Delhi, one of the world's largest cities, has faced momentous challenges—mass migration, competing governing authorities, controversies over citizenship, and communal violence. To understand the contemporary plight of India's capital city, this book revisits one of the most dramatic episodes in its history, telling the story of how the city was remade by the twin events of partition and independence. Treating decolonization as a process that unfolded from the late 1930s into the mid-1950, Rotem Geva traces how India and Pakistan became increasingly territorialized in the imagination and practice of the city's residents, how violence and displacement were central to this process, and how tensions over belonging and citizenship lingered in the city and the nation. She also chronicles the struggle, after 1947, between the urge to democratize political life in the new republic and the authoritarian legacy of colonial rule, augmented by the imperative to maintain law and order in the face of the partition crisis. Drawing on a wide range of sources, Geva reveals the period from the late 1930s to the mid-1950s as a twilight time, combining features of imperial framework and independent republic. Geva places this liminality within the broader global context of the dissolution of multiethnic and multireligious empires into nation-states and argues for an understanding of state formation as a contest between various lines of power, charting the links between different levels of political struggle and mobilization during the churning early years of independence in Delhi.

Noam Chomsky visited India in 1996 and 2001 and spoke on a wide range of subjects, from democracy and corporate propaganda to the nature of the world order and the role of intellectuals in society. He captivated audiences with his lucid challenge of dominant political analyses, the engaging style of his talks, and his commitment to social equality as well as individual freedom. Chomsky’s early insights into the workings of power in the modern world remain timely and compelling. Published for the first time, this series of lectures also provides the reader with an invaluable introduction to the essential ideas of one of the leading thinkers of our time.

Good Night Delhi highlights Janpath Market, Bangla Sahib Gurudwara, Lodi Gardens, Humayun's Tomb, Deer Park, Red Fort, Jama Masjid, Qutub Minar, National Zoo, Old Fort, Bahá'í Temple, the National Rail Museum, and more. This educational board book explores all of the sites and iconic landmarks this dynamic city has to offer. Welcome to the capital of India! This book is part of the bestselling Good Night Our World series, which includes hundreds of titles exploring iconic locations and exciting, child-friendly themes. Many of India's most beloved regions are artfully celebrated in these board books designed to soothe children before bedtime while instilling an early appreciation for India's natural and cultural wonders. Each book stars a multicultural group of people visiting the featured area's attractions as rhythmic language guides children through the passage of both a single day and the four seasons while saluting the iconic aspects of each place.

It is said of Indian cities that Calcutta, the former British capital, owned the nineteenth century, Bombay, centre of films and corporations, possessed the twentieth, while Delhi, seat of politics, has the twenty-first. The boom following the opening up of India's economy in the early 1990s plunged its capital city into a tumult of destruction and creation: slums and markets were bulldozed or burnt down, and shopping malls and apartment blocks erupted from the ruins - or upon agricultural land taken over in the interests of business and modernization. Immense fortunes were made, and in the glassy stores lining the new highways, customers paid for global luxury with bags of cash. Meanwhile, hundreds of thousands of people from the rural hinterland streamed into the newly formed 'National Capital Region' looking for work, which they often found constructing, cleaning or guarding the homes of the increasingly affluent middle class. The transformation of the city was stern, abrupt and unequal, and it gave rise to new and bewildering feelings. Delhi brimmed with ambition and rage. Bizarre crimes stole the headlines. In his first work of non-fiction, Rana Dasgupta shows us this new Delhi through the eyes of its people. With the lyricism and empathy of a novelist, he takes us through a series of encounters - with billionaires and bureaucrats, drug dealers and metal traders, slum dwellers and psychoanalysts - which plunge us into the city's intoxicating, and sometimes terrifying, story of capitalist transformation.

Presents a collection of crime and noir stories set in Delhi, India.

"Indian Accent showcases inventive Indian cuisine by complementing the flavours and traditions of India with global ingredients and techniques. Chef Manish Mehrotra has designed the menu of Indian Accent. The original restaurant opened in 20098 ad The Manor, New Delhi, to significant acclaim for its path-breaking approach to contemporary Indian food. It moved to The Lodhi in 2017. Indian Accent, New Delhi, has won several awards and global recognition, including being the only restaurant from India on the World's 100 Best list since 2015. It is also part of the Time Magazine, 100 Great Destinations in the World. It opened in New York in 2016 and in London in 2017 to critical and popular acclaim." -- Front flap.

Winner of the Ryszard Kapuściński Award and the Prix Émile Guimet de Littérature Asiatique Finalist for the Orwell Prize, the Royal Society of Literature Ondaatje Prize and the Prix du Meilleur Livre Étranger At the turn of the twenty-first century, acclaimed novelist Rana Dasgupta arrived in Delhi with a single suitcase. He had no intention of staying for long. But the city beguiled him—he “fell in love and in hate with it”—and fourteen years later, Delhi is still his home. Fourteen years of breakneck change. The boom following the opening up of India's economy plunged Delhi into a tumult of destruction and creation: slums and markets were ripped down, and shopping malls and apartment blocks erupted from the ruins. Many fortunes were made, and in the glassy stores lining the new highways, customers paid for global luxury with bags of cash. But the transformation was stern, abrupt and fantastically unequal, and it gave rise to strange and bewildering feelings. The city brimmed with ambition and rage. Bizarre crimes stole the headlines. In Capital, we see Delhi through the eyes of its people. With the lyricism and empathy of a novelist, Dasgupta takes us through a series of encounters—with billionaires and bureaucrats, drug dealers and metal traders, slum dwellers and psychoanalysts—which plunge us into Delhi's intoxicating, and sometimes terrifying, story of capitalist transformation. Interweaving over a century of history with his personal journey, he presents us with the first literary portrait of one of the twenty-first century's fastest-growing megalopolises—a dark and uncanny portrait that gives us insights, too, as to the nature of our own—everyone's—shared, global future.

'Delhi exists in a kind of quantum state: in Delhi, all things are true at once. When the Big Apple no longer felt big enough, Dave and Jenny moved to a city of sixteen million people - and, seemingly, twice that many horns honking at once. Delirious Delhi depicts India s capital as the two experienced it, from office life in the rising tech hubs to the traffic jam philosophy that keeps people sane in the gridlock leading to them. With only their sense of humour as their guide, Dave and Jenny set out to explore a city in which ancient stone monuments compete with glass-clad shopping malls to define the landscape. What follows is a top-to-bottom snapshot of a city in the thick of loud and accelerating change. Anyone new to Delhi will have their understanding of it magnified by this book. And anyone who already knows Delhi will appreciate this candid tribute to a city that 's everything to everyone at the same time.

Reports for 1958-1970 include catalogues of newspapers published in each state and Union Territory.