When Luke Anderson falls in love with Dove Morris, he is aware of her Native American heritage. What he is not prepared for is the prejudice suddenly exhibited by his parents against Dove.

Nicely published (apparently with subsidy) by the Wildlife Management Institute, Washington, D.C. Comprehensively deals with the most numerous, widespread, and heavily hunted of North American gamebirds. Among the topics covered in 29 contributions: classification and distributions, migration, nesting, reproductive strategy, growth and maturation, feeding habits, diseases, survey procedures, population trends, care of captive mourning doves, and hunting. The final chapter identifies research and management needs. Annotation copyright by Book News, Inc., Portland, OR

Mourning Dove was the pen name of Christine Quintasket, a member of the Colville Federated Tribes of eastern Washington State. She was the author of Cogewea, The Half-Blood (one of the first novels to be published by a Native American woman) and Coyote Stories, both reprinted as Bison Books. Jay Miller, formerly assistant director and editor at the D'Arcy McNickle Center for the History of the American Indian, Newberry Library, Chicago, now is an independent scholar and writer in Seattle. He is the compiler of Earthmaker: Tribal Stories from Native North America.

Produced in association with the National Audubon Society, Audubon Birdhouse Book explains how to build and place safe, species-appropriate bird homes for more than 20 classic North American species, from wrens to raptors. A visit to almost any home or garden center presents birders with numerous cute and colorful contraptions that are sold as bird homes. But the fact is, many of these products provide anything but a safe refuge for your feathered friends. Each of the easy-to-build boxes and shelves within is accompanied by cut lists, specially created line diagrams, and step-by-step photography, making the projects accessible to those with even the most rudimentary woodworking skills. In addition, this practical and beautifully presented guide is packed with color photography and profiles and range maps for the bird species covered—including titmice, chickadees, nuthatches, phoebes, swallows, waterfowl, and even kestrels and owls—to help the reader properly place and maintain the homes to attract birds. And because these projects are the product of years of experience and field-testing, you can be sure you’re getting the best advice regarding proper design, safe construction materials, and correct home placement to mitigate exposure to elements, pests, and predators. Finally, beyond the birdhouses, you’ll find out how you can contribute to the larger birding community and even enhance your birding experience with the aid of new technologies. Build an Audubon-approved home for these species: Bewick’s, Carolina, or House Wren; Prothonotary Warbler; Eastern, Western, or Mountain Bluebird; Ash-throated or Great Crested Flycatcher; Tree Swallow or Violet-green Swallow; Juniper, Oak, Black-crested, or Tufted Titmouse; Barred Owl; Eastern or Western Screech-owl; Barn Owl; Northern Flicker; American Kestrel; Black-capped, Carolina, or Mountain Chickadee; Wood Duck; Hooded Merganser; Purple Martin; Mourning Dove; Barn Swallow; American Robin; House Finch; and Eastern or Say’s Phoebe.

One of the first known novels by a Native American woman, Cogewea (1927) is the story of a half-blood girl caught between the worlds of Anglo ranchers and full-blood reservation Indians; between the craven and false-hearted easterner Alfred Densmore and James LaGrinder, a half-blood cowboy and the best rider on the Flathead; between book learning and the folk wisdom of her full-blood grandmother. The book combines authentic Indian lore with the circumstance and dialogue of a popular romance; in its language, it shows a self-taught writer attempting to come to terms with the rift between formal written style and the comfort-able rhythms and slang of familiar speech.

These tales feature Mole, Coyote's wife, Chipmunk, Owl-Woman, Fox, and others

Miss Dove had taught geography in the same school for thirty-five years; some people in town thought that was too long. Miss Dove whose life at 19 had changed abruptly when her father died leaving her with a secret debt to play, was a stern disciplinarian with old-fashioned ideas and ideals. But on the April day when she was stricken in the classroom the whole town came to realize how much Miss Dove had meant to their lives.

