Peter Harrop offers a reappraisal of mummers' plays, which have long been regarded as a form of 'folk' or 'traditional' drama, somehow separate from the mainstream of British theatre. This fresh view of folk and tradition explores how mummers' plays emerged in an 18th century theatrical environment of popular spouting clubs and private theatricals, yet quickly transformed into 'traditionary' drama with echoes of an ancient past. Harrop suggests that by the late 19th century the plays had been appropriated by antiquarians and folklorists, leaving mummer's plays as a strangely separate and categorised form. This book considers how that happened, and the ways in which these late 19th century ideas were absorbed into the mummers' plays, providing a new lease of life for them in the 20th and 21st centuries. Ideal for anyone with a specialised interest in this unique form, Mummers' Plays Revisited spans recent work in theatre history, performance studies and folklore to offer a comprehensive and engaging study.

This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.

"See the blazing Yule before us..." This is just one of the many ancient British folk songs we all know and love. Other tunes and symbols that tug on our memories have similar historical roots, hearkening back to a shared Pagan past. These dances, songs, and theatrical plays in the English folk tradition are now little known to most of the modern Pagan community. Reviving these vital traditions can bring new life to Renaissance festivals, neopagan rituals, and community events. Introducing the lively music and homegrown entertainments of times long past, this descriptive how-to is designed for twenty-first-century joviality. The songs, dances, and plays of old are explained in their mythical, seasonal, and historical significance and outlined for easy reenactment. Simple-to-follow instructions detail six dances including the popular Abbots Bromley Horn dance, six full scripts for dramatic performances of Mummer's Plays (folk plays of death and rebirth), and over thirty songs with lyrics and music. Kick up your heels, hold high your skirts, and make merry the year through.

A vivid history of the nation's oldest folk parade.

From mayors and mummers to tap dancers and gamblers, South Philly has it all. This quintessential Philadelphia neighborhood boasts a complicated history of ethnic strife alongside community solidarity and, for good measure, some of the best bakeries in town. Among its many famous people South Philadelphia claims Marian Anderson, Frankie Avalon, Mayor Frank Rizzo, Temple Owl's coach John Chaney, Larry Fine of the Three Stooges, and "Loving" soap opera actress Lisa Peluso. For South Philadelphians, whether they stay or leave, the neighborhood is always happy to give you their opinions, and in this book they talk about their favorite subject to Murray Dubin, award winning journalist at the Philadelphia Inquirer, who also called South Philly home. Music and the arts are part of everyday life. Baritone Elliott Tessler says, "I'm not a celebrity, I'm a minor curiosity. If Pavarotti lived here, he would just be a minor curiosity, and probably because he was fat more than because he sang." Jean DiElsi remembers finding work in 1943 as a cashier at a diner that would become a South Philly landmark. "It was the only diner around and it was open 24 hours. If you went to dances, everybody would go to the Melrose Diner afterwards...No, there was no Mel or Rose. it was named after a can of tomatoes. In addition to being Philadelphia's first neighborhood, South Philly is the oldest ethnically and racially mixed big-city neighborhood in the nation. Catherine Williams remembers growing up black on Hoffman Street, "We had everything. We had the Jews, we had Italians, we had the blacks, we even had a Portuguese family. You never knew there was a color thing back then. I was the only black in my class at Southwark, but you never knew. In the third, fourth grade, some of those Italian boys was big, but you would have thought they were brothers to me." These are some of the people and the opinions that make up South Philadelphia and Murray Dubin will take you on a resident's tour of the ultimate city neighborhood. But for every interview, there's also a lot of history. And Dubin provides an historical examination that spans 300 years, from Thomas Jefferson living in South Philadelphia in 1793 to the burning of Palumbo's in 1994. Whether you're a South Philadelphian yourself, or just want to understand the South Philly phenomenon this book is a must. Author note: Murray Dubinwas born in South Philadelphia and is a reporter for the Philadelphia Inquirer.

John Johansen, now 85 years old, has been one of the preeminent architects in the United States for more than half a century. After studying under Walter Gropius (who became his father-in-law) at Harvard, he embarked on an extraordinary career marked by experimental domestic and public design. Since retiring from practice, Johansen has devoted himself to producing futuristic architecture that looks to the newest technologies science has to offer--from nanotechnology to magnetic levitation to material science--for its inspiration. Nanoarchitecture presents eleven of Johansen's most inspired visions. A floating conference center, an apartment building that sprouts from the earth and grows on its own, and a levitating auditorium all demonstrate Johansen's capricious yet thought-provoking ideas. Taken together, they offer an antidote to much of today's form-driven practice. The projects in Nanoarchitecture are presented through a series of idiosyncratic models, drawings, and computer animations suggesting what it would be like to inhabit these fantastic spaces. Nanoarchitecture is designed by the award-winning practice COMA."[Johansen] points toward the creation of a new vernacular, a new fabric of space and time in which modern experience can increase, expand, and deepen." --Lebbeus Woods