Recordings of works composed for band and suitable for grades 2-5.

A fun and engaging word search puzzle book for all ages! Try to solve the 64 puzzles related to country music! Features: -Country Theme: Contains word searches featuring country singers, bands, albums, singles and much more including searches from all eras of country music! -Large Size: 8.5x11" dimensions for easy reading and solving! -Medium Challenge: The word searches are set at a medium difficulty so they can be played by any age group! The words are found in any direction but are limited to a 15x15 grid. -64 Puzzles with Solutions: This book contains many hours of fun with 64 puzzles to solve with over 700 individual words to be found! Makes a perfect gift for any word search lovers or country music fans that are in your life!

Vinson "Wordsworth" Johnson is a musician and teacher who has several albums to date, who has music in several TV shows and films. What Words Are Worth Volume 1, explores an in-depth look into the lyrics/poems written for his album New Beginning. Each page provides a more personal perspectives to his thought process when crafting each line. This book exhibits the potency and value of each word written, that makes it imperative for music connoisseurs and avid readers to be immersed in. It allows Wordsworth to elaborate on his thoughts and draws you into his narrative voice.

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

Companion volume (v. 2) contains examples of the music, sources and critical notes.

A history of the Lied and its interpretation, with a guide to available recordings.

This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today’s popular culture.

Published in 1814, this two-volume compilation covers chiefly Italian, German and British musicians of the sixteenth, seventeenth and eighteenth centuries.

(Vocal Collection). The most comprehensive collection of Broadway selections ever organized specifically for the singer. Each of the five volumes contains important songs chosen because of their appropriateness to that particular voice type. All selections are in their authentic form, excerpted from the original vocal scores. The songs in The Singer's Musical Theatre Anthology, written by such noted composers as Kurt Weill, Richard Rodgers, Stephen Sondheim, and Jerome Kern, are vocal masterpieces ideal for the auditioning, practicing or performing vocalists. This soprano version features 47 songs, including: Where Or When * If I Loved You * Goodnight, My Someone * Smoke Gets In Your Eyes * Barbara Song * more.

The abuse spectrum is a solid sphere, from minuscule to beyond the outer limits of known physics. Abuse not only of people, but of things and places. This book covers all of that, while incorporating many chapters beyond that topic. The hope is a pushback of mischiefs, a healing, a curative force which goes viral, rather than the virility of evil and abuse growing to encompass more and more of the world. A book that has been carefully designed & crafted to challenge any reader, a challenge for tolerance and a challenge towards motivation to fix and properly govern oneself in a new and novel way, as the universe falls m into the last day Bible style. Prepare to be shocked, horrified, and cringed like never before. Enter the arena of these pages; a contest is afoot and lively if one does. When taken in its full context, the words herein cannot be defeated?