For years, critics have acclaimed the power of James Lee Burke's writing, the luminosity of his prose, the psychological complexity of his characters, the richness of his landscapes. Over the course of twenty novels and one collection of short stories, he has developed a loyal and dedicated following among both critics and general readers. His thrillers, featuring either Louisiana cop Dave Robicheaux or Billy Bob Holland, a hardened Texas-based lawyer, have consistently appeared on national bestseller lists, making Burke one of America's most celebrated authors of crime fiction. Now, in a startling and brilliantly successful departure, Burke has written a historical novel -- an epic story of love, hate, and survival set against the tumultuous background of the Civil War and Reconstruction. At the center of the novel are James Lee Burke's own ancestors, Robert Perry, who comes from a slave-owning family of wealth and privilege, and Willie Burke, born of Irish immigrants, a poor boy who is as irreverent as he is brave and decent. Despite their personal and political conflicts with the issues of the time, both men join the Confederate Army, choosing to face ordeal by fire, yet determined not to back down in their commitment to their moral beliefs, to their friends, and to the abolitionist woman with whom both have become infatuated. One of the most compelling characters in the story, and the catalyst for much of its drama, is Flower Jamison, a beautiful young black slave befriended, at great risk to himself, by Willie and owned by -- and fathered by, although he will not admit it -- Ira Jamison. Owner of Angola Plantation, Ira Jamison is a true son of the Old South and also a ruthless businessman, who, after the war, returns to the plantation and re-energizes it by transforming it into a penal colony, which houses prisoners he rents out as laborers to replace the slaves who have been emancipated. Against all local law and customs, Flower learns from Willie to read and write, and receives the help and protection of Abigail Dowling, a Massachusetts abolitionist who had come south several years prior to help fight yellow fever and never left, and who has attracted the eye of both Willie and Robert Perry. These love affairs are not only fraught with danger, but compromised by the great and grim events of the Civil War and its aftermath. As in all of Burke's writings, White Doves at Morning is full of wonderful, colorful, unforgettable villains. Some, like Clay Hatcher, are pure "white trash" (considered the lowest of the low, they were despised by the white ruling class and feared by former slaves). From their ranks came the most notorious of the vigilante groups, such as the Ku Klux Klan, the White League and the Knights of the White Camellia. Most villainous of all, though, are the petty and mean-minded Todd McCain, owner of New Iberia's hardware store, and the diabolically evil Rufus Atkins, former overseer of Angola Plantation and the man Jamison has placed in charge of his convict labor crews. Rounding out this unforgettable cast of characters are Carrie LaRose, madam of New Iberia's house of ill repute, and her ship's-captain brother Jean-Jacques LaRose, Cajuns who assist Flower and Abigail in their struggle to help the blacks of the town. With battle scenes at Shiloh and in the Shenandoah Valley of Virginia that no reader will ever forget, and set in a time of upheaval that affected all men and all women at all levels of society, White Doves at Morning is an epic worthy of America's most tragic conflict, as well as a book of substance, importance, and genuine originality, one that will undoubtedly come to be regarded as a masterpiece of historical fiction.

How do you bridge the gap between the life you remember as a child and a new life that circumstances have thrust upon you? Can the gap between living on one continent and adapting to life on another ever be fully embraced? Young Sammy is uprooted from his home in Zimbabwe and all that he has held dear. Some relationships are made stronger by the move. His aunt Maggie and the African, Morris who was born in the same province of Matabeleland, become his support. New friendships are forged. The deep compassion given by Jeffery, in California, helps him break through old resistance, especially with the troubling relationship with Maggie's friend, Peter. The path of finding peace and acceptance is the journey Sammy faces, that brings him full circle back to the home he was forced to leave. The heartfelt story of moving to South Africa and then to the United States--of finding forgiveness and learning to love--is one that many can relate to. Many, like Sammy, Maggie, and Morris, have chosen or been forced to leave the countries of their birth. Both sweet and painful memories carve the path to embracing what has been, while striving forward to create a brighter future.