Unconditional love is eagerly promised at weddings, but rarely practiced in real life. As a result, romantic hopes are often replaced with disappointment in the home. But it doesn’t have to stay that way. The Love Dare, the New York Times No. 1 best seller that has sold five million copies and was major plot device in the popular movie Fireproof, is a 40-day challenge for husbands and wives to understand and practice unconditional love. Whether your marriage is hanging by a thread or healthy and strong, The Love Dare is a journey you need to take. It’s time to learn the keys to finding true intimacy and developing a dynamic marriage. This second edition also features a special link to a free online marriage evaluation, a new preface by Stephen and Alex Kendrick, minor text updates, and select testimonials from The Love Dare readers. Take the dare!

From the author of "Romantic Comedy ("brilliant, meticulous, a monumental work of scholarship" --Margo Jefferson, "New York Times), a fresh, illuminating look at the films of the 1950s. Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men--Clift, Brando, Dean, and other rebels without causes. Harvey discusses the films of Hitchcock ("Vertigo), Ophuls ("The Reckless Moment), Siodmak ("Christmas Holiday), and Welles ("Touch of Evil, perhaps the single greatest influence on the "post-classical" movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition "(In a Lonely Place, "Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap ("Imitation of Life, "Magnificent Obsession). And he discusses the "serious" directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism. Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history.

NATIONAL BESTSELLER • NOW A MAJOR MOTION PICTURE starring Abigail Cowen, Tom Lewis, Nina Dobrev, with Logan Marshall Green and Eric Dane, special appearance by Famke Janssen. Distributed by Universal Pictures with a screenplay by Francine Rivers and D.J. Caruso. California’s gold country, 1850. A time when men sold their souls for a bag of gold and women sold their bodies for a place to sleep. Angel expects nothing from men but betrayal. Sold into prostitution as a child, she survives by keeping her hatred alive. And what she hates most are the men who use her, leaving her empty and dead inside. Then she meets Michael Hosea, a man who seeks his Father’s heart in everything. Michael obeys God’s call to marry Angel and to love her unconditionally. Slowly, day by day, he defies Angel’s every bitter expectation, until despite her resistance, her frozen heart begins to thaw. But with her unexpected softening comes overwhelming feelings of unworthiness and fear. And so Angel runs. Back to the darkness, away from her husband’s pursuing love, terrified of the truth she no longer can deny: her final healing must come from the One who loves her even more than Michael does . . . the One who will never let her go. A powerful retelling of the story of Gomer and Hosea, Redeeming Love is a life-changing story of God’s unconditional, redemptive, all-consuming love. Includes a six-part reading group guide!

During the first eight years of its existence, Little White Lies magazine has published countless interviews with some of the biggest names in the movies. Yet staff and collaborators have all been encouraged to round-off these interviews by posing a single, searching question: 'What do you love about movies?' The answers have been entertaining, profound, personal, ridiculous, revealing and unexpected, but always unique. Now, for the first time, these declarations of movie passion have been collected into the ultimate one-stop celebration of cinema, with subjects including legendary directors (Francis Ford Coppola, the Coen brothers, Wes Anderson, Steven Soderbergh, Pedro Almodóvar, Darren Aronofsky, Quentin Tarantino, Spike Jonze), as well as A-list icons (Ryan Gosling, Michael Fassbender, Kristen Stewart, Jake Gyllenhaal, Tom Hardy).Alongside these star-spangled testimonies are newly commissioned illustrations and immaculate art direction care of the award-winning LWLies creative team.

In this irresistible romantic romp, movie fanatic Kensington Shaw is thrown into love—Hollywood-style—when her gorgeous ex presents a series of big screen challenges to win back her heart. What girl wouldn’t want to experience the Pretty Woman shopping scene? It’s number two on the list. Or, try the lift from Dirty Dancing? It’s number five. One list, ten romantic movie moments, and a handful of shenanigans later, Kenzi has to wonder…should she marry the man her family loves, or risk everything for a love like the movies?

