A wildly entertaining debut about a Brooklyn Heights wife and mother who has embezzled a small fortune from her children's private school and makes a run for it, leaving behind her trust fund poet husband, his maybe-secret lover, her two daughters, and a school board who will do anything to find her. Marion Palm prefers not to think of herself as a thief but rather "a woman who embezzles." Over the years she has managed to steal $180,000 from her daughters' private school, money that has paid for European vacations, a Sub-Zero refrigerator, and perpetually unused state-of-the-art exercise equipment. But, now, when the school faces an audit, Marion pulls piles of rubber-banded cash from their basement hiding places and flees, leaving her family to grapple with the baffled detectives, the irate school board, and the mother-shaped hole in their house. Told from the points of view of Nathan, Marion's husband, heir to a long-diminished family fortune; Ginny, Marion's teenage daughter who falls helplessly in love at the slightest provocation; Jane, Marion's youngest who is obsessed with a missing person of her own; and Marion herself, on the lam--and hiding in plain sight.

"Bonnie Jo Campbell is a master of rural America’s postindustrial landscape." —Boston Globe Named by the Guardian as one of our top ten writers of rural noir, Bonnie Jo Campbell is a keen observer of life and trouble in rural America, and her working-class protagonists can be at once vulnerable, wise, cruel, and funny. The strong but flawed women of Mothers, Tell Your Daughters must negotiate a sexually charged atmosphere as they love, honor, and betray one another against the backdrop of all the men in their world. Such richly fraught mother-daughter relationships can be lifelines, anchors, or they can sink a woman like a stone. In "My Dog Roscoe," a new bride becomes obsessed with the notion that her dead ex-boyfriend has returned to her in the form of a mongrel. In "Blood Work, 1999," a phlebotomist's desire to give away everything to the needy awakens her own sensuality. In "Home to Die," an abused woman takes revenge on her bedridden husband. In these fearless and darkly funny tales about women and those they love, Campbell’s spirited American voice is at its most powerful.

In this important new work, two respected criminologists challenge the characterization of the new 'bad girl' arguing that it is only a new attempt to punish girls who are not the stereotypical depiction of good. Through interviews with young women, educators and people in the criminal justice system, Beyond Bad Girls exposes the formal and informal systems of socio-cultural control imposed on girls.

An in-depth exploration of the flight of young Jewish women from their Orthodox homes during the late nineteenth and early twentieth centuries The Rebellion of the Daughters investigates the flight of young Jewish women from their Orthodox, mostly Hasidic, homes in Western Galicia (now Poland) in the late nineteenth and early twentieth centuries. In extreme cases, hundreds of these women sought refuge in a Kraków convent, where many converted to Catholicism. Those who stayed home often remained Jewish in name only. Relying on a wealth of archival documents, including court testimonies, letters, diaries, and press reports, Rachel Manekin reconstructs the stories of three Jewish women runaways and reveals their struggles and innermost convictions. Unlike Orthodox Jewish boys, who attended "cheders," traditional schools where only Jewish subjects were taught, Orthodox Jewish girls were sent to Polish primary schools. When the time came for them to marry, many young women rebelled against the marriages arranged by their parents, with some wishing to pursue secondary and university education. After World War I, the crisis of the rebellious daughters in Kraków spurred the introduction of formal religious education for young Orthodox Jewish women in Poland, which later developed into a worldwide educational movement. Manekin chronicles the belated Orthodox response and argues that these educational innovations not only kept Orthodox Jewish women within the fold but also foreclosed their opportunities for higher education. Exploring the estrangement of young Jewish women from traditional Judaism in Habsburg Galicia at the turn of the twentieth century, The Rebellion of the Daughters brings to light a forgotten yet significant episode in Eastern European history.

In this book, the author explains us in a real world of life that everyone tends to ignore. From the moment when the best is the one that is built from one's experiences.

Matt Calderon is a caring husband and father of two children. His wife Maria suffers from a condition that limits her ability to perform manual work, forcing Matt to work two jobs to support his family. Despite their difficulties, the family is optimistic. But every now and then life throws a curveball. Matt's boss accused him of stealing money from him. To make matters worse, Matt is in a gas station when a robbery occurs. He is trapped inside, surrounded by police, while his family waits for him to return home. What chances do they have now? Is there hope for them?

In 1987, more than a decade before the dawn of queer theory, Ifi Amadiume wrote Male Daughters, Female Husbands, to critical acclaim. This compelling and highly original book frees the subject position of 'husband' from its affiliation with men, and goes on to do the same for other masculine attributes, dislocating sex, gender and sexual orientation. Boldly arguing that the notion of gender, as constructed in Western feminist discourse, did not exist in Africa before the colonial imposition of a dichotomous understanding of sexual difference, Male Daughters, Female Husbands examines the structures in African society that enabled people to achieve power, showing that roles were not rigidly masculinized nor feminized. At a time when gender and queer theory are viewed by some as being stuck in an identity-politics rut, this outstanding study not only warns against the danger of projecting a very specific, Western notion of difference onto other cultures, but calls us to question the very concept of gender itself.