Major-General Lord Andrew Thomas Blayney although previously a successful commander of his own regiment the 89th Regiment of Foot of the British through-out the early stages of the Peninsular war, he is best known for his narrative of events after his capture by Polish forces fighting under the flag of Napoleonic France. Blayney was the leader of an ill-fated Anglo-Spanish force which was assigned the task of attacking from Cadiz toward Malaga, culminating the battle of Fuengirola on 15th October 1810. Outnumbering his Polish foes by a huge margin, a series of unfortunate accidents on the allied side and brave and heroic resistance on the Polish side led to a debacle and his capture. It should be noted that this was far from the only amphibious disaster led by the British in the Peninsular Wars that should throw further perspective on the victories of the main British army under Wellington. Blayney’s narrative along with some idiosyncratic spelling recounts his journey from Andulusia to Verdun in the north-east of France. During his journey from one outpost to another as a paroled prisoner he meets a number of famed French generals, as befitted his rank, such as Sébastiani, Kellermann, Belliard and even Marshal Bessiéres who treat him on the whole well. He winds his way through the countryside, and he tells many tales of the people and surroundings that he finds himself somewhat forcibly journeying through. The main strength of the narrative is the author’s eye to detail and his flair for recounting a tale, along with the real rarity of accounts from the point of view of an English prisoner of war. Published in two volumes this is the first volume.

Examining the memoirs and autobiographies of British soldiers during the Romantic period, Neil Ramsey explores the effect of these as cultural forms mediating warfare to the reading public during and immediately after the French Revolutionary and Napoleonic wars. Forming a distinct and commercially successful genre that in turn inspired the military and nautical novels that flourished in the 1830s, military memoirs profoundly shaped nineteenth-century British culture's understanding of war as Romantic adventure, establishing images of the nation's middle-class soldier heroes that would be of enduring significance through the nineteenth and twentieth centuries. As Ramsey shows, the military memoir achieved widespread acclaim and commercial success among the reading public of the late Romantic era. Ramsey assesses their influence in relation to Romantic culture's wider understanding of war writing, autobiography, and authorship and to the shifting relationships between the individual, the soldier, and the nation. The memoirs, Ramsey argues, participated in a sentimental response to the period's wars by transforming earlier, impersonal traditions of military memoirs into stories of the soldier's personal suffering. While the focus on suffering established in part a lasting strand of anti-war writing in memoirs by private soldiers, such stories also helped to foster a sympathetic bond between the soldier and the civilian that played an important role in developing ideas of a national war and functioned as a central component in a national commemoration of war.

Napoleon’s forces invaded Spain in 1808, but two years went by before they overran the southern region of Andalucía. Situated at the farthest frontier of Napoleon’s “outer empire,” Andalucía remained under French control only briefly—for two-and-a-half years—and never experienced the normal functions of French rule. In this groundbreaking examination of the Peninsular War, Charles J. Esdaile moves beyond traditional military history to examine the French occupation of Andalucía and the origins and results of the region’s complex and chaotic response. Disillusioned by the Spanish provisional government and largely unprotected, Andalucía scarcely fired a shot in its defense when Joseph Bonaparte’s army invaded the region in 1810. The subsequent French occupation, however, broke down in the face of multiple difficulties, the most important of which were geography and the continued presence in the region of substantial forces of regular troops. Drawing on British, French, and Spanish sources that are all but unknown, Esdaile describes the social, cultural, geographical, political, and military conditions that combined to make Andalucía particularly resistant to French rule. Esdaile’s study is a significant contribution to the new field sometimes known as occupation studies, which focuses on the ways a victorious army attempts to reconcile a conquered populace to the new political order. Combining military history with political and social history, Outpost of Empire delineates what we now call the cultural terrain of war. This is history that moves from battles between armies to battles for hearts and minds.

Early in 1815, Louisa Catherine Adams and her young son left St. Petersburg in a heavy Russian carriage and set out on a difficult journey to meet her husband, John Quincy Adams, in Paris. She traveled through the snows of eastern Europe, down the Baltic coast to Prussia, across the battlefields of Germany, and into a France then experiencing the tumultuous events of Napoleon's return from Elba. Along the way, she learned what the long years of Napoleon's wars had done to Europe, what her old friends in the royal court in Berlin had experienced during the French occupation, how it felt to have her life threatened by reckless soldiers, and how to manage fear. The journey was a metaphor for a life spent crossing borders: born in London in 1775, she had grown up partly in France, and in 1797 had married into the most famous of American political dynasties and become the daughter-in-law of John and Abigail Adams. The prizewinning historian Michael O'Brien reconstructs for the first time Louisa Adams's extraordinary passage. An evocative history of the experience of travel in the days of carriages and kings, Mrs. Adams in Winter offers a moving portrait of a lady, her difficult marriage, and her conflicted sense of what it meant to be a woman caught between worlds.

Reproduction of the original.