The bloody story of the rise of paramilitaries in Colombia, told through three characters -- a fearless activist, a dogged journalist, and a relentless investigator -- whose lives intersected in the midst of unspeakable terror. Colombia's drug-fueled cycle of terror, corruption, and tragedy did not end with Pablo Escobar's death in 1993. Just when Colombians were ready to move past the murderous legacy of the country's cartels, a new, bloody chapter unfolded. In the late 1990s, right-wing paramilitary groups with close ties to the cocaine business carried out a violent expansion campaign, massacring, raping, and torturing thousands. There Are No Dead Here is the harrowing story of three ordinary Colombians who risked everything to reveal the collusion between the new mafia and much of the country's military and political establishment: JesúríValle, a human rights activist who was murdered for exposing a dark secret; IváVeláuez, a quiet prosecutor who took up Valle's cause and became an unlikely hero; and Ricardo Calderóa dogged journalist who is still being targeted for his revelations. Their groundbreaking investigations landed a third of the country's Congress in prison and fed new demands for justice and peace that Colombia's leaders could not ignore. Taking readers from the sweltering Medellístreets where criminal investigators were hunted by assassins, through the countryside where paramilitaries wiped out entire towns, and into the corridors of the presidential palace in BogotáThere Are No Dead Here is an unforgettable portrait of the valiant men and women who dared to stand up to the tide of greed, rage, and bloodlust that threatened to engulf their country.

The bestselling author of The Hot House once again combines the facts, the real people, and the location itself into this true story, a wide-ranging portrait of the interplay of race, sex, and justice in the American South, made all the more real because it takes place in the same small Alabama town that was the fictional "Maycomb" in Harper Lee's To Kill a Mockingbird. Optioned for film by MGM. Photos.

In Dana Stabenow's breathtaking new novel, Though Not Dead, the eighteenth to feature Kate Shugak, Kate's search for the long-lost family secrets that have been interwoven with the epic history of an unforgiving land leads to an extraordinary treasure hunt with fatal consequences. The residents of Alaska's largest national park are stunned by the death of one of their oldest members, eighty-seven-year-old Old Sam Dementieff...even private investigator Kate Shugak. Sam, a lifelong resident, dubbed the "father" of all of the Park rats—even though he had no children of his own—was especially close to Kate, his niece, but even she is surprised to discover that in his will he's left her everything, including a letter instructing her simply to, "find my father." Easier said than done, since Sam's father is something of a mystery. An outsider, he disappeared shortly after learning about Sam's existence, taking with him a priceless tribal artifact, a Russian icon. And in the three days after Kate begins her search through Sam's background, she gets threatened—and worse. The flashbacks from Sam's fascinating life, including scenes from major events in Alaska's colorful history, punctuate a gripping story in which Kate does her best to fulfill Sam's last wish without losing her own life to the people who are following her every move, though what they are searching for Kate doesn't even know.

Barbara and Michael ran a Detroit-area comic book shop, where Renee Kotula was an employee—and Michael's lover. Their torrid affair took a shocking turn when one night Barbara was found dead at the shop, a bullet through her skull. Did Michael kill his wife so that he could collect her life insurance policy...and run off with Renee? With no weapon or witnesses, the police weren't able to arrest Michael...until, eighteen years later, a new district attorney reopened the case and found overlooked evidence that placed him at the scene of the crime. Michael was finally arrested. But after a jury found him guilty of murder, the judge overturned his case. Why? As Michael awaits a second trial, many are left to wonder if justice will ever be served for the woman who is DEAD BUT NOT FORGOTTEN.

"In her hands, Gil Harrington held both the abomination of her daughter's gap-toothed skull, and the mother of her daughter's killer, blessing them both. The phone rang that bright October morning: "Hello, this is the Charlottesville Police Department calling. We've found your daughter's purse on the ground..." For exactly 100 nights, Gil Harrington and her family stumbled, agonized, and learned to function in the uncharted hell of the Missing. Twenty-year old beautiful college co-ed Morgan Harrington, chock-a-block full of potential and promise, had gone to a concert and vanished. This is the story of a devastated mother crawling out of blind grief to become America's most skilled huntress. With love, eloquence, and social media as her only weapons, Gil Harrington pursued her daughter's murderer for five years until he was unmasked as the marauding serial murderer, the Back to School Killer who had hidden in plain sight as a genial, lumbering Charlottesville, Virginia cabbie. Morgan's mother was so crucial in the pursuit of the Back-to-School Rapist and Killer, Jesse Matthew, that Crime Stoppers recognized Gil and her non-profit foundation, Help Save the Next Girl, in solving what prosecutors called "the Super Bowl of Crime Cases." But Gil Harrington, this mother of a murdered precious daughter, is something very different from an investigator. Hers is one of the rare, intimate voices needed in our world right now, when fear and hatred are rampant. Her voice marries the pragmatism of an incisive oncology nurse and the originality of an authentic, raw prose-poet to give the world the tool kit we all need to forge hope. Harrington's voice is joined by artist, Jane Lillian Vance, who attended Matthew's trials. Vance's essays witness Gil's grace, and the stunning alchemy of darkness into freedom." --

How do you prove someone guilty of murder when the best piece of evidence—the victim’s body—is missing? Exclusively dedicated to the investigation and prosecution of no-body homicide cases, this book provides the author’s insight gained from investigating and trying a no-body case along with what he’s learned consulting on scores of others across the country. A practical guide for police and prosecutors, it takes an expansive look at both the history of no-body murder cases and the best methods to investigate, solve, and bring them to court. Taking readers step by step from the first days of a homicide investigation through the trial, the book explores the history of confessions, the use of jailhouse snitches to get information, and CSI-style forensics utilized in solving a case. It delves into the psychological profile of the type of defendant who murders someone and then hides the body and reviews methods criminals have used to dispose of bodies. It also discloses the investigative techniques police must use to catch these devious killers. Using real-life case studies, No-Body Homicide Cases: A Practical Guide to Investigating, Prosecuting, and Winning Cases When the Victim is Missing summarizes and analyzes the nearly 400 no-body murder trials in U.S. history, enabling readers to leverage the similarities in these cases with their own scenarios. The book is an essential resource for all investigators and a roadmap to a conviction for prosecutors.

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

In November 1994, one of history's most diabolical serial-killers is beaten to death by another inmate in the prison where he was serving fifteen consecutive life sentences. Jeffrey Dahmer is dead. Or is he? Two weeks after the madman's body is buried, another cannibalistic murder spree begins. Fingerprints, DNA, and modus operandi all link Dahmer to the hideous crimes. Homicide cop Helen Closs is certain it's all a hoax or a clever copycat...until the night her own phone rings, and Jeffrey Dahmer himself begins to speak... Dahmer's Not Dead is the latest collaborative effort by acclaimed horror novelist Edward Lee and serial-killer expert Elizabeth Steffen. Don't expect the same explicit hardcore horror that Edward Lee is so well-known for. Instead, Dahmer's Not Dead is a brilliant and technically accurate police-procedural thriller on par with the best crime novelists working today.

FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE NATIONAL BESTSELLER Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men. You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget. 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.

C-Murder--rap star, media mogul and until recently, an incarcerated convicted murderer--is Corey Miller, the younger brother of Master P, founder and president of New Orleans-based No Limit Records. Drawing on his intense and harrowing life experiences, C-Murder delivers a powerful novel sure to please both fans of his music and all fans of urban fiction.