Die erste englischsprachige Untersuchung der Prosa von Albert Drach (1902-1995) arbeitet die Originalität von Drachs Autobiografie im Kontext gegenwärtiger Holocaust-Diskurse heraus. Dabei geht es um das Verhältnis zwischen Drachs komisch-grotesker Sprache und dem melancholischen Darstellungsmodus in der Holocaust-Autobiografie. Drachs Prosa legt die totalitären Mechanismen seiner Zeit zugleich leidenschaftlich und kritisch bloß.

Ambivalent Pleasures explores how Europeans wrestled with the novel experience of consuming substances that could alter moods and become addictive. During the early modern period, psychotropic drugs like sugar, chocolate, tobacco, tea, coffee, distilled spirits like gin and rum, and opium either arrived in western Europe for the first time or were newly available as everyday commodities. Drawing from primary sources in English, Dutch, French, Italian, and Spanish, Scott K. Taylor shows that these substances embodied Europeans' anxieties about race and empire, religious strife, shifting notions of class and gender roles, and the moral implications of urbanization and global trade. Through the writings of physicians, theologians, political pamphleteers, satirists, and others, Ambivalent Pleasures tracks the emerging understanding of addiction; fears about the racial, class, and gendered implications of using these soft drugs (including that consuming them would make users more foreign); and the new forms of sociability that coalesced around their use. Even as Europeans' moral concerns about the consumption of these drugs fluctuated, the physical and sensory experiences of using them remained a critical concern, anticipating present-day rhetoric and policy about addiction to drugs and alcohol.

Ambivalent Alliance convincingly defends several provocative insights into a key period in the history of French Catholicism. It investigates the strange marriage of convenience, from 1899 to 1939, between the French church and the ultra-rightist, chauvinist, monarchist, and anti-Semitic organization called the Acton Fran aise, and raises many disturbing questions. Why did an increasingly international church find a narrowly patriotic group so appealing? How could it endorse a movement founded by an agnostic whose philosophy sanctioned violence and the persecution of Jews and othe "undesirables"?The twentieth-century French church was still feeling the shock waves of the French Revolution, assaulted from without and torn from within regarding its role in politics. Challenging the views of prominent historians of the period, Arnal shows that between 1899 and 1939 Catholic leaders pursued a consistent strategy of political and social conservatism. Whereas many regarded the church's flirtations with social democracy and its occasional attempts to rally French Catholics behind constitutional politics as proof of its progressive character, Arnal sees a fundamentally reactionary continuity in church leadership. Pius XI did not condemn the Acton Fran aise for its fascist ideology; he feared independence among Catholics more than the radical right. Arnal's wide-ranging study brings a controversial new interpretation to the political and ecclesiastical history of the twentieth-century.

The fur trade was the heart of the French empire in early North America. The French-Canadian (Canadien) men who traversed the vast hinterlands of the Hudson Bay watershed, trading for furs from Indigenous trappers and hunters, were its cornerstone. Though the Canadiens worked for French colonial authorities, they were not unwavering agents of imperial power. Increasingly they found themselves between two worlds as they built relationships with Indigenous communities, sometimes joining them through adoption or marriage, raising families of their own. The result was an ambivalent empire that grew in fits and starts. It was guided by imperfect information, built upon a contested Indigenous borderland, fragmented by local interests, and periodically neglected by government administrators. Heirs of an Ambivalent Empire explores the lives of the Canadiens who used family and kinship ties to navigate between sovereign Indigenous nations and the French colonial government from the early 1660s to the 1780s. Acting as cultural intermediaries, the Canadiens made it possible for France to extend its presence into northwest North America. Over time, however, their uncertain relationships with the French colonial state splintered imperial authority, leading to an outcome that few could have foreseen – the emergence of a new Indigenous culture, language, people, and nation: the Métis.

Lawrence Durrell excelled in a great variety of genres: poetry, drama, travel books, humorous writings, translations, critical essays, philosophical essays, character sketches, and, above all, genre- and culture-transforming experimental novels. In keeping with Durrell's multifaceted career and the centrality of his experiments, the essays in this collection use a variety of literary approaches to the diversity of Durrell's contributions to literature, illuminating four major dimensions of Durrell's writing.

Bernadette Höfer's innovative and ambitious monograph argues that the epistemology of the Cartesian mind/body dualism, and its insistence on the primacy of analytic thought over bodily function, has surprisingly little purchase in texts by prominent classical writers. In this study Höfer explores how Surin, Molière, Lafayette, and Racine represent interconnections of body and mind that influence behaviour, both voluntary and involuntary, and that thus disprove the classical notion of the mind as distinct from and superior to the body. The author's interdisciplinary perspective utilizes early modern medical and philosophical treatises, as well as contemporary medical compilations in the disciplines of psychosomatic medicine, neurobiology, and psychoanalysis, to demonstrate that these seventeenth-century French writers established a view of human existence that fully anticipates current thought regarding psychosomatic illness.

There are those moments in life between "male opportunities" (also known as being single), when a woman really only has two choices-she can cry or she can laugh. Here's an edgy, funny book for the contemporary single woman who's seen it all, done most of it and finds that laughter is almost better than Ibuprofen. Includes: -- Advice on what to do if you've been dumped -- Incredible but true over-the-top dates -- Facing the horrible truth that once the supposed love of your life dumps you, he may eventually move on to ruin someone else's life-forever -- You are woman-hear yourself roar -- Real questions submitted by real people (these couldn't be made up) to LoveLogic online (and answers, too) This book belongs in your "get over him and get on with my life" kit, right alongside the chocolates, ice cream, cookies, tissues and mascara.

The first major biography of the pathbreaking, perpetually influential surrealist artist and iconoclast whose inspiration can be seen in everyone from Jasper Johns to Beyoncé—by the celebrated biographer of Cézanne and Braque In this thought-provoking life of René Magritte (1898-1967), Alex Danchev makes a compelling case for Magritte as the single most significant purveyor of images to the modern world. Magritte’s surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have become an inescapable part of our visual landscape, through such legendary works as The Treachery of Images (Ceci n’est pas une pipe) and his celebrated iterations of Man in a Bowler Hat. Danchev explores the path of this highly unconventional artist from his middle-class Belgian beginnings to the years during which he led a small, brilliant band of surrealists (and famously clashed with André Breton) to his first major retrospective, which traveled to the United States in 1965 and gave rise to his international reputation. Using 50 color images and more than 160 black-and-white illustrations, Danchev delves deeply into Magritte’s artistic development and the profound questions he raised in his work about the very nature of authenticity. This is a vital biography for our time that plumbs the mystery of an iconoclast whose influence can be seen in everyone from Jasper Johns to Beyoncé.