NEW ENTRY IN THE BESTSELLING MONSTER HUNTER INTERNATIONAL SERIES BY DRAGON AWARD–WINNING AUTHORS LARRY CORREIA AND SARAH A. HOYT When Owen Pitt and the rest of the Monster Hunter International crew are called away to mount a month’s-long rescue mission in a monster-infested nightmare dimension, Julie Shackleford—Owen’s wife and descendant of MHI founder Bubba Shackleford—is left behind. Her task: hold down the fort and take care of her new baby son Ray. Julie’s devoted to the little guy, but the slow pace of office work and maternity leave are starting to get to her. But when a routine field call brings her face-to-face with an unspeakable evil calling itself Brother Death, she’ll get more excitement than she ever hoped for. Julie is the Guardian of a powerful ancient artifact known as the Kamaresh Yar, and Brother Death wants it. In the wrong hands, it could destroy reality as we know it. Julie would die before giving it up. Then Ray goes missing, taken by Brother Death. The price for his safe return: the Kamaresh Yar. If Julie doesn’t hand over the artifact it means death—or worse—for baby Ray. With no other choice left to her, Julie agrees to Brother Death’s demands. But when you’re dealing with an ancient evil, the devil is in the details. To reclaim her son, Julie Shackleford will have to fight her way through necromantic death cults, child-stealing monsters, and worse. And she’ll have to do it all before Brother Death can unleash the Kamaresh Yar. It’s one woman against an army of monsters. But Julie Shackleford is no ordinary woman—she’s one tough mother! The Monster Hunter series: Monster Hunter International Monster Hunter Vendetta Monster Hunter Alpha Monster Hunter Legion Monster Hunter Nemesis Monster Hunter Siege Monster Hunter Guardian The Monster Hunter Memoirs series by Larry Correia and John Ringo: Monster Hunter Memoirs: Grunge Monster Hunter Memoirs: Sinners Monster Hunter Memoirs: Saints At the publisher's request, this title is sold without DRM (Digital Rights Management). About Larry Correia and the Monster Hunter International series: “[E]verything I like in fantasy: intense action scenes, evil in horrifying array, good struggling against the darkness, and most of all people—gorgeously flawed human beings faced with horrible moral choices that force them to question and change and grow.” —Jim Butcher “[A] no-holds-barred all-out page turner that is part science fiction, part horror, and an absolute blast to read.” —Bookreporter.com “If you love monsters and action, you’ll love this book. If you love guns, you’ll love this book. If you love fantasy, and especially horror fantasy, you’ll love this book.” —Knotclan.com “A gun person who likes science fiction—or, heck, anyone who likes science fiction—will enjoy [these books] . . . The plotting is excellent, and Correia makes you care about the characters . . . I read both books without putting them down except for work . . . so whaddaya waitin’ for? Go and buy some . . . for yourself and for stocking stuffers.” —Massad Ayoob “This lighthearted, testosterone-soaked sequel to 2009's Monster Hunter International will delight fans of action horror with elaborate weaponry, hand-to-hand combat, disgusting monsters, and an endless stream of blood and body parts.” —Publishers Weekly on Monster Hunter Vendetta About Sarah A. Hoyt: “[Three Musketeers creator] Alexandre Dumas would give [Sarah A. Hoyt] a thumbs up.” —Steve Forbes “[F]anciful and charming.” —Library Journal "First-rate space opera with a moral lesson. You won't be disappointed." —Glenn Reynolds, Instapundit.com “[A] tour de force: logical, built from assumptions with no contradictions . . . gripping.” —Jerry Pournelle “Exceptional, wonderful, and enormously entertaining.” —Booklist

A story about two boys that go trick or treating. But what happens at the last house turns out to be a total plot twist! Did you see that coming?

