When John Gabriel Stedman’s Narrative of Five Years Expedition was first published in 1796—a bowdlerized edition “full of lies and nonsense”—Stedman claimed to have burned two thousand copies. It nevertheless became an immediate popular success. A first-hand account of an eighteenth-century slave society, including graphic accounts of the worlds of both masters and slaves, it also contained vivid descriptions of exotic plants and animals, of military campaigns, and of romantic adventures. Illustrated by William Blake, Francesco Bartolozzi, and others, Stedman’s work was quickly translated into a half-dozen languages and was eventually published in over twenty-five different editions. The Prices’ acclaimed critical edition is based on Stedman’s original, handwritten manuscript, which offers a portrait at considerable variance with the 1796 classic. The unexpurgated text, presented here with extensive notes and commentary, constitutes one of the richest and most evocative accounts ever written of a flourishing slave society. The Prices restore early omissions involving Stedman’s horror at the Dutch planters’ use of casual torture to discipline their slaves; his love and admiration for Joanna, his mulatto mistress; his strong belief in racial equality; and his outrage that “in 20 Years two millions of People are murdered to Provide us with Coffee & Sugar.” Freed from its original publisher’s censorship, Stedman’s Narrative stands as one of the strongest indictments ever to appear against New World slavery.

A look at the origins of British abolitionism as a problem of eighteenth-century science, as well as one of economics and humanitarian sensibilities How did late eighteenth-century British abolitionists come to view the slave trade and British colonial slavery as unnatural, a "dread perversion" of nature? Focusing on slavery in the Americas, and the Caribbean in particular, alongside travelers' accounts of West Africa, Brycchan Carey shows that before the mid-eighteenth century, natural histories were a primary source of information about slavery for British and colonial readers. These natural histories were often ambivalent toward slavery, but they increasingly adopted a proslavery stance to accommodate the needs of planters by representing slavery as a "natural" phenomenon. From the mid-eighteenth century, abolitionists adapted the natural history form to their own writings, and many naturalists became associated with the antislavery movement. Carey draws on descriptions of slavery and the slave trade created by naturalists and other travelers with an interest in natural history, including Richard Ligon, Hans Sloane, Griffith Hughes, Samuel Martin, and James Grainger. These environmental writings were used by abolitionists such as Anthony Benezet, James Ramsay, Thomas Clarkson, and Olaudah Equiano to build a compelling case that slavery was unnatural, a case that was popularized by abolitionist poets such as Thomas Day, Edward Rushton, Hannah More, and William Cowper.

This book explores representations of Obeah – a name used in the English/Creole-speaking Caribbean to describe various African-derived, syncretic Caribbean religious practices – across a range of prose fictions published in the twentieth century by West Indian authors. In the Caribbean and its diasporas, Obeah often manifests in the casting of spells, the administration of baths and potions of various oils, herbs, roots and powders, and sometimes spirit possession, for the purposes of protection, revenge, health and well-being. In most Caribbean territories, the practice – and practices that may resemble it – remains illegal. Narratives of Obeah in West Indian Literature analyses fiction that employs Obeah as a marker of the Black ‘folk’ aesthetics that are now constitutive of West Indian literary and cultural production, either in resistance to colonial ideology or in service of the same. These texts foreground Obeah as a social and cultural logic both integral to and troublesome within the creation of such a thing as ‘West Indian’ literature and culture, at once a product of and a foil to Caribbean plantation societies. This book explores the presentation of Obeah as an ‘unruly’ narrative subject, one that not only subverts but signifies a lasting ‘Afro-folk’ sensibility within colonial and ‘postcolonial’ writing of the West Indies. Narratives of Obeah in West Indian Literature will be of interest to scholars and students of Caribbean Literature, Diaspora Studies, and African and Caribbean religious studies; it will also contribute to dialogues of spirituality in the wider Black Atlantic.