Reprint of the original, first published in 1876.

A history of the relationship between Great Britain and the United States ranges from the establishment of the first English colony in the New World to the present day, examining both nations in terms of what connected them and what drove them apart.

No history of the European imagination, and no understanding of America's meaning, would be complete without a record of the ideas, fantasies, and misconceptions the Old World has formed about the New. Europe's fascination with America forms a contradictory pattern of hopes and fears, dreams and nightmares, yearnings and forebodings. America and Americans--according to one of their more indulgent European critics--have long been considered "a fairlyland of happy lunatics and lovable monsters." In The Old World's New World, award-winning historian C. Vann Woodward has written a brilliant study of how Europeans have seen and discussed America over the last two centuries. Woodward shows how the character and the image of America in European writings often depended more upon Old World politics and ideology than upon New World realities. America has been seen both as human happiness resulting from the elimination of monarchy, aristocracy, and priesthood, and as social chaos and human misery caused by their removal. It was proof that democracy was the best form of government, or that mankind was incapable of self government. America was regularly used both as an inspiration for revolutionaries and as a stern warning against radicals of all kinds. Americans have been seen as uniformly materialistic, hot in pursuit of dollars: "Such unity of purpose," wrote Mrs. Trollope, "can, I believe, be found nowhere else except, perhaps, in an ants' nest." And they have been admired for their industry--one young Russian Communist visited New York in 1925 and wrote that America is "where the 'future,' at least in terms of industrialization, is being realized." Decade after decade, America has been hailed for its youth, and lambasted for its immaturity. It has been looked to as a model of liberty, and attacked for maintaining the tyranny of the majority. But always it has been a metaphor for the possibilities of human society--possibilities both bright and foreboding. After a year of heady talk of a "New World Order," of American victory in the Cold War, of a new American Century, The Old World's New World provides a thoughtful and sobering perspective on how America has been seen in centuries past. C. Vann Woodward is one of America's foremost living historians. His books have won every major history award--including the Pulitzer, Bancroft, and Parkman prizes--and he has served as president of the American Historical Association as well as the Organization of American Historians and the Southern Historical Association. With this new book, he further enhances his reputation while making his vast learning accessible to a general audience.

Drawing on philosophical and psychoanalytic methods of interpretation, Richard Kuhns explores modern transformations of an ancient poetic genre, tragedy. Recognition of the philosophical problems addressed in tragedy, and of their presence up through eighteenth- and nineteenth-century philosophical texts, novels, and poetry, establishes a continuity between classical and modern enactments. Psychoanalytic theory in both its original formulations and post-Freud developments provides a means to enlarge upon and inform philosophical analyses that have dominated modern discussions. From Aeschylus' classic drama The Persians to the hidden tragic themes in The Merchant of Venice, from the aesthetic writings of Kant to Kleist's narrative Michael Kohlhaas, Kuhns traces the writing and rewriting of the themes of ancient tragedy through modern texts. A culture's concept of fate, Kuhns argues, evolves along with its concepts and forms of tragedy. Examining the deep philosophical concerns of tragedy, he shows how the genre has changed from loss and mourning to contradiction and repression. He sees the fact that tragedy went underground during the optimism of the Enlightenment as a repression that continues into the American consciousness. Turning to Melville's The Confidence Man as an example of Old World despair giving way to New World nihilism, Kuhns indicates how psychoanalytic understanding of tragedy provides a method of interpretation that illuminates the continuous tradition from the ancient to the modern world. The study concludes with reflections on the poetry of Walt Whitman and Emily Dickinson. Each poet's celebration of the body, and the contribution of the senses to reason, perception, and poetic intuition, is seen as an embodiment of the modern tragic sensibility.

This book describes how the effects of nature's own nuclear reactors have shaped the Earth, the Solar System, the Universe, and the history of life as we know it. It focuses on observed effects that are poorly explained by our standard theories, identifies certain errors in those theories, and shows how these effects are caused by natural nuclear fission reactors. The theory of Plate Tectonics is wrong, and it is shown that expansion of the Earth causes continental drift. A physically reasonable mechanism is proposed for expansion and observational data are presented to show that this occurs. Evolution is explained as punctuated equilibrium, with mutations caused by abrupt surges of radiation, and related life forms that have been interpreted as seperate species are actually the result of radiation injury. This view is particularly effective as applied to humans. The ability of the dinosaurs to live so large is explained by use of Earth Expansion and a more massive atmosphere to provide buoyancy and effective transpiration of oxygen. These effects also explain how pterodactyls and ancient birds could fly. Expansion induced by impacts at the end of the Cretaceous caused the atmosphere to thin and the dinosaurs collapsed. Analysis of geological and biological data supports this. The astronomical distance scale is shown to be wrong, based on the misconception that trigonometric parallax is an absolute measurement. It isn't, and the method is led astray by the overwhelming number of asteroidal fragments masquerading as stars. The measurements of an expanding Universe are shown to be in error, and an expanding Universe is not needed by an alternative interpretation of Einstein's equations. This interpretation is based on the equal creation of matter and antimatter, which is known to occur. Spiral galaxies are not vast Island Universes of stars as we have thought, but are shown to be the strewn fields of debris from the nuclear fission detonation of distant planets.The Universe is not made up of 96% Dark Matter and Dark Energy, but is instead very ordinary. Abundant evidence and references provide support for all these interpretations. This book opens new opportunities for research by correcting several fundamental errors in our concepts of the Earth, Life, and the Universe.