The second book in a hilarious action comedy chapter book series from New York Times bestselling author Ralph Lazar! For Dash Candoo, every day is... MYSTERIOUS! Excitement is spreading through the halls of Dash Candoo's school. The Face-Pulling Championships are about to begin, featuring students holding their faces in such positions as the Vibrating Jaw-Drop with Eye-Roll and the Dripping Stare of Death. Dash and his classmates have been getting ready for this day for ages. But then, suddenly, right before the championship, blue spots appear on everyone's faces... except for Gronville Honkersmith's face, which remains spotless. Something very suspicious is going on here. Dash needs to act fast to get rid of the spots... or else he and his friends will be pulled from the Face-Pulling for sure.

Military wife, mom, and professional organizer Ellie Avery returns in her fourth cozy mystery, in which she stumbles across two dead bodies in her new neighborhood, and discovers that murder is a clear and present danger.

Everything you need to know about the cultural contexts of 'A Midsummer Night’s Dream'. Is this just a light-hearted romp or is Shakespeare trying to make serious points about courtship, love, marriage and human folly? This book provides detailed in-depth discussion of the various influences that an Elizabethan audience would have brought to interpreting the play. How did people think about the world, about God, about sin, about kings, about civilized conduct, about the magic and madness of love and attraction? Historical, literary, political, sociological backgrounds are explained within the biblical-moral matrices by which the play would have been judged. This book links real life in the late 1590s to the world on the stage. Discover the orthodox beliefs people held about religion. Meet the Devil, Sin and Death. Learn about the social hierarchy, gender relationships, court corruption, class tensions, the literary profile of the time, attitudes to comedy – and all the subversions, transgressions, and oppositions that made the play a hilarious farce but also an unsettling picture of a world so close to disaster.

From movies to comics to graphic novels, monsters and their ilk tap into the terror that lurks in the darkest regions of the human collective unconscious. Enduringly popular characters, from vampires to zombies, provide an exciting challenge and appeal to comics and animation artists. How to Draw Chiller Monsters, Werewolves, Vampires and Zombies features the artwork of comic-book artist and Hollywood monster designer Kerry Gammill, Gene Colan as well as Neal Adams, Jim Steranko, Jack Davis, David Hartman, Frank Frazetta, Basil Gogos, and Wally Wood.

Having the ability to see fairies means that Tanya Fairchild's life has never been easy. After all, real fairies are nothing like the ones in books; ones that grant wishes or leave money for teeth. Real fairies don't like to be talked about, and they cast spells if Tanya steps out of line. The most she's ever received in exchange for one of her teeth is a chewed up toffee. Of course, it would help if Tanya knew someone - anyone - else who could see them, too . . . When Tanya meets Ratty, she finds not only that can he see fairies, but that he has a fairy friend, Turpin. Turpin is rude and spiteful, but funny and loyal too. When Ratty goes missing, Tanya discovers her new friend has another extraordinary ability; an ability that has the potential to destroy them both . . .

Satanism is a phenomenon that has existed as a prominent trope since very beginning of Christianity, when the Church Fathers entertained fantasies about people worshipping the Devil and indulging in macabre rituals. In the early modern period, similarly unfounded ideas led to the infamous witch trials which transpired primarily between 1400 and 1700. In the 1980s and 1990s, what has been labelled a "Satanic Panic" swept the United States and parts of Europe, with again, unfounded rumors about secret Satanist networks committing gruesome murders, kidnappings and ritualistic child abuse. Today, the so called Pizzagate and QAnon conspiracy theories in the United States again draw on these motifs, this time postulating that left-wing Satanists are secretly manipulating politics and doing nefarious deeds in the shadows. This book, however, is only indirectly concerned with the purely fictional Satanism of such paranoid fantasies. It does not deal directly with the literary tradition of Satanism either, where Satanists can appear as antagonists (or, more rarely, protagonists) in the plot of a story, or authors express Satanic sympathies in a poem or two. Rather, our selection of source texts focuses on actual, existing Satanic groups, and thinkers of importance to the emergence of a Satanic milieu that forms part of a broader landscape of alternative religion. Some of the texts do in a sense belong to the above-mentioned categories, e.g., Léo Taxil's spoof on conspiracy theories, or the quite literary pseudo-histories of Satanism - in fact Satanic tracts in disguise of Jules Michelet and Stanislaw Przybyszewski, but we have aimed to concentrate on 1. self-designated Satanic groups and ideologists, 2. groups and ideologists who prominently revere a figure they identify with Satan, even though they may not self-designate as Satanists, and 3. groups and ideologists mostly excluding, however, literary texts and conspiracy theories whose re-interpretations of Satan were crucial to the growth of such ideas--

