Someone's been monkeying around at the zoo, and now some monkeys are missing! Leave it to Cam to find the thief, and to return the missing monkeys safely to their cage.

The Cam Jansen books are perfect for young readers who are making the transition to chapter books, and Cam is a spunky young heroine whom readers have loved for over two decades. Now the first ten books in the series have updated covers that bring new life to these perennial best-sellers. Old fans and new readers will love Cam's cool, modern look!

The suspense is bone-chilling when you realize the monsters are real . . . Miles away from the hectic city, Reed and Rebecca hike into the beautiful Northwester woods. They are surrounded by gorgeous mountains, waterfalls, and hundreds of acres of unspoiled wilderness. During their first night camping, an unearthly wail pierces the calm of the forest. Then something emerges from the dense woods. Everything that follows is a blur to Reed—except the unforgettable image of a huge creature carrying his wife into the darkness. Enter into deep wilderness where the rules of civilization no longer apply. A world where strange shadows lurk. Where creatures long attributed to overactive imaginations and nightmares are the hunters . . . and people are the hunted. New York Times bestseller Full length, standalone novel Includes discussion questions for book clubs

An examination of the legends and history of strange creatures.

Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.

Jackson is looking forward to visiting his aunt who has been busy working on an anthropological dig at Stonehenge in England. Jackson can't wait to finally see the massive and mysterious stone formations in person. But then he witnesses a vicious attack on a young man, and another on his beloved aunt Sarah. A savage beast no one has ever seen before is on the prowl. Now it's up to Jackson and his new friend, Alma, a gravedigger's daughter, to stop the beast. All the clues lead back to Stonehenge, where he and Alma must risk their lives to solve the mystery of the monster stalking the countryside-before it's too late.

Trick 'r Treatdelves into the four stories that make up the feature film,Trick 'r Treatreleasing in October 2007. It reflects Dougherty's personal take on the filmmaking process, details how the ideas and art came together, and presents it with exclusive special features in a unique format. The genre encompasses drama, horror, thriller...mixed with a good dose of twisted humor. Set in a small suburban town,Trick 'r Treatexplores Halloween traditions while following a group of people trying to survive the most terrifying night of the year. From a serial killer who specializes in poisoning candy; to a group of mischievous kids who unearth their town's dark secret; to a young woman hunted by masked stalker at the local festival; to a cantankerous old hermit confronted by a demonic trick-or-treater, the film is filled with horrifying surprises, nervous laughs and strange creatures of every variety--human or otherwise. The atmosphere Dougherty creates on film mirrors the flavor of his art--whimsical, yet eerie. It seems welcoming from a distance, but the closer you look, the more you see the twisted, dark side of Dougherty's mind. Dougherty's third-grade teacher once remarked on a report card that his behavior exhibited "early evidence of what may be an extraordinary morbid ingenuity." Years later, his drawings and doodles of the youthful, eerily pumpkin-headed character, Sam--a kind of ghost of Halloweens past--along with a number of other creepy, unforgettable characters, have made it to the big screen. There, Dougherty's art and storytelling promise to take a fresh twist. At the launch of his career he's already got a loyal following eagerly awaiting his next spooky project.

A fifth-grader uses her photographic memory, her mother, and her friend Eric to find a missing reel of a monster film they go to see.

This is a critical overview of monster magazines from the 1950s through the 1970s. "Monster magazine" is a blanket term to describe both magazines that focus primarily on popular horror movies and magazines that contain stories featuring monsters, both of which are illustrated in comic book style and printed in black and white. The book describes the rise and fall of these magazines, examining the contributions of Marvel Comics and several other well-known companies, as well as evaluating the effect of the Comics Code Authority on both present and future efforts in the field. It identifies several sub-genres, including monster movies, zombies, vampires, sword-and-sorcery, and pulp-style fiction. The work includes several indexes and technical credits.