“All that I do is go out and look at films and choose the ones I want to play—films that stimulate, and give some insight into our lives. I hope that people will come, but if they don’t, that’s okay too.” Daniel Talbot changed the way the Upper West Side—and art-house audiences around the world—went to the movies. In Love with Movies is his memoir of a rich life as the impresario of the legendary Manhattan theaters he owned and operated and as a highly influential film distributor. Talbot and his wife, Toby, opened the New Yorker Theater in 1960, cultivating a loyal audience of film buffs and cinephiles. He went on to run several theaters including Lincoln Plaza Cinemas as well as the distribution company New Yorker Films, shaping the sensibilities of generations of moviegoers. The Talbots introduced American audiences to cutting-edge foreign and independent filmmaking, including the French New Wave and New German Cinema. In this lively, personal history of a bygone age of film exhibition, Talbot relates how he discovered and selected films including future classics such as Before the Revolution, Shoah, My Dinner with Andre, and The Marriage of Maria Braun. He reminisces about leading world directors such as Sembène, Godard, Fassbinder, Wenders, Varda, and Kiarostami as well as industry colleagues with whom he made deals on a slip of paper or a handshake. In Love with Movies is an intimate portrait of a tastemaker who was willing to take risks. It not only lays out the nuts and bolts of running a theater but also tells the story of a young cinephile who turned his passion into a vibrant cultural community.

This collection of original essays, written by scholars from disciplines across the humanities, addresses a wide range of questions about love through a focus on individual films, novels, plays, and works of philosophy. The essays touch on many varieties of love, including friendship, romantic love, parental love, and even the love of an author for her characters. How do social forces shape the types of love that can flourish and sustain themselves? What is the relationship between love and passion? Is love between human and nonhuman animals possible? What is the role of projection in love? These questions and more are explored through an investigation of works by authors ranging from Henrik Ibsen to Ian McEwan, from Rousseau to the Coen Brothers.

The impassioned love of two teenagers leaves a path of destruction in its perilous wake Seventeen-year-old David Axelrod is consumed with his love for Jade Butterfield. So when Jade’s father exiles him from their home, David does the only thing he thinks is rational: He burns down their house. Sentenced to a psychiatric institution, David’s obsession metastasizes, and upon his release, he sets out to win the Butterfields back by any means necessary. Brilliantly written and intensely sexual, Endless Love is the deeply moving story of a first love so powerful that it becomes dangerous—not only for the young lovers, but for their families as well. This ebook features an illustrated biography of Scott Spencer, including rare photos from the author’s personal collection.

Most people are too busy to keep up with all the good movies they’d like to see, so why should anyone spend their precious time watching the bad ones? In Why It’s OK to Love Bad Movies, philosopher and cinematic bottom feeder Matthew Strohl enthusiastically defends a fondness for disreputable films. Combining philosophy of art with film criticism, Strohl flips conventional notions of "good" and "bad" on their heads and makes the case that the ultimate value of a work of art lies in what it can add to our lives. By this measure, some of the worst movies ever made are also among the best. Through detailed discussions of films such as Troll 2, The Room, Batman & Robin, Twilight, Ninja III: The Domination, and a significant portion of Nicolas Cage’s filmography, Strohl argues that so-called "bad movies" are the ones that break the rules of the art form without the aura of artistic seriousness that surrounds the avant-garde. These movies may not win any awards, but they offer rich opportunities for creative engagement and enable the formation of lively fan communities, and they can be a key ingredient in a fulfilling aesthetic life. Key Features: Written in a humorous, approachable style, appealing to readers with no background in philosophy. Elaborates the rewards of loving bad movies, such as forming unlikely social bonds and developing refinement without narrowness. Discusses a wide range of beloved bad movies, including Plan 9 from Outer Space, The Core, Battlefield Earth, and Freddy Got Fingered. Contains the most extensive discussion of Nicolas Cage ever included in a philosophy book.

A heartwarming story of love, loss, serendipity, and texting. Now a major motion picture starring Sam Heughan and Priyanka Chopra Jonas. After a heated argument, Clara’s fiancé stormed out of their apartment, but before they had a chance to reconcile, he died in a tragic accident. It has been two years, but she’s still paralyzed with grief, and her friends are worried about her. So, to try to say what was left unsaid, she starts texting his old phone. What she doesn’t realize is that the number has been reassigned. Across town, Sven’s phone begins receiving mysterious but heartfelt text messages. He doesn’t respond, but he is captivated by the sender. His own relationship has been on the rocks, and when it ends he sets out to find the person who has been texting him. Neither Sven nor Clara knows what they are setting out to find, but it will change both of their lives forever.