Where do you place the hyphen in "Beethoven" if it breaks between two lines? How do you cite John Coltrane’s album A Love Supreme? Is it "premiere" or "première"? The answers and much more can be found in this definitive resource for authors, students, editors, concert producers—anyone who deals with music in print. Extending the principles devised for the classical repertoires, this revised and expanded edition now includes examples from world music, rock, jazz, popular music, and cinema. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, while others explain the requirements for submitting manuscripts and electronic files, and outline best practices for student writers. An appendix lists common problem words. Updates include greatly simplified citations of Internet locators, the recognition of multiple platforms, and the expectation of paperless transmission and storage of work. Cited as the authority by The Chicago Manual of Style, this classic handbook is the go-to source for anyone writing about music.

This book is a synopsis of my life with the intention of showing how God intervened in my life, and how I reacted to circumstances He created for me for the benefit of others. It is a book of brokenness and healing. It is a book about how He took away all my crutches and left me with nothing to cling to but Himself. It is about my life in the worst of personal situationswhere my life ended at Clingmans Dome and how I was reborn, with an injection of hope from Him, in the same instant. It is about Gods preservation of my life for His purpose. It is about the joy found around the dining table, about the disintegration of my family, and about how God put it back together the way He saw fit. My life started at the edge of a cotton field in the middle of World War II with a life-threatening disease attacking me before I reached one year of age. It is about my total lack of social skills and how God prepared me for higher education in preparation for speaking in front of a thousand people. My life was a battleground with Satans attempt to destroy me, and God who intervened at the last second. Being His child assures me that nothing can happen to me without Gods approval, and I have shared those events in this book. It is a book of spiritual warfare with God as the victor and me as the prize.

When outlaws in the Nueces Strip ruthlessly massacre innocents by the light of every full moon, Texas Ranger C. W. Wallace is dispatched to stop the next bloody murder. The crime and brutality rampant in the 1877 South Texas brush country threatens people in every community, but using Texas Rangers to combat the problem is as controversial as the violence itself, so C. W. rides alone and is rarely welcomed where he goes. To track the cattle thieves, he and other Rangers need the civilian population to become their extra eyes and ears. Clues at an isolated homestead suggest that a secretive young widow could be a valuable resource, but C. W. is hesitant to trust her. In an effort to identify the ringleaders, C. W. and the widow, Esther, ride breakneck for the border and illegally cross the Rio Grande into Mexico. But disaster plagues them, and C. W. realizes Esther is herself a target for death, even as his affections turn toward her. Now Ranger Wallace must do all he can to prevent Esther’s murder and discover where the marauders have planned the next moonlight massacre.

A winning mystery collection edited by #1 New York Times bestselling author Charlaine Harris—featuring an original Sookie Stackhouse story. Nighttime is the perfect time for the perfect crime—especially in the realm of the paranormal. Featuring fascinating, frightening, and sometimes funny stories by Mystery Writers of America including Carolyn Hart, Barbara D'Amato, Margart Maron, Max Allan Collins and Mickey Spillane, and Elaine Viets, Crimes by Moonlight is your portal to the dark side and all its wonders.