This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988.

This concise manual enables readers to learn about the traits of various library programs, adapt ideas to their own settings, and ultimately benefit from the experiences of the authors.

An important function of any library catalog is to bring together bibliographic records for materials that are related to each other in some way. The achievement of this goal depends on identifying those relationships and then linking the catalog records for the related material. Music scores present an abundance of complex relationships because of the added dimensions created by performance, requiring library catalogs to link bibliographic records for scores, performance parts, sound recordings, video recordings, books, hyper-media computer programs, and other formats. In order to redesign library catalogs to take full advantage of today's sophisticated relational database structures, it is important to understand the exact nature of these relationships. This groundbreaking empirical study of music bibliographic relationships provides the fundamental information necessary to understand better the complexities of music cataloging and the impact of these complexities on the structure of the catalog. Vellucci's study identifies the characteristics of music scores found in a library collection, describes in detail the types of relationships that exist within the world of music materials, and discusses the various methods currently used to link related music materials in library catalogs. Essential for music libraries and collections.

The literature of American music librarianship has been around since the 19th century when public libraries began to keep records of player-piano concerts, significant donations of books and music, and suggestions for housing music. As the 20th century began, American periodicals printed more and more articles on increasingly specialized topics within music studies. Eventually books were developed to aid the music librarian; their publication has continued over the course of nearly a century. This book reflects the great diversity of the literature of music librarianship. The main resources included are items of historical interest, descriptions of individual collections, catalogues of collections, articles describing specific library functions, record-related subjects, bibliographies designed for music library use, literature from Canada and Britain when relevant to U.S. library practices, key discographies, and information on specialized music research. The material is ordered by topic and indexed by author, subject, and library name.

This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.