A fascinating insight into the strange world of collectors of the macabre, Morbid Curiosities features 18 unique collections and an extensive interview with each collector, explaining how and why they collect, and showcasing the most remarkable pieces from each collection. The collections include skulls, mummified body parts, taxidermy, occult objects and various carnival, and side-show and criminal ephemera. Detailed captions tell the curious stories behind each object, many of which are being shown outside the private world of their collections for the first time. Morbid Curiosities includes stunning, specially commissioned photography of both the individual objects and the context of how the collector exhibits their work, forming a unique showcase of the bizarre and the intriguing.

Vampires? Werewolves? Ghosts? Not quite. This anthology of horror peels back the veneer of normalcy to uncover the strange and spine-tingling fears lurking behind. Created by the minds of Singapore American School's Advanced Topic Writing Workshop and Publication students, this collection of twenty-five oddly specific horrors will make you look twice at everything from a Barbie doll to a ball of twine.

"It's shocking and sinful, and I couldn't put it down!" -Joan Rivers The strange, startling, and utterly fascinating stories behind the world's most notorious celebrity deaths. Was Jayne Mansfield really decapitated? Which manly appendage of Napoleon's was cut off during his autopsy? (And where did it go?) What went to the grave (literally) with River Phoenix, Frank Sinatra, and Princess Diana? Death is fascinating. Just think about the last time you slowed down as you passed the scene of a car accident. When a public figure bites the dust, the curiosity only increases. From Attila the Hun to Marie Antoinette, from Heath Ledger to Anna Nicole Smith, the deaths of the rich and famous spark endless speculation and tabloid fodder. Their lives-and deaths-are grave matters.

For ten years, Morbid Curiosity was a one-of-a-kind underground magazine that gained a devoted following for its celebration of absurd, grotesque, and unusual tales -- all true -- submitted from contributors around the country and across the world. Loren Rhoads, creator and editor of the magazine, has compiled some of her favorite stories from all ten issues in this sometimes shocking, occasionally gruesome, always fascinating anthology. This quirky book is filled with tales from ordinary people -- who just happen to have eccentric, peculiar interests. Ranging from the outrageous (attending a Black Mass, fishing bodies out of San Francisco Bay, making fake snuff films) to the more "mundane" (visiting a torture museum, tracking real vampires through San Francisco), this curiously enjoyable collection of stories, complete with illustrations and informative asides, will entertain and haunt readers long after the final page is turned.

An in-depth study of the variety of collections of human remains in Britain in the long nineteenth century

A look inside the world of forensics examines the use of human cadavers in a wide range of endeavors, including research into new surgical procedures, space exploration, and a Tennessee human decay research facility.

An anthropology professor, Duncan Clarke, stumbles upon the travel journal of a Victorian curiosity dealer that describes a victim of a Haitian witch doctor. Clarke's holiday pastime becomes an all-consuming obsession as he seeks to understand the chilling implications of the journal and the horrifying way in which his own life is tied to the past

Why can't we look away? Whether we admit it or not, we're fascinated by evil. Dark fantasies, morbid curiosities, Schadenfreude: As conventional wisdom has it, these are the symptoms of our wicked side, and we succumb to them at our own peril. But we're still compelled to look whenever we pass a grisly accident on the highway, and there's no slaking our thirst for gory entertainments like horror movies and police procedurals. What makes these spectacles so irresistible? In Everyone Loves a Good Train Wreck, the scholar Eric G. Wilson sets out to discover the source of our attraction to the caustic, drawing on the findings of biologists, sociologists, psychologists, anthropologists, philosophers, theologians, and artists. A professor of English literature and a lifelong student of the macabre, Wilson believes there's something nourishing in darkness. "To repress death is to lose the feeling of life," he writes. "A closeness to death discloses our most fertile energies." His examples are legion, and startling in their diversity. Citing everything from elephant graveyards and Susan Sontag's On Photography to the Tiger Woods sex scandal and Steel Magnolias, Wilson finds heartening truths wherever he confronts death. In Everyone Loves a Good Train Wreck, the perverse is never far from the sublime. The result is a powerful and delightfully provocative defense of what it means to be human—for better and for worse.

Human cultures all over the world exhibit a fascination with collecting a possessing souvenirs of death. Whether they're trophies of war, forensic evidence, or holy relics, we find ourselves compelled by their power, mystery, & horror. Filled with photos of some of the most ghoulish--and shockingly beautiful--artifacts in public & private collections, Morbid Curiosities features extensive interviews with the owners of these objects, objects which include the Marquis de Sade's skull, John Dillinger's penis, paintings by John Wayne Gacy & Charles Manson, accouterments from the Heaven's Gate mass suicide, & more!