Set in New Orleans in the 1950s and 1960s, Sancton's passionate memoir pays tribute to the white father who raised him and to the black founding fathers of Jazz, "the mens" of Preservation Hall, who inspired and encouraged him as he grew, as a musician, and as a man.

From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine. Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.

In this deeply moving memoir, one of Canada’s most respected singer-songwriters traces his difficult, often tumultuous relationship with his father. From the time Dan Hill picked up a guitar at age 11, he tried to win the approval of Daniel Hill Sr., a man who has been called Canada’s father of human rights. But Hill Sr. set impossibly high standards for himself and his family, especially for his eldest son, leading to conflict and alienation even as young Dan achieved international fame and success. Through vivid family stories, letters, memories and his own award-winning lyrics, Dan Hill tells the story of two parallel lives—his father’s in mid-20th-century America and his own as a young black man coming of age in suburban Canada—and the stormy but ultimately loving way each of those lives affected the other.

In search of a place to call home, thousands of Hmong families made the journey from the war-torn jungles of Laos to the overcrowded refugee camps of Thailand and onward to America. But lacking a written language of their own, the Hmong experience has been primarily recorded by others. Driven to tell her family’s story after her grandmother’s death, The Latehomecomer is Kao Kalia Yang’s tribute to the remarkable woman whose spirit held them all together. It is also an eloquent, firsthand account of a people who have worked hard to make their voices heard. Beginning in the 1970s, as the Hmong were being massacred for their collaboration with the United States during the Vietnam War, Yang recounts the harrowing story of her family’s captivity, the daring rescue undertaken by her father and uncles, and their narrow escape into Thailand where Yang was born in the Ban Vinai Refugee Camp. When she was six years old, Yang’s family immigrated to America, and she evocatively captures the challenges of adapting to a new place and a new language. Through her words, the dreams, wisdom, and traditions passed down from her grandmother and shared by an entire community have finally found a voice. Together with her sister, Kao Kalia Yang is the founder of a company dedicated to helping immigrants with writing, translating, and business services. A graduate of Carleton College and Columbia University, Yang has recently screened The Place Where We Were Born, a film documenting the experiences of Hmong American refugees. Visit her website at www.kaokaliayang.com.

Contains seventy-six poems and stories including: Telling about coyote; Grand Canyon Christmas Eve 1969; Woman, this Indian woman; and, A designated national park.

“Equal parts memoir, whodunit, and manual for living . . . a beautifully written, honest look at the forces of blood and bone that make us who we are, and how we make ourselves.” --Neil Gaiman In his unique and engaging voice, the acclaimed actor of stage and screen shares the emotional story of his complicated relationship with his father and the deeply buried family secrets that shaped his life and career. A beloved star of stage, television, and film—“one of the most fun people in show business” (Time magazine)—Alan Cumming is a successful artist whose diversity and fearlessness is unparalleled. His success masks a painful childhood growing up under the heavy rule of an emotionally and physically abusive father—a relationship that tormented him long into adulthood. When television producers in the UK approached him to appear on a popular celebrity genealogy show in 2010, Alan enthusiastically agreed. He hoped the show would solve a family mystery involving his maternal grandfather, a celebrated WWII hero who disappeared in the Far East. But as the truth of his family ancestors revealed itself, Alan learned far more than he bargained for about himself, his past, and his own father. With ribald humor, wit, and incredible insight, Alan seamlessly moves back and forth in time, integrating stories from his childhood in Scotland and his experiences today as a film, television, and theater star. At times suspenseful, deeply moving, and wickedly funny, Not My Father’s Son will make readers laugh even as it breaks their hearts.

Memorable Bible-Era Fiction From Award-Winning Author King Manaseh and his friend Joshua were nurtured together in the faith of their godly fathers. but anger toward God smolders in Manasseh's heart after his father's unexpected death, and his insecurity makes him easy prey for the false claims of sorcery and divination. When Joshua stands up for the truth, the battle lines are drawn, and Joshua must flee his life of privilege. Unable to understand why his boyhood friend has turned against him, and why he must stand alone in the face of such opposition, Joshua comes perilously close to losing his faith. Can Joshua rescue the faithful remnant from Manasseh's persecution? Has it all gone too far..or will he rediscover his father's God? Faith of My Fathers is a riveting story of intrigue, deception, danger, and suspense.

A brilliant father, a complicated legacy, and a son's hard-won journey of self-discovery. William Matthews was a much-admired, award-winning poet and teacher who lived hard and died in 1997 at the age of 55. This clear-eyed, often wryly funny memoir pays homage to a charismatic father as the son struggles to step out from his considerable shadow.

"What I do as a writer, teacher, and storyteller is to demystify language," says Simon Ortiz. Widely regarded as one of the country's most important Native American poets, Ortiz has led a thirty-year career marked by a fascination with language—and by a love of his people. This omnibus of three previous works offers old and new readers an appreciation of the fruits of his dedication. Going for the Rain (1976) expresses closeness to a specific Native American way of life and its philosophy and is structured in the narrative form of a journey on the road of life. A Good Journey (1977), an evocation of Ortiz's constant awareness of his heritage, draws on the oral tradition of his Pueblo culture. Fight Back: For the Sake of the People, For the Sake of the Land (1980)—revised for this volume—has its origins in his work as a laborer in the uranium industry and is intended as a political observation and statement about that industry's effects on Native American lands and lives. In an introduction written for this volume, Ortiz tells of his boyhood in Acoma Pueblo, his early love for language, his education, and his exposure to the wider world. He traces his development as a writer, recalling his attraction to the Beats and his growing political awareness, especially a consciousness of his and other people's social struggle. "Native American writers must have an individual and communally unified commitment to their art and its relationship to their indigenous culture and people," writes Ortiz. "Through our poetry, prose, and other written works that evoke love, respect, and responsibility, Native Americans may be able to help the United States of America to go beyond survival."