Filled with valuable information for hobbyists, survival enthusiasts, family campers - and everyone who enjoys outdoor life, Mountainman Crafts and Skills is the essential illustrated guide to wilderness living and survival. How to make your own clothing, shelter, and equipment are all covered in step-by-step detail—through illustrations by the author himself. Learn how to make and use hunting tools and utensils, wild game traps, mountainman clothing, powder flasks and horns, tents, deer-horn jewelry, and much more. Wilderness survival skills are also covered, with instruction geared at both novice and expert. Learn how to trap wild game, tan hides, shoot with black powder, make a fire, and cook a hearty meal with only the barest of essentials.

As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.

"Details how Native American culture evolved, the artifacts produced on the continent and the ways they were made, and the techniques of decoration and embellishment that utilized a variety of disparate natural commodities that depended on geographical necessity and abundance"--Jacket flap.

This series meets National Curriculum Standards for: Social Studies: Culture Copyright © Libri GmbH. All rights reserved.

Uses of shields, drums, tipis, and other items, plus numerous well-illustrated, easy-to-follow projects—making clothing, tipis, wigwams, bows, arrows; fire-building; games; ritual song and dance. 30 photos; over 100 line drawings and diagrams.

This landmark publication reevaluates historical Native American art as a crucial but under-examined component of American art history. The Charles and Valerie Diker Collection, a transformative promised gift to The Metropolitan Museum of Art, includes masterworks from more than fifty cultures across North America. The works highlighted in this volume span centuries, from before contact with European settlers to the early twentieth century. In this beautifully illustrated volume, featuring all new photography, the innovative visions of known and unknown makers are presented in a wide variety of forms, from painting, sculpture, and drawing to regalia, ceramics, and baskets. The book provides key insights into the art, culture, and daily life of culturally distinct Indigenous peoples along with critical and popular perceptions over time, revealing that to engage Native art is to reconsider the very meaning of America. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

This book is geared toward all ages and gives step-by-step instructions on scores of crafts and outdoor skills cultivated by various Native American tribes over the centuries. In the spirit of “creativity kits,” this book outlines the history and purpose of the activity and then shows how to replicate the exact process, whether it's tanning leather; making moccasins; creating tools and utensils, musical instruments, and jewelry; or preparing food. Includes more than 200 illustrations by the author.

First published in 1969, this expanded third edition is an excellent reference for both collectors and craftspeople. Detailed instructions for measuring, patternmaking, fitting, and construction guide the crafts worker in producing a wide variety of authentic Native American footwear that's tailored to each individual's foot. Readers are provided with a fascinating overview of the history of indigenous footwear in North America and an in-depth Introduction to rawhide, leather, and buckskin by G. D. Wood. Patterns for 28 moccasin types covering over 30 tribes - including the Assiniboine (Alberta/Manitoba), Kootenai (British Columbia), and Yellowknives (Northern Territories) of Canada - are featured along with new instructions for making Plains hard-sole, Northern Plains soft-sole, and Cherokee/Southeastern-style moccasins. Also included is a brief history of the tribes, additional resources, and website references. Forty-one full-color photographs accompany the patterns, along with 22 historic period photos of camp life, tanning hides, individual chiefs, and more.

Provides step-by-step instructions for craft projects based on traditional crafts of the Tlingit, Haida, Inuit, and other Native Americans of the Northwest Coast, Arctic, and Subarctic.

The richness of Native American art is explored from the early pre-Columbian period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions. 53 color photos. 104 halftones. 8 maps.