Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer

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John Eleazer Remsburg (January 7, 1848 – 1919) was an ardent religious skeptic in America in the late 19th and early 20th centuries. His name is sometimes spelled Remsberg.Remsburg was born in Fremont, Ohio, a son of George J. and Sarah A. (Willey) Remsburg. He enlisted in the Union army at the age of sixteen during the American Civil War. On October 9, 1870, he married Miss Nora M. Eiler of Atchison, Kansas. He was a teacher for 15 years, a superintendent of public instruction in Atchison County, Kansas for four years, then a writer and lecturer in support of free thought, his lectures being translated into German, French, Bohemian, Dutch, Swedish, Norwegian, Bengali and Singalese. He was also a life member of the American Secular Union, of which he was president from 1897–1900, and a member of the Kansas State Horticultural Society.Among the many books Remsburg authored include: Life of Thomas Paine (1880); The Image Breaker (1882); False Claims, (1883); Bible Morals (1884); Sabbath Breakers (1885); The Fathers of Our Republic (1886); Was Lincoln a Christian (1893); Was Washington a Christian (1899); The Bible (1903); Six Historic Americans (1906); and The Christ (1909).ViewsRemsburg was a rationalist and critic of morality as found in the Bible. Although he lived in Atchison, Kansas, that town's library has no copies of his work, according to Fred Whitehead in Freethought History (#2, 1992). In Bible Morals, he cited twenty crimes and vices sanctioned by scripture. In his The Bible, he condemns as pernicious and false such Biblical views as:"Blessed are the poor in spirit; Blessed are the meek, for they shall inherit the earth; If thy right eye offend thee, pluck it out; If thy right hand offend thee, cut it off; Whosoever shall marry her that is divorced committeth adultery; Resist not evil; Whosoever shall smite thee on the right cheek, turn to him the other also; Love your enemies; Lay not up for yourselves treasurers upon earth; Take no thought for your life, what ye shall eat, or what he shall drink, nor yet for your body, what ye shall put on; Take therefore no thought for the morrow."Such views, combined with the name of Christ, Remsburg held, have caused more persecutions, wars, and miseries than any other.Remsburg "delivered over 3,000 lectures, speaking in fifty-two States, Territories and Provinces, and in 1,250 different cities and towns, including every large city of United States and Canada."The Christ: A Critical Review and Analysis of the Evidence of His Existence was reprinted in 1994 and was republished under the title Christ Myth in 2007.Role in Christ Myth debateIn recent years a list of forty-two names from the "Silence of Contemporary Writers" chapter of The Christ (sometimes called the Remsberg List) has appeared in several books regarding the nonhistoricity hypothesis by authors such as James Patrick Holding, Hilton Hotema, Jawara D. King, Madalyn Murray O'Hair, D. M. Murdock and Robert M. Price, Asher Norman, Frank Zindler, Tim C. Leedom et al, as well as appearing in some 200 blog posts regarding the nonhistoricity hypothesis. This Remsburg List was improved upon in 2012 with the book No Meek Messiah, augmenting the number of "Silent Writers" to 126. The list was published in Free Inquiry magazine in August 2014.It must be mentioned that Remsburg stated "Jesus of Nazareth, the Jesus of humanity, the pathetic story of whose humble life and tragic death has awakened the sympathies of millions, is a possible character and may have existed; but the Jesus of Bethlehem, the Christ of Christianity, is an impossible character and does not exist."Furthermore in "The Christ a Myth" chapter Remsburg described myth as falling into three broad categories: historical, philosophical, and poetic (a mixture of the previous two).

An aid to solving crosswords. It contains over 100,000 potential solutions, including plurals, comparative and superlative adjectives, and inflections of verbs. The list extends to first names, place names and technical terms, euphemisms and compound expressions, as well as abbreviations.

The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.