When Poppy goes on holiday to a Scottish island, she is looking forward to a week of climbing, hill-walking and horse riding. But things take a bad turn when their instructor has a fatal abseiling accident. When Poppy discovers that his rope was cut, and more of the instructors start to have 'accidents', she decides to investigate.

A devoted wife and mother of three, Lois Meade cleans houses in the quaint village of Long Farnden. When a local spinster is murdered, Lois finds herself poking around her clients' houses for clues. But her quest for the killer will uncover some surprising secrets about this seemingly peaceful village-and put her family in mortal danger.

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

It's the first collection of the exciting new crypto-noir series, THE BLACK MONDAY MURDERS. All Hail God Mammon” pulls the covers back on the secret world of magic lying behind the largest and oldest financial institutions in the world. Collects THE BLACK MONDAY MURDERS #1-4.

An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system. “A wistful Irish sensibility and memories from a 30-year career as a peace officer in the New York City criminal justice system haunt this solid collection . . . With spare prose, McLoughlin creates memorable vignettes of urban life. Fans of Kent Anderson’s Liquor, Guns & Ammo will want to check this out.” —Publishers Weekly “Alcohol, Tobacco, and Firearms couldn’t be more New York. Tim McLoughlin drops a ton of big-city knowledge and wisdom, rich in lived-in detail, with humor that’s hard as the sidewalk.” —John Strausbaugh, author of City of Sedition In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing. An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car. In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to. A recurring theme in his urban, often New York–centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin’s ghosts, these casualties of progress, and he holds them dear and celebrates them.

A deep dive into the role that mass-appeal movies, television, videos, and music played in Donald Trump’s failed reelection campaign, including brand-new interviews with some of the major players. “A cleareyed overview of the modern interaction of culture and politics.” —Kirkus Reviews Bloody Crossroads 2020 takes a deep dive into the role that mass-appeal movies, television, videos, and music played in America’s political culture in the year of Donald Trump’s failed reelection campaign. The book also explores the impact of entertainment celebrities in communications, fundraising, and campaigning to support the election of Joe Biden. Although there existed a decades-old tradition of “liberal Hollywood,” Trump’s ascension to the presidency in 2016 triggered an unprecedented level of engagement by artists and performers. Within days of the 2016 election, a critical mass of entertainers, from teenagers to the last survivors of the World War II generation—blockbuster movie stars, art-film auteurs, Broadway dramatists, comedians, and musicians from the worlds of classical, country, pop, rock, R&B, and hip-hop—all seemed to have heard the tom-tom beat of resistance at the same moment and amplified a moral alternative to Trumpism. That level of engagement intensified with rare passion and purpose in the period of 2020 chronicled in Bloody Crossroads 2020—the Democratic primaries, the COVID-19 pandemic, the aftermath of the murder of George Floyd, the conviction of sexual predator Harvey Weinstein, and the 2020 general election campaign—culminating in Trump’s failed insurrection. Exhaustively researched, Bloody Crossroads 2020 draws from brand-new interviews with Bruce Springsteen, John Legend, Rosanne Cash, David Simon, Adam McKay, Chuck D, David Corn, Mandy Patinkin, and many more. It also explores the important political activities of entertainers like Stephen Colbert, Trevor Noah, Taylor Swift, Cardi B, Alyssa Milano, Mark Ruffalo, Jane Fonda, Robert De Niro, Bette Midler, Steven Spielberg, Spike Lee, Ava DuVernay, Dave Chappelle, Chris Rock, and Wanda Sykes. Bloody Crossroads 2020 expertly dissects and celebrates how the empowering actions of artists and entertainers helped a record turnout of everyday citizens realize a triumphant 2020 election.

“It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.”—The New York Times Book Review Introduction by David Handler It wasn’t Leonard Dykes’s writing style that offended. But something in his unpublished tome seemed to lead everyone who read it to a very unhappy ending. Now four people are dead, including the unfortunate author himself, and the police think Nero Wolfe is the only man who can close the book on this novel killer. So the genius sleuth directs his sidekick to set a trap . . . and discovers that the truth is far stranger—and far bloodier—than fiction. A grand master of the form, Rex Stout is one of America’s greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained—and puzzled—millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself, Rex Stout.

"This is the most fun I've had with a book this year. Every page is a delight and the mystery got its hooks into me from the first chapter.” – Stuart Turton, bestselling author of The 7½ Deaths of Evelyn Hardcastle The letter was short. A name, a time, a place. Marion Lane and the Midnight Murder plunges readers into the heart of London, to the secret tunnels that exist far beneath the city streets. There, a mysterious group of detectives recruited for Miss Brickett’s Investigations & Inquiries use their cunning and gadgets to solve crimes that have stumped Scotland Yard. Late one night in April 1958, a filing assistant at Miss Brickett’s receives a letter of warning, detailing a name, a time, and a place. She goes to investigate but finds the room empty. At the stroke of midnight, she is murdered by a killer she can’t see—her death the only sign she wasn’t alone. It becomes chillingly clear that the person responsible must also work for Miss Brickett’s, making everyone a suspect. Marion Lane, a first-year Inquirer-in-training, finds herself drawn ever deeper into the investigation. When her friend and colleague is framed for the crime, to clear his name she must sort through the hidden alliances at Miss Brickett’s and secrets dating back to WWII. Masterful, clever and deliciously suspenseful, Marion Lane and the Midnight Murder is a fresh take on the Agatha Christie-style locked-room murder mystery, with an exciting new heroine detective.

Clifford Flush, happily—if wrongly—acquitted of and semi-contentedly retired from the pursuit of murder, has not felt the need to off anyone in ages. Sure, he fled London when the return of the old urges left him open to a spot of blackmail, but he's been doing fine—thriving, in fact. He and the other members of the Asterisk Club, all murderers the law couldn't manage to hold, have turned the gory business of killing into a legitimate business venture: they've set up a homicide consultancy firm and are teaching discerning students the ropes (and guns, and getaways). Nice work if you can get it...or it is until one aspiring killer turns up dead on their very own premises. It's an intolerable embarrassment, and the culprit must be found out!

The lean years following World War I can lead to desperate acts—even in the quiet English village of Walmsley Parva. When a series of burglaries seems to culminate in murder, brash American Beryl Helliwell and proper Brit Edwina Davenport are eager to solve the case . . . World-renowned adventuress Beryl Helliwell cited for “reckless” motoring? Why, the very idea! Constable Gibbs just has it in for her. The solution? Charm the magistrate, of course. But days after Beryl's appearance before the bench, she and Edwina pay a visit to the magistrate only to find his home ransacked and the man himself lying dead at the bottom of a grand staircase. Given the state of the house, his death appears to be connected to a rash of robberies in the village. Declan O’Shea, the handsome helper Beryl hired to assist their aged gardener Simpkins, falls under suspicion after having had his own run-in with the magistrate—but mostly, Beryl believes, because he’s Irish. While unofficially looking into the magistrate's murder, the ladies are hired in their official capacity as private inquiry agents to find census reports that have gone missing. Is someone trying to hide something from the census takers—and could that theft have anything to do with the magistrate’s death? Beryl and Edwina are once again in fine form as they engage in a little reckless sleuthing to bring these assorted mysteries to a speedy conclusion. . . .