"New Art/Science Affinities" was written and designed in one week by four authors (Andrea Grover, Régine Debatty, Claire Evans, and Pablo Garcia) and two designers (Thumb), using a rapid collaborative authoring process known as a "book sprint." The topic of "New Art/Science Affinities" is contemporary artists working at the intersection of art, science, and technology, with explorations into maker culture, hacking, artist research, distributed creativity, and technological and speculative design. Chapters include: Program Art or Be Programmed, Subvert!, Citizen Science, Artists in White Coats and Latex Gloves, The Maker Moment, and The Overview Effect. 60 international artists and art collaboratives are featured, including Agnes Meyer-Brandis, Atelier Van Lieshout, Brandon Ballengée, Free Art and Technology (F.A.T.), Rafael Lozano-Hemmer, Openframeworks, C.E.B. Reas, Philip Ross, Tomás Saraceno, SymbioticA, Jer Thorp and Marius Watz. ISBN# 0977205347. Details: www.cmu.edu/millergallery/nasabook

An exploration of echoes and resonances across two millennia of visual culture, this book brings together weird, wondrous, and unforgettable imagery in one stunning volume. A remarkable collection of over five hundred images, Affinities is a carefully curated visual journey illuminating connections across more than two thousand years of image-making. Drawing on a decade of archival immersion at The Public Domain Review, an online journal and not-for- profit project dedicated to exploring curious and compelling works from the history of art, literature, and ideas, this volume has been assembled from a vast array of sources: from manuscripts to museum catalogs, and ship logs to primers on Victorian magic. The images are arranged in a single captivating sequence that unfurls according to a dreamlike logic, through a play of visual echoes and evolving thematic threads—hatching eggs paired with early Burmese world maps, marbled endpapers meet tattooed stowaways, and fireworks explode beside deep sea coral. At once an art book, a sourcebook, and a kaleidoscopic visual poem, Affinities is a unique and enthralling publication that will offer something different on each visit. A compelling art object and visual experience in its own right, this collection provides a launchpad for further exploration and inventive engagement across all forms of visual culture and expression.

After becoming a part of the Tau, one of twenty-two large global network Affinities in the near future, young Adam Fisk thinks his life has improved for the better until the different Affinities begin to go to war with one another in a conflict that will change Adam's world forever.

Affinity’s mapping is a data visualization method that allows us to observe the dynamics of an organization subdivided into complex systems: institutions, universities, governments, etc. It is a graphical tool based on the collaboration variable. Mapping Affinities is, according to the author, an instrument for deciphering complex organizations and improving them. By inserting individuals on these maps, it is also a way of helping them to understand how to evolve in life within an institution. The book tackles this problem with a case study concerning . Data from the actions of researchers at the Lausanne institution are brought together and transformed into an innovative and attractive map.

Critical Affinities is the first book to explore the multifaceted relationship between the philosophy of Friedrich Nietzsche and various dimensions of African American thought. Exploring the connections between these two unlikely interlocutors, the contributors focus on unmasking and understanding the root causes and racially inflected symptoms of various manifestations of cultural malaise. They contemplate the operative warrant for reconstituted conceptions of racial identity and recognize the existential and social recuperative potential of the will to power. In so doing, they simultaneously foster and exemplify a nuanced understanding of what both traditions regard as "the art of the cultural physician." The contributors connote daring scholarly attempts to explicate the ways in which clarifying the critical affinities between Nietzsche and various expressions of African American thought not only enriches our understanding of each, but also enhances our ability to realize the broader ends of advancing the prospects for social and psychological flourishing.

Collection of essays that use queer studies and feminism as a lens for examining the relationships between racialized communities.

Immerse yourself in the glamor, glitz and turbulence of the period leading up to the 1920s with this satisfying collection of tales from author Mary Roberts Rinehard. Veering from romance to mystery and back again, this diverse volume is the perfect way to while away a pleasant afternoon.

Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.