He shows how the way we understand ourselves reflects the ambivalent effects of the Holocaust on our perceptions of war and violence, history and memory, progress and barbarism.

"Crime stories attract audiences and social buzz, but they also serve as prisms for perceived threats. As immigration, technological change, and globalization reshape our world, anxiety spreads. Because journalism plays a role in how the public adjusts to moral and material upheaval, this unease raises the ethical stakes. Reporters can spread panic or encourage reconciliation by how they tell these stories. Murder in our Midst uses crime coverage in select North American and Western European countries as a key to examine culturally constructed concepts like privacy, public, public right to know, and justice. Working from close readings of news coverage, codes of ethics and style guides, and personal interviews with almost 200 news professionals, this book offers fertile material for a provocative conversation. We use our findings to divide the ten countries studied into three media models; we explore what the differing coverage decisions suggest about underlying attitudes to criminals and crime, and how justice in a democracy is best served. Today, journalists' work can be disseminated around the world without any consideration of whether what's being told (or how) might dissolve cultural differences or undermine each community's right to set its own standards to best reflect its citizens' values. At present, unique reporting practices persist among our three models, but the internet and social media threaten to dissolve distinctions and the cultural values they reflect. We need a journalism that both opens local conversations and bridges differences among nations. This book is a first step in that direction"--

Amazon top 20 best seller, Howard of Warwick delivers a Medieval Crime Comedy for our times. Of course, if anyone is unable to keep up with the times, it’s going to be Brother Hermitage. Now nominated for the CWA 2024 Historical Dagger award. Influencers, the nature of truth, state propaganda? And all nearly 1,000 years ago. Some things never change. When conflicting versions of the Norman Conquest are offered to the people of Derby, Brother Hermitage is in the audience to hear both sides. But, if Brother Hermitage is in the audience, someone is at serious risk of ending up less alive than they used to be. As Wat and Cwen the weavers point out, Brother Hermitage, the King’s Investigator of murder, after all, was standing right there when the deed was done. How can he not know who did it? Well, he will simply have to investigate as he always does, and the facts will be revealed. Unfortunately, everyone seems to have their own version of the facts and they can’t all be right. When even the liars are lying about their lies, and the people who know the truth don’t know that they know it, things are bound to be confusing. But someone has been shot. With a bow and arrow, a rare item in Anglo-Saxon Derby. Someone must have seen something. And in this case, everyone is talking. They just aren’t saying anything reliable. Never fear. Brother Hermitage will knock this investigation on the head. Unless someone knocks him on the head first, of course. Non mitterent nuncio, as Hermitage might say. Don’t shoot the messenger. Oh, too late. The 29th Chronicle of Brother Hermitage carries the familiar warning; if you like your historical mysteries serious and sombre, look away now. 5* Hilarious medieval murder 5* Another hysterical masterpiece 5* Good humour and funny, clever characters

War endlessly tries to mask itself. The myth of the heroic soldier testing his individual courage stands in stark contrast to the reality of mass, anonymous death and the suppression of individual actions. Murder in Our Midst shows that this fundamental tension reached its natural conclusion in the Holocaust, and that disguising it has required an ongoing effort to misrepresent war and the Holocaust as something other than industrial killing. Examining a broad range of the representations of war's horrors, from scholarly depictions to those in popular literature, poetry, art, and the movies, Omer Bartov finds they have some things in common. Societies and cultures have attempted to form coherent images of horrific events, to draw didactic lessons from them, and to exploit them to legitimate ideological or political positions. Made up of interconnected essays, this book is both a scholarly and an often personal and passionate examination of the emergence, implementation, and representation of industrial killing. Bartov draws out the links between recent revisionist attempts to minimize and deny the Holocaust, and Hollywood's ongoing fascination with National Socialism and Hitler's "Final Solution." Arguing that the modern predicament reflects the effects of the Nazi genocide on current perceptions of war, history, and memory, this book is a plea for compassion and commitment in an increasingly violent and indifferent world.

Tom Kohl, a judge, relates how God changed his life through the living Jesus Christ; how God could take a tragedy and turn it into a triumph. Only through the power of the living God could Tom come to forgive the man who brutally murdered his daughter. This story also reveals how drug court, an intensive treatment program, was birthed out of Toms heart for drug addicts, offering second, third, and fourth chances in the criminal justice system. This is the true story of finding hope, comfort, and forgiveness in the midst of the darkness of drug addiction and ultimately the murder of Toms daughter.

Bad cop Jerry Broadfield didn't make any friends on the force when he volunteered to squeal to an ambitious d.a. about police corruption. Now he'saccused of murdering a call girl. Matthew Scudder doesn't think Broadfield's a killer, but the cops aren't about to help the unlicensed p.i. prove it -- and they may do a lot worse than just get in his way.

Nick Creed, expert criminal profiler, hunts down human monsters for a living. Back in South Africa after working with the fbi, he is haunted by his past mistakes, including the death of his fiancée. When a young woman is murdered and dismembered in her Johannesburg apartment, Creed’s long-time friend and head of the saps’ Investigative Psychological Unit, Major Eli Grey, enlists his help in investigating the murder – an attempt to save the self-destructing Creed from himself. But not all the Unit’s members welcome his involvement, and there are those intent on exposing his secrets while the murder is being solved. The young woman’s community are convinced she was the victim of a witch called Nomtakhati, but Creed’s hunch points to an angry ex-boyfriend. Who, or what, is really behind the murder? Could it be Nomtakhati, who believes Nick Creed is uSatane? In the Midst of Wolves is a dark psychological thriller about metaphorical demons from the past and the living monsters who target the innocent. Bonus content: Star Crossed: A Nick Creed Short Story

Rural New York in 1787. The great war that turned the former colonies into a fledgling nation is over. Or is it? In a remote cabin in the forest, Ralph Folsom, once a brilliant Shakespearean scholar but now the last remaining Tory in High Tide, ekes out a bitter impoverished existence. Hideously scarred by an act of vigilante justice and mentally scarred by the betrayal of his wife, nothing is left to him but his hatred and no one gets a bigger dose of it than aristocrat and patriot Capt. Aaron Collins, who was born to everything Ralph wanted. Aarons got problems of his own. Stripped of his tenant lands following the war, saddled with a huge debt, and still reeling from the loss of the old fl ame who chose to marry Ralph Folsom instead, Aaron is too intent on the day-to-day struggles to notice that his enemy is sliding into madness and threatening to drag him down with him. It is the summer of 1787, but old sins bite deep, and the events now driving Ralph over the edge go back ten years, twenty years, and even before he and Aaron were born.

Society columnist Nora Blackbird is thrust into the world of celebrity tabloid gossip when a billionaire buys the farm…. Nora’s assigned to write a profile on billionaire fashion designer Swain Starr, who recently retired to build a high-tech organic farm with his new wife, Zephyr, a former supermodel. But before Nora can get the story, the mogul is murdered. And now her boss wants her to snap up an exclusive on who killed Starr before the cops do. But solving this murder won’t be easy with a family as colorful as Nora’s. Mick, her sort-of husband, is associating with unsavory characters from his past. Her sister Libby is transforming into a stage mom for her diabolical twins. And Emma, the youngest Blackbird, is mysteriously kicked out of the house by Mick. Nora’s home life may be hogging the spotlight, but there’s also a matter of Starr’s missing pig, which just might be the key to solving this mystery and the way Nora can bring home the bacon….

Gripping graphic novel recounts the murder of a notorious oil tycoon and a private eye's investigations of a rogues' gallery of suspects, from crusty Maine natives to a retired movie star. Suggested for mature readers.