The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.

"Enlisting works by Mark Twain and Willa Cather, as well as noncanonical sources, such as private journals, Daehnke examines the manner in which the imagery of the human figure at work and play in the frontier landscape participated in the nationalist, "civilizing" project of westward expansion. While acknowledging the growing secularization of American life, Daehnke surveys the continuing claims of the Christian redemptive scheme as a powerful symbolic domain for these writers' reflections on social progress and the potential for human perfectibility in the landscapes of the West."--Jacket.

To discover how women constructed their own mythology of the West, Kolodny examines the evidence of three generations of women's writing about the frontier. She finds that, although the American frontiersman imagined the wilderness as virgin land, an unspoiled Eve to be taken, the pioneer woman at his side dreamed more modestly of a garden to be cultivated. Both intellectual and cultural history, this volume continues Kolodny's study of frontier mythology begun in The Lay of the Land.