The story of the making of To Have and Have Not (1944) is an exciting and complex one, ranging from the widely reported romance between its stars, Humphrey Bogart and the unknown nineteen-year old Lauren Bacall, to one of the more subtle developments in the wartime alliance between the United States and the Batista regime in Cuba. Bruce F. Kawin's substantial and informed introduction reflects this excitement while explaining the complexities, helping all film scholars, students, and buffs to gain a fuller appreciation of one of Hollywood's most memoriable melodramas. This is a story also of a collaboration amoung four important writers: Ernest Hemingway, Howard Hawks, Jules Furthman, and William Faulkner.

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This critical edition publishes—for the first time anywhere—the original manuscript and revised versions of Pudd’nhead Wilson. Mark Twain's story of the antebellum South, first published in 1894, continues to prompt conversations about race and the dire legacy of American slavery. At its heart is Roxy, a mixed-race woman enslaved to a wealthy Missouri family. To save her infant son (whose father was white) from being "sold down the river," Roxy switches him in the cradle with her master's son, setting in motion a train of ironic and bitter events. With its mixture of farce, social commentary, tragedy, and satire, Pudd'nhead Wilson has come to be one of Mark Twain's most-read and most-studied works. But few have read the original Pudd'nhead Wilson. The text familiar since 1894, as editor Benjamin Griffin shows, was heavily edited and censored—first by the author himself under pressure from family and friends, then by his publishers. Now the Mark Twain Project makes available the full text of the Morgan Library manuscript (the original version), together with a critical text of the revised version, stripped of the changes imposed by Mark Twain's editors and publishers—two fascinating ways to encounter this troubled and troubling novel.

Carnegie Vitali, a self-made billionaire and hit man/assassin for an Italian mob family and a private organization, who lives a twisted lifestyle, tries to hold his family together by keeping them safe from unforeseen danger. He marries twice and shares children with both of his wives. His first wife never loved him. She only wanted the money. But his second wife, whose faith was strong in God, loved him through it all, hard and unconditionally. Carnegie also suffers off and on, dealing with three mental illnesses, multiple personality disorder, post-traumatic stress disorder (PTSD), and paranoid schizophrenia. The one that affects him the most is multiple personality disorder, which causes him to turn into some of his alter egos unknowingly. Even though his wife and mother prayed consistently to God and needed him too, he still didn't believe in a God that would make someone mentally ill. Ordered to do another job, Carnegie kills a young boy's father, not knowing that he would soon grow up to avenge his father's death. The young man vowed that if he ever saw Carnegie again, he would kill him. Years later, tables turn. His past finally catches up to him, and near tragedy strikes hard, leaving his wife in the hospital with a 10 percent survival rate from a bullet taken in the chest that was meant for him. Feeling helpless, not knowing if his wife will make it through the night, Carnegie puts his differences aside and turns to God for the first time, hoping that his prayers will be answered.