A yearbook sponsored by the British Comparative Literature Association asserting that comparative literary studies represent a major direction forwards.

Part of the Anglo-Saxon Chronicle Collaborative Series, which now includes editions of the main texts through from A to F. This volume offers a new edition of the E-text of the Anglo-Saxon Chronicle, commonly known as the Peterborough Chronicle. The E-text is of enormous importance in Chronicle studies: in its early part it is the best representativeof the Northern Recension of the Chronicle; in continuing up to the second half of the twelfth century, its span is by far the longest of all the versions. Even more than other versions of the Chronicle, it reflects transitions ofvital interest to historians, linguists, and literary scholars. The E-text has not been edited in its entirety, except as a facsimile, for over a century. This semi-diplomatic edition offers a readable text with modern punctuation and capitalization. The interpolated material relating to Peterborough is clearly distinguished from the rest of the text. Indices of personal names, people-names, and place-names follow the text itself. The Introduction includes an account of the manuscript and a linguistic analysis of the E-text. The E-text cannot of course be studied in isolation. This volume is part of the Anglo-Saxon Chronicle Collaborative Series and with its publicationthe Series now includes editions of the main texts through from A to F. A substantial section of the Introduction to the volume is devoted to a detailed discussion of E's complex textual relationships with the other versions of the Chronicle, and also with other relevant documents such as Peterborough Charters and twelfth-century Latin chronicles. Dr SUSAN IRVINE is Senior Lecturer in the Department of English, University College, London.

This volume provides an in-depth account of Old English, organized by linguistic level. Individual chapters, written by recognized experts in the field, review the state of the art in phonological, morphological, syntactic, and semantic studies of Old English. Key areas of debate, including dialectology, language contact, standardization, and literary language, are also explored. The volume sets the scene with a chapter on pre-Old English and ends with a chapter discussing textual resources available for the study of earlier English.

This collection is in honour of E.G. Stanley. They apply Stanley's approach of 'wise scepticism' to provide new and exciting readings of difficult and rewarding fields, including Old English metre and verse and Beowulf.

This work is a treatment of over thirty Old English lyrics including prayers, riddles, charms, the epilogues to Cynewulf's four signed poems, lyric interludes from Beowulf, and poems from the Anglo-Saxon Chronicle.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.

This volume provides a generic description, based on a formal analysis of narrative structures, of the Middle English noncyclic verse romances. As a group, these poems have long resisted generic definition and are traditionally considered to be a conglomerate of unrelated tales held together in a historical matrix of similar themes and characters. As single narratives, they are thought of as random collections of events loosely structured in chronological succession. Susan Wittig, however, offers evidence that the romances are carefully ordered (although not always consciously so) according to a series of formulaic patterns and that their structures serve as vehicles for certain essential cultural patterns and are important to the preservation of some community-held beliefs. The analysis begins on a stylistic level, and the same theoretical principles applied to the linguistic formulas of the poems also serve as a model for the study of narrative structures. The author finds that there are laws that govern the creation, selection, and arrangement of narrative materials in the romance genre and that act to restrict innovation and control the narrative form. The reasons for this strict control are to be found in the functional relationship of the genre to the culture that produced it. The deep structure of the romance is viewed as a problem-solving pattern that enables the community to mediate important contradictions within its social, economic, and mythic structures. Wittig speculates that these contradictions may lie in the social structures of kinship and marriage and that they have been restructured in the narratives in a “practical” myth: the concept of power gained through the marriage alliance, and the reconciliation of the contradictory notions of marriage for power’s sake and marriage for love’s sake. This advanced, thorough, and completely original study will be valuable to medieval specialists, classicists, linguists, folklorists, and Biblical scholars working in oral-formulaic narrative structure.

More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.