This is a book about Roman comedy, ancient theatre imagery, and seven medieval illustrated manuscripts of Terence’s six Latin comedies. These manuscript illustrations, made between 800 and 1200, enabled their medieval readers to view these comedies as “mirrors of life”.

This book argues that New Comedy has a far richer performance texture than has previously been recognised. Offering close readings of all the major plays of Menander, it shows how intertextuality - the sustained dialogue of New Comedy performance with the diverse ideological, philosophical, literary and theatrical discourses of contemporary polis culture - is crucial in creating semantic depth and thus offsetting the impression that the plots are simplistic love stories with no political or ideological resonances. It also explores how the visual aspect of the plays ('opsis') is just as important as any verbal means of signification - a phenomenon termed 'intervisuality', examining in particular depth the ways in which the mask can infuse various systems of reference into the play. Masks like the panchrēstos neaniskos (the 'all-perfect youth'), for example, are now full of meaning; thus, with their ideologically marked physiognomies, they can be strong instigators of literary and cultural allusion.

CliffsNotes on Greek Classics is the only reference book you need to understand the ideological and literary influence of the Greek civilization. A fully-indexed guide designed for students of: English Literature World Literature Classical Literature and Languages Philosophy History Theater and Drama Women's Studies Music and Art Religion Use for concise overviews of Greek playwrights, poets, prose writers, historians and philosophers. Find term paper ideas and essay topics. Check facts, dates, spelling and pronunciation. Identify major Greek literary movements. Understand the origins of Western drama. Discover the genesis of such ideas as the Oedipus Complex, the Golden Mean, the Golden Fleece, the Trojan Horse, the Socratic Method and Platonic Love. Recognize literary allusions to people and events such as the Olympic Games, the Bronze Age, the Fates, Medea, Electra and the Muses. Comprehend, through example, such literary terms as medias res, hubris and nemesis. Place Greek authors in historical context and chronological relationship to one another. Review major events of Greek civil wars as discussed by such writers as Herodotus, Xenophon and Thucydides. Recognize the roots of Western thought and philosophy in such writers as Plato, Aristotle and Socrates. For comprehensive, in-depth treatment of the following works, see the Cliffs Notes on each title: Iliad; Odyssey; Agamemnon; Oedipus Rex; Electra & Medea; Lysistrata; Plato's Euthyphro, Apology, Crito and Phaedo; Plato's Republic and Aristotle's Ethics.

This volume looks at literature of the Hellenistic period.

"The Cambridge History of Classical Literature, Volume 1 offers a comprehensive survey of Greek literature from Homer to end of the period of stable Graeco-Roman civilation in the third century A.D. It embodies the advances made by recent classical scholarship and pays particular attention to texts that have become known in modern times. After its success in hardcover, this volume is now being issued in four paperback parts, providing individual texts on early Greek poetry, Greek drama, philosophy, history and oratory, and on the literature of the Hellenistic period and the Empire. A chapter on books and readers in the Greek world concludes Part 4. Each part has its own appendix of authors and works, a list of works cited, and an index."--Publisher's description.

In this fresh, accessible, and beautifully illustrated book, his third to examine an aspect of Roman visual culture, John R. Clarke explores the question, "What made Romans laugh?" Looking at Laughter examines a heterogeneous corpus of visual material, from the crudely obscene to the exquisitely sophisticated and from the playful to the deadly serious—everything from street theater to erudite paintings parodying the emperor. Nine chapters, organized under the rubrics of Visual Humor, Social Humor, and Sexual Humor, analyze a wide range of visual art, including wall painting, sculpture, mosaics, and ceramics. Archaeological sites, as well as a range of ancient texts, inscriptions, and graffiti, provide the background for understanding the how and why of humorous imagery. This entertaining study offers fascinating insights into the mentality of Roman patrons and viewers who enjoyed laughing at the gods, the powers-that-be, and themselves.

An ideal introduction to Greek drama. Written by an acknowledged expert in the field, Greek Drama and Dramatists is a clear, concise and comprehensive study.

Drawing on insights from various disciplines (philology, archaeology, art) as well as from performance and reception studies, this volume shows how a heightened awareness of performance can enhance our appreciation of Greek and Roman theatre.

Women and Humor in Classical Greece examines the role of women as producers of joking speech, especially within cults of Demeter. This speech, sometimes known as aischrologia, had considerable weight and vitality within its cultic context. It also shaped literary traditions, notably iambic and Attic old comedy that has traditionally been regarded as entirely male. The misogyny for which ancient iambic is infamous derives in part from an oral world in which women's derisive joking voices reverberated. O'Higgins considers this speech from its mythical origins in the Homeric Hymn to Demeter, through the reactive iambic tradition and into old comedy. She also examines the poems of Sappho and Corinna as literary jokers, responding in part to their own experience of joking women. The book concludes with a fresh appraisal of the three great 'women's' plays of Aristophanes: Lysistrata, Thesmophoriasouzae, and Ecclesiazousae.

Performance, Reception, Iconography assembles twenty-three papers from an international group of scholars who engage with, and develop, the seminal work of Oliver Taplin. Oliver Taplin has for over three decades been at the forefront of innovation in the study of Greek literature, and of the Greek theatre, tragic and comic, in particular. The studies in this volume centre on three key areas - the performance of Greek literature, the interactions between literature and the visual realm of iconography, and the reception and appropriation of Greek literature, and of Greek culture more widely, in subsequent historical periods.