Hans Keller's text and Milein Cosman's vibrant illustrations combine to produce a unique and enlightening book on Stravinsky. Stravinsky the Music-Maker is the third incarnation of a book that has been greeted with superlatives on each previous appearance. Hans Keller and Milein Cosman collaborated down the decades of their married life, Keller'spen analysing music, Cosman's catching its makers at work. Stravinsky was a source of fascination for them both, and their Stravinsky at Rehearsal appeared in 1962, to be expanded, two decades later, as Stravinsky Seen and Heard. Stravinsky the Music-Maker offers the most generous compilation of their work yet: it includes Keller's complete articles on Stravinsky, written between 1954 and 1980, and augments Cosman's celebrated prints and drawings with a number not previously published. The introduction, by the composer Hugh Wood, sites the Keller-Cosman partnership in the framework of the British musical life they enriched. HANS KELLER (1919-85) fled Austria in1938 and became a commanding critical voice in British music journalism and on the BBC from the end of the war until his death. He is the author of numerous books, many illustrated by his wife Milein Cosman, including Criticism (Faber), The Great Haydn String Quartets (Dent), Essays on Music (CUP), Jerusalem Diary, Film Music and Beyond and Music and Psychology (all Plumbago). A critic of insight and integrity throughout his life, he remains a powerful influence to this day.

When he was in graduate school in the late 1980s, Timothy Duffy began documenting the "roots" music styles of largely forgotten southern musicians in a series of field recordings. Recognizing that too many artists working in these traditions--blues, R&B, hillbilly music, and other now increasingly popular forms--had been either ignored or taken advantage of by mainstream record labels and music media and were living in poverty as a result, Duffy established the Music Maker Relief Foundation to help these forgotten pioneers meet their basic needs and nourish their souls by committing their gifts to archival recordings and reviving performance careers. This book, available for the first time in paperback, features photographs, biographies, interviews, and lyrics from sixty-six real and rooted originals such as Beverly "Guitar" Watkins, Cootie Stark, Mudcat, Macavine Hayes, and Drink Small. The music of America exists in these largely forgotten artists who link us back to our earliest history.

The inspirational true story of an Allied POW appointed Kapellmeister to the Nazis in Auschwitz. When called up to fight in yet another World War, Drum Major Jackson promised his beloved wife Mabel that he would return to lead his band and play for her once more. In May 1940, he was captured at Dunkirk and interned in several German forced labour camps throughout Poland. Two years later he was transferred to Auschwitz IV, part of the notorious concentration camp complex where it is not widely known held Allied POWs. When his captors appointed Jackson their ‘Kapellmeister’ (man in charge of music), he seized the opportunity to provide entertainment for his fellow prisoners at rehearsals, and cover for escapees during concerts. Finally liberated in May 1945, malnourished and gravely ill, Jackson carried his secret war diary—an incredible exposé on five years of life and death in Nazi concentration camps. THE MUSIC MAKER OF AUSCHWITZ IV, based on Jackson’s diary, is written by his granddaughter. It is a thrilling testament to the resilience one man found in the darkest of times through his two greatest loves—music and the woman who waited for him.

Maka didn't talk much, but he loved to sing. Wherever he went, his beloved 'ukulele was by his side. And whenever he started to play and sing his song, "The Maka Shaka Shuffle," people would stop what they were doing and sing along¿ Point your thumb, now point your pinky. Shake it back and forth and give a little winky. It's the Maka Shaka Shuffle, oh yeah. The Maka Shaka Shuffle, uh huh. One day, a very big and very hungry pua'a entered his village and started chasing all his friends. Shy little Maka did the only thing he knew how and bravely saved his village from destruction. An audio CD with an original song by Domonic Vespoli, "Maka the Music Maker," and a reading by author Shannon Scott is included.

To meet Freeman Vines is to meet America itself. An artist, a luthier and a spiritual philosopher, Vines' life is a roadmap of the truths and contradictions of the American South. He remembers the hidden histories of the eastern North Carolina land on which his family has lived since enslavement. For over 50 years Vines has transformed materials culled from a forgotten landscape in his relentless pursuit of building a guitar capable of producing a singular tone that has haunted his dreams. From tobacco barns, mule troughs, and radio parts he has created hand-carved guitars, each instrument seasoned down to the grain by the echoes of its past life. In 2015 Vines befriends photographer Timothy Duffy and the two begin to document the guitars, setting off a mutual outpouring of the creative spirit. But when Vines acquires a mysterious stack of wood from the site of a lynching, Vines and Duffy find themselves each grappling with the spiritual unrest and the psychic toll of racial violence living in the very grain of America.

Celebrates the lives of two extraordinary musicians who influenced Canadaa s cultural life for more than 50 years.

Thirty-two composers, conductors, performers, scholars, patrons, critics and others integrally involved in the American classical music milieu offer perceptions, criticisms and praise in assessing the music world and their experiences.

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