A collection of 83 short fairy tales, including; The Lady of the Lake; Arthur in the Cave; The Curse of Pantannas; The Drowning of the Bottom Hundred; Elidyr's Sojurn in Fairy-Land; Rhys and Llywelyn; Lowri Dafydd Earns a Purse of Gold; The Llanfabon Changeling; Why the Red Dragon is the Emblem of Wales; Llyn Cwm Llwch; The Adventures of Three Farmers; Cadwaladr and His Goat; The Fairy Wife; Einion and the Lady of the Greenwood; The Green Isles of the Ocean; March's Ears; The Fairy Harp; Guto Bach and the Fairies; Ianto's Chase; The Stray Cow, and many more.

41 Japanese, Scandinavian, and Sicilian tales: "The Snow-Queen," "The Cunning Shoemaker," "The Two Brothers," "The Merry Wives," "The Man without a Heart," and more. 69 illustrations.

Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once

A woman writer moves into a house she inherited from a poet in the hills of Arizona. The man died in mysterious circumstances and Maggie Black wants to find out why. So begins a terrifying introduction to the Indian spirits which roam the hills and feed on people's creative juices.

A BEST BOOK OF THE YEAR: Library Journal, Electric Literature, The New York Public Library, PopMatters A Finalist for the Los Angeles Times Book Prize and the Story Prize National Book Award finalist Sarah Shun-lien Bynum’s highly anticipated return weaves together like and unlike, mythic and modern In nine stories that range from the real to the unreal, strange to familiar, funny to frightening, Sarah Shun-lien Bynum reminds us why her wildly original debut, Madeleine Is Sleeping, and her masterful Ms. Hempel Chronicles have become contemporary classics--celebrated and beloved. In a nimble dance of lightness and gravity, Likes explores the full range and contradictions of our contemporary moment. Through unexpected visitors, Waldorf school fairs, aging indie-film stars, the struggle to gain a foothold in the capitalist shell-game of work, the Instagram posts of a twelve-year-old—these stories of friendship and parenthood, celebrity and obsession, race and class and the passage of time, form an engrossing collection that is both otherworldly and suffused with the deceitful humdrum of everyday life. For readers of Joy Williams, George Saunders, Lauren Groff, and Deborah Eisenberg, Likes helps us see into our unacknowledged desires and, in quick, artful, nearly invisible cuts, exposes the roots of our abiding terrors and delights.

In 1895 twenty-six-year-old Bridget Cleary disappeared from her house in rural Tipperary. At first, some said that the fairies had taken her into their stronghold in a nearby hill, from where she would emerge, riding a white horse. But then her badly burned body was found in a shallow grave. Her husband, father, aunt and four cousins were arrested and charged, while newspapers in nearby Clonmel, and then in Dublin, Cork, London and further afield attempted to make sense of what had happened. In this lurid and fascinating episode, set in the last decade of the nineteenth century, we witness the collision of town and country, of storytelling and science, of old and new. The torture and burning of Bridget Cleary caused a sensation in 1895 which continues to reverberate more than a hundred years later. Winner of the Irish Times Prize for Non-Fiction

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Princes and princesses, flying dragons, monsters and magicians, giants and dwarfs, ogres and fairies--these are the companions who thrill youngsters of all lands and times. This book contains 19 such tales. Coming from all quarters of the world, including France, England, Germany, Russia, Hungary, Poland, Iceland and America, the stories provide rich insight into the lives and cultures of different peoples. Narrated in clear, lively and easy to understand language, the tales are enriched with beautiful illustrations.

It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Princes and princesses, flying dragons, monsters and magicians, giants and dwarfs, ogres and fairies—these are the companions who thrill youngsters of all lands and times. This book contains 19 such tales. Coming from all quarters of the world, including France, England, Germany, Russia and Persia, the stories provide rich insight into the lives and cultures of different peoples. Narrated in clear, lively and easy to understand language, the tales are enriched with beautiful illustrations.

On March 15, 1895, twenty-eight year old Bridget Cleary, a cooper's wife, disappeared from her cottage in rural County Tipperary. Immediately, strange and lurid rumors began circulating the neighborhood about what had happened. Some said she ran off with an egg seller; others supposed it was an aristocratic foxhunter who had taken young Bridget away. Swirling amid rumors was the barely whispered, but widely held, belief that Bridget had gone with no mortal man; rather, she had gone off with the fairies. The mystery deepened when seven days later her body was discovered, bent, broken and badly burned in a shallow grave. Within a few days, the unimaginable truth came to light: for almost a week before her death Bridget had been confined, ritually starved, threatened, physically and verbally abused, exorcised, and, finally, burned to death by her husband, Michael Cleary, her father, and extended family who confused bronchitis with a "fairy dart." They had all become convinced that "their Bridgie" had been taken from them and her fairy-possessed body left behind to deceive them. In The Cooper's Wife Is Missing, Joan Hoff and Marian Yeates make sense of this ancient, rarely publicized, ritual exorcism and explain how the incident went on to become a national and international incident. Set against a backdrop of renewed Irish nationalism, a Church crackdown on lingering pagan practices and the ongoing British humiliation of Catholic Ireland, the authors deftly map the dislocating anxieties that beset the rural peasantry in late nineteenth-century Ireland. Bewildered and frightened by the changes occurring all around them, pulled in all directions by their politicians, priests, landlords and English overlords, the Clearys were not alone in retreating to the relative comfort of pagan ritual. Drawing on first-hand accounts, contemporary newspaper reports, police records, trial testimony and a rich wealth of folklore, the authors weave a mesmerizing tale that touches upon magic, madness and mystery as it details, day by day, Bridget's ordeal and the resulting investigation. This is narrative history at its evocative best. It fascinates as it illuminates.