Bellamy's debut novel revives the central female character from Bram Stoker's Dracula and imagines her as an independent woman living in San Francisco during the 1980s. Hypocrisy's not the problem, I think, it's allegory the breeding ground of paranoia. The act of reading into--how does one know when to stop? KK says that Dodie has the advantage because she's physical and I'm "only psychic." ... The truth is: everyone is adopted. My true mother wore a turtleneck and a long braid down her back, drove a Karmann Ghia, drank Chianti in dark corners, fucked Gregroy Corso ... --Dodie Bellamy, The Letters of Mina Harker First published in 1998, Dodie Bellamy's debut novel The Letters of Mina Harker sought to resuscitate the central female character from Bram Stoker's Dracula and reimagine her as an independent woman living in San Francisco during the 1980s--a woman not unlike Dodie Bellamy. Harker confesses the most intimate details of her relationships with four different men in a series of letters. Vampirizing Mina Harker, Bellamy turns the novel into a laboratory: a series of attempted transmutations between the two women in which the real story occurs in the gaps and the slippages. Lampooning the intellectual theory-speak of that era, Bellamy's narrator fights to inhabit her own sexuality despite feelings of vulnerability and destruction. Stylish but ruthlessly unpretentious, The Letters of Mina Harker was Bellamy's first major claim to the literary space she would come to inhabit.

String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.

Author Syrie James (The Lost Memoirs of Jane Austen) offers readers a breathtaking new perspective on Bram Stoker’s classic tale of the king of the vampires with Dracula, My Love. In these “Secret Journals of Mina Harker,” the object of Dracula’s desire relates for the very first time the shocking story of her scandalous seduction and sexual rebirth. This is not the chaste vampire romance of Twilight—Dracula, My Love celebrates a passionate obsession in all its hot and sensuous glory.

From the international bestselling author of Dracul comes the authoritative sequel to Bram Stoker’s original horror classic. London, 1912. A quarter of a century after Count Dracula “crumbled into dust,” Quincey Harker—the son of Jonathan and Mina Harker—leaves law school to pursue a career on stage, only to stumble upon the troubled production of Dracula, directed and produced by Bram Stoker himself. As the play plunges Quincey into the world of his parents' terrible secrets, death begins to stalk the original band of heroes that defeated Dracula a quarter-century ago. Could it be that the count survived and is now seeking revenge? Or is there another, far more sinister force at work whose relentless purpose is to destroy anything and anyone associated with Dracula, the most notorious vampire of all time... Dracula the Un-Dead is the true sequel to Bram Stoker’s classic novel, written by his direct descendant and a well-known Dracula historian. Dracula the Un-Dead provides answers to all the questions that the original novel left unexplained, as well as new insights into the world of iniquity and fear lurking just beneath the surface of polite Victorian England.

Playhouse of the Damned is an anthology of short horror plays, hosted by Gus the Ghoul. As Gus says, Welcome to the Playhouse of the Damned. This is the playhouse. Guess what part you play. Heres a hint. In just a few minutes, youll find yourself agreeing with hundreds of theatergoers who have attended our playhouse and said, I'll be damned if I'm going to sit through any more of this!

First time in trade-the Dracula legend continues in a novel "destined to become a literary classic."* In Bram Stoker's immortal novel, Mina Harker became a living, breathing object of obsession- only to fall prey to her stalker's seductive powers. There was only one way to save her soul-by destroying the life of Count Dracula, the creature who controlled and consumed her. But was the spell really broken? Could Mina return to the ordinary turns of a day, and to the restraints of a Victorian marriage, after the pleasures of such exquisite darkness?

A new collection of essays from Dodie Bellamy on disenfranchisement, vulgarity, American working-class life, aesthetic values, and profound embarrassment. So. Much. Information. When does one expand? Cut back? Stop researching? When is enough enough? Like Colette's aging courtesan Lea in the Chéri books, I straddle two centuries that are drifting further and further apart. --Dodie Bellamy, "Hoarding as Ecriture" This new collection of essays, selected by Dodie Bellamy after the death of Kevin Killian, her companion and husband of thirty-three years, circles around loss and abandonment large and small. Bellamy's highly focused selection comprises pieces written over three decades, in which the themes consistent within her work emerge with new force and clarity: disenfranchisement, vulgarity, American working-class life, aesthetic values, profound embarrassment. Bellamy writes with shocking, and often hilarious, candor about the experience of turning her literary archive over to the Beinecke Rare Book & Manuscript Library at Yale and about being targeted by an enraged online anti-capitalist stalker. Just as she did in her previous essay collection, When The Sick Rule The World, Bellamy examines aspects of contemporary life with deep intelligence, intimacy, ambivalence, and calm.

London, 1890. Mina Murray Harker, the rosy-cheeked, quintessentially pure Victorian heroine, becomes Count Dracula’s object of desire. To preserve her chastity, five male “defenders” rush in to rescue her from the vampire’s evil clutches. This is the story we have been told. But now, from Mina’s own pen, we discover a tale more sensual, more devious, and more enthralling than the Victorians could have ever imagined. From the shadowy banks of the river Thames to the wild and windswept Yorkshire coast, Mina vividly recounts the intimate details of what really transpired between her and the Count—the joys and terrors of a passionate affair, as well as her rebellion against her own frightening preternatural powers.

While on summer holiday, Mina notices her friend Lucy is beginning to act strangely, expressing sensuous appetites considered shocking in late Victorian England. Mina soon learns the cause: recurring dreams of a sinister man ravishing Lucy in her sleep. But when Mina experiences these dreams too, and her own forbidden desires awaken, the women embark on an adventure of pleasure together-not realizing that their nocturnal seducer is Count Dracula, the Prince of Vampires. A brilliant man of science consumed by the mystery of life, Victor Frankenstein is determined to 'correct' the failed human race by making a new one. He achieves his ambition and creates the New Adam. But his awakened creature, perfect in every other way, is lacking the one component Victor cannot replicate: the human conscience. Victor realizes his folly when his unrestrained creation, driven by an insatiable libido, turns against him. Doctor Henry Jekyll discovers the formula that will divorce the evil side of the human creature from its better portion. Tempted to indulge his bodily appetites unfettered by moral restraint, Jekyll releases his inner demon: Mister Edward Hyde. But Jekyll learns that his repressed perversions go beyond the pursuit of sexual desires, as Hyde forces him to witness what depravities he commits in the guise of his unscrupulous alter-ego. What might Bram Stoker, Mary Wollstonecraft Shelley and Robert Louis Stevenson have written without Nineteenth Century mores inhibiting their pens? And what did they write to hint at sexual license lurking just beneath the surface of propriety and the printed page? Mina Harker's Diary explores the hidden eroticism of their famous novels, and that of six other classic horror stories of literature and cinema, to cast these familiar tales in a new and voluptuous light. Click on Look Inside above for a preview.