A “eye-opening, gritty, and compelling” memoir by one of New York City’s last Times Square peep show girls (The Paris Review Online). In 2006, Gotham City Video was among the last of its kind where, breathing in a cocktail of Pine-Sol and Windex, a man paid $40 to watch a girl strip naked behind glass. These fantasy lands, left over from the days when 42nd Street was the center of vice, eventually disappeared from the rapidly gentrifying city, their stories lost forever. Not those of tenderloin grinder, Sheila McCelar. Pulling back the curtain on the little-documented world of the peeps, her “ribald . . . memorable and highly relevant” (The Daily Beast) reflection is “both a eulogy and a paean to the freaks and misfits who have long given their souls to the city” (Matthew Gallaway, author of The Metropolis Case). A late bloomer from small-town Michigan, Sheila arrived in New York as a struggling actress and soon found herself adrift. Borderline homeless, and crashing with friends, she finally got steady work that paid the rent—as a stripper along the triple-x stretch of Eighth Avenue. When Times Square seeped into her blood, she ended up staying much longer than she imagined. The story she tells is not just of her own coming-of-age, it’s a “sharp, sweetly personal . . . fascinating and honest” narrative of modern life on the fringes of society in New York City (Mark Jacobson, author of Pale Horse Rider).

A particularly seductive photo book featuring the most beautiful models who reveal unrestrained everything they have in over 300 pages. Be prepared for thrill in relaxation - or, to put it bluntly: Watch out, uninhibited hyper-excitement!

Instead of advancing women's social and professional empowerment, popular culture trends appear to be backsliding into the blatant sexual exploitation of women and girls at younger and younger ages. This study investigates the effects of mass marketed sexual images and cultural trends on the behaviors and attitudes of young girls and describes many ways in which young girls are increasingly taught to go to outrageous lengths in seeking male attention. Topics include the powerful effects of cultural phenomena such as revealing fashions, plastic surgery, and beauty pageants in influencing teen and preteen girls to willingly participate in and promote their own sexualization. These chapters also explore other cultural factors contributing to this early sexualization of young girls, including absentee parenting and material overindulgence. Later chapters focus on the sexual representations of females in the mass entertainment media, focusing specifically on how popular magazines, television programs, films, and the Internet prey upon, promote, and reinforce young girls' physical and sexual insecurities.

Being Gorgeous explores the ways in which extravagance, flamboyance and dressing up can open up possibilities for women to play around anarchically with familiar stereotypical tropes of femininity. This is protest through play - a pleasurable misbehaviour that reflects a feminism for the twenty first century. Willson discusses how, whether through pastiche, parody, or pure pleasure, artists, artistes and indeed the spectators themselves can operate in excess of the restrictive images which saturate our visual culture. By referring to a wide spectrum of examples, including Sofia Coppola's Marie Antoinette, Matthew Barney, Dr Sketchy's, Audacity Chutzpah, Burly Q and Carnesky's Ghost Train, Being Gorgeous demonstrates how contemporary female performers embody, critique and thoroughly relish their own representation by inappropriately re-appropriating femininity.

“Wickedly funny and heartstoppingly vulnerable…every page twinkles with brilliance.” —Refinery29 Perfect for fans of Samantha Irby and Trick Mirror, a hilarious, whip-smart collection of personal essays exploring the intersection of queerness, pop culture, the internet, and identity, introducing one of the most undeniably original new voices today. Jill Gutowitz’s life—for better and worse—has always been on a collision course with pop culture. There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us. Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.

Online, the opportunity to commit a crime is never more than a few clicks away. Sex Offenders and the Internet explores the nature of online sex offenders in order to help practitioners understand and treat this new category of client. Kerry Sheldon and Dennis Howitt examine the research base by reviewing case studies and psychological profiles, with a particular focus on paedophilic Internet sex offenders. Issues covered include child pornography, the often overlooked ‘excuses’ for paedophilia, and how we can move forward. The result is a book that comprehensively details the nature of Internet sex offenders, bringing together the relevant research into one essential volume.

Counterculture legend Paul Krassner gazes on the fires of pop culture, politics and celebrity and returns unscathed to help us make sense of our senseless world, with an introduction by Lewis Black (The Daily Show) and a foreword by Harry Shearer (The Simpsons, Le Show). From cults to pornography, from Charles Manson to Homer Simpson, from the war on drugs to the invasion of Iraq, from Dolly Parton to Lenny Bruce, from circumcision to propaganda, this collection epitomizes Krassner's credo, "Irreverence is our only sacred cow."

New York Times bestselling crime writer John Glatt tells the true story behind the kidnappings and long-overdue rescue of three women found in a Cleveland basement. The Lost Girls tells the truly amazing story of Amanda Berry, Gina DeJesus and Michelle Knight, who were kidnapped, imprisoned, and repeatedly raped and beaten in a Cleveland house for over a decade by Ariel Castro, and their amazing escape in May 2013, which made headlines all over the world. The book has an exclusive interview and photographs of Ariel Castro's secret fiancé, who spent many romantic nights in his house of horror, without realizing he had bound and chained captives just a few feet away. There are also revealing interviews with several Castro family members, musician friends and several neighbors who witnessed the dramatic rescue.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.