and a weekly column for The Village Voice. It was in this period that his writing, films, and unflagging commitment to art began to establish him as a pioneer of American avant-garde cinema and the barometer of the New York art scene. An assemblage of Jonas's diaries from this exciting period, enriched with his own personal visual material, I seem to live: the New York diaries, vol. 1, 1950-1969 reads as a moving and subjectively condensed chronology of the postwar New York underground scene, which he shaped and defended through his writings"--Page 4 of cover

A novel prequel to Bang! Bang! BOOM! the graphic novel.

The bloody saga of Maniac Harry continues! After the tragedy of The Death Train, Detective Zelda Pettibone and mayoral aide Gina Greene have lost the trail of the Maniac -- and the support of the city. Copycats are springing up, tensions are high and traffic is a nightmare. So, what happens when your favorite unstoppable, mindless killer resurfaces in a Bronx high school? Can Zelda and Gina get there before Maniac Harry adds to his body count? Will the students tear their attention away from their phones long enough to notice there's a monster in the halls? Writer Elliott Kalan and artist Andrea Mutti return for the next chapter of the hit horror-satire that's somehow even scarier than the world we actually live in!

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.