The sweeping romance of Passenger meets the dark fantasy edge of This Savage Song in this stunning contemporary fantasy debut from Vanessa Len, where the line between monster and hero is razor thin. Don’t forget the rule. No one can know what you are. What we are. You must never tell anyone about monsters. Joan has just learned the truth: her family are monsters, with terrifying, hidden powers. And the cute boy at work isn’t just a boy: he’s a legendary monster slayer, who will do anything to destroy her family. To save herself and her family, Joan will have to do what she fears most: embrace her own monstrousness. Because in this story…she is not the hero. Dive deep into the world of Only a Monster: hidden worlds dwell in the shadows, beautiful monsters with untold powers walk among humans, and secrets are the most powerful weapon of all.

SHORTLISTED FOR THE GUARDIAN'S NOT THE BOOKER PRIZE 2019 A strange virus is sweeping the globe. Humans have become allergic to one another. Simply standing next to somebody could be a death sentence. A kiss could be fatal. Angela is a woman trying to get by in this bewildering new world. Though she still lives with her husband and children, they lead separate lives. Confined to their rooms, they communicate via their computers and phones. In some ways, very little has changed. That is, until she spots a mysterious stranger walking through town without even a face mask for protection. A man, it seems, immune to this disease. A man unlike anyone else she knows. A man it might just be safe to touch... 'If Brave New World and 1984 were combined and whisked into this century, they couldn't be more impressive than Liam Brown's superb story' Celia Anderson 'Gripping and thought provoking... I loved every moment of it' Hannah Persaud 'A lyrical dystopian fever dream' Margot Douaihy Liam Brown is the author of four novels, Real Monsters (2015), Wild Life (2016), Broadcast (2017), and Skin (2019). His work has been published internationally, translated into several languages and optioned by a major Hollywood studio. He lives in Birmingham, England, with his wife and two children.

"Book of Monsters: Portraits and Biographies of a Few of the Inhabitants of Woodland and Meadow" by David Fairchild and Marian Fairchild David Grandison Fairchild was an American botanist and plant explorer. With his wife, Marian, he wrote this collection of biographical sketches of animals, bugs, and plants that live in the woods. The pictures in this book are portraits of creatures which are as much the real inhabitants of the world as we are, and have all the rights of ownership that we have, but, because their own struggle for existence so often crosses ours, many of them are our enemies. Indeed, man's own real struggle for the supremacy of the world is his struggle to control these tiny monsters.

WINNER OF: Frantz Fanon Outstanding Book from the Caribbean Philosophical Association Canadian Political Science Association’s C.B. MacPherson Prize Studies in Political Economy Book Prize Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.

NOW A #1 NEW YORK TIMES BESTSELLER! An unflinching, darkly funny, and deeply moving story of a boy, his seriously ill mother, and an unexpected monstrous visitor. At seven minutes past midnight, thirteen-year-old Conor wakes to find a monster outside his bedroom window. But it isn’t the monster Conor’s been expecting-- he’s been expecting the one from his nightmare, the nightmare he’s had nearly every night since his mother started her treatments. The monster in his backyard is different. It’s ancient. And wild. And it wants something from Conor. Something terrible and dangerous. It wants the truth. From the final idea of award-winning author Siobhan Dowd-- whose premature death from cancer prevented her from writing it herself-- Patrick Ness has spun a haunting and darkly funny novel of mischief, loss, and monsters both real and imagined.

Pick up where you left on from book one The living GOD's Storm Tempest. Follow Tempest as he builds up an army to face the Red. Navigate the realm of Yi's political intrigue, and deal with betrayal, sabotage, and espionage. Read on as Tempest unites Yi's under one banner to take down the mountain.

Darkness is brewing under the skin of the Perrin household, birthed by a disastrous sibling rivalry between two brothers. Korin, an imaginative boy, grew up living in the shadow of his older brother. Davis wants life to be on his own terms and wishes he were an only child. After the death of their grandmother, Korin blames Davis for her demise and tries to destroy him. Sixteen years after the attempt on Davis's life, Korin comes to terms that his brother isn't the one who's the monster and suppresses his tormented feelings of guilt by ostracizing himself from his family. Yet, after a few years of being away from the family while attending college, a persistent nagging feeling of belonging somewhere haunts Korin, and he agrees to a family hunting trip to the forests of Grand Portage. The Perrin brothers, their father, and two family friends never make it to their final destination. A wake of destruction and bodies follow those who are trying to escape the forest, alive.