Whether you've barely recovered from spending lockdown with your other half or desperately heading back to the clubs to meet 'the one', SH**GED. MARRIED. ANNOYED. is here to see you through . . . THE SUNDAY TIMES BESTSELLER FROM THE STARS OF THE CHART-TOPPING PODCAST NOW FEATURING A BONUS CHAPTER 'An absolute triumph' Daisy May Cooper 'These two are bloody hilarious' Zoe Sugg 'A hilarious look at the highs and lows of relationships' Sun __________ SH**GED. Hitting the bars, necking drinks and necking strangers, stumbling home, one-night-stands, nightmare dates, thinking this one's alright, ghosting, tears, more drinking, living off late-night chips. MARRIED. Meeting 'the one', weekends away, moving in, declaring life-long love, stags and hens, the perfect wedding, the honeymoon period, getting through the hard bits together, starting a family. ANNOYED. Can you close the bathroom door if you're doing that? Sleepless nights, arguing about whose turn it is to change the baby's nappy, toys everywhere, only having two drinks, still being hungover, wondering when it all stopped being easy. Whether you're sh**ged, married, annoyed, or all of the above, Chris and Rosie Ramsey write hilariously and with honesty about the ups and downs of dating, relationships, arguing, parenting and everything in between.

Meet Rosie's Daughters in this collective memoir of American women born during World War II, precursors of the Baby Boom generation. Their stories will inform, entertain, and surprise you. In these in-depth interviews, they are declaring their place in history.

A radical day-by-day guide to redefining beauty and creating lasting self-esteem Every day, American women and girls are besieged by images and messages that suggest their beauty is inadequate, inflicting immeasurable harm upon their confidence and sense of wellbeing. In Beautiful You, author Rosie Molinary encourages women to feel wonderful about themselves -- even when today's media-saturated culture tells them not to. Drawing on tools for heightened self-awareness, creativity, and mind-body connections, Beautiful You incorporates practical techniques into a 365-day action plan that empowers women to embrace a healthy self-image, shore up self-confidence, break undermining habits of self-criticism, and champion their own emotional and physical wellbeing. Modern and meaningful, these doable, enjoyable daily actions encourage women and girls to manifest a healthy outlook on life, to live large, and to love themselves and others.

Rosie took herself off to the pub. She had to escape from the supercilious highbrows on whom she was billeted. To them she was "common," middle-aged and homeless. She knew that, but nevertheless she was happy. She still had her memories and she still had young Joe, her Air Force officer son. Rosie's childhood was spent in the carefree atmosphere of the theatre, with Dad (a Comedian) as hero. She had a bad time after his death with her mother's melancholia and the contempt of her sister (who had successfully snared a peer as a husband). After that came the best years of her life-her marriage with old Joe, landlord of the Crown, a big boisterous fellow, but the most gentle, unselfish husband any woman could imagine. The last war ended their happiness. Old Joe was killed; their son was born soon after. From that moment nobody and nothing mattered except young Joe. She was dead set on making a gent of him. She skimped her little luxuries to send him to a "posh" school. What wonder that they gradually grew apart, that he seemed to prefer "high life" and a chromium-plated flat to his homely mother and the old-fashioned Crown? Then came the second war and his enlistment in the Air Force. Rosie sat in the pub thinking how her life had changed; bombed out of the Crown, her livelihood gone, an unwanted evacuee. But everything was all right, for young Joe would come on leave. The war and the R.A.F. had brought him back to her.

This book builds on R. M. W. Dixon's most influential work on the indigenous languages of Australia over the past forty years, from his trailblazing grammar of Dyirbal published in 1972 to later grammars of Yidiñ (1971) and Warrgamay (1981). Edible Gender, Mother-in-Law Style, and Other Grammatical Wonders includes further studies on these languages, and the interrelations between them. Following an account of the anthropological and linguistic background, Part I provides a thorough examination of, and comparison between, the gender system in Dyirbal (one of whose members refers to 'edible vegetables') and the set of nominal classifiers in Yidiñ. The chapters in Part II describe Dyirbal's unusual kinship system and the 'mother-in-law' language style, and examines the origins of 'mother-in-law' vocabulary in Dyirbal and in Yidiñ. There are four grammatical studies in Part III, dealing with syntactic orientation, serial verb constructions, complementation strategies, and grammatical reanalysis. Part IV covers grammatical and lexical variation across the dialects of Dyirbal, compensatory phonological changes, and a study of language contact across the Cairns rainforest region. The two final chapters, in Part V, recount the sad stories of how the Yidiñ and Dyirbal languages slowly slipped into oblivion.

Several plays have been composed into novels of short stories. This began the saga of Beneath the Willow. The first book in the series focused on several of the residents of the established settlements. After many years of hard work, the town began to flourish. When they initially settled, all residents were in one central location. They spread out as the town began to grow. Development of farms and pastureland advanced rapidly. The town of Willow Bend is filled with imaginary characters but implies a very realistic concept. It is the writers vision that the town was established in the 1870s. Horace Lee Crowley and seven hundred migrants braved the elements, traveling until they found what they later established as the Willows. It was divided into several settlements: Willow Bend, Willow Estates, Willow Grove, and Willow Creek. The people tilled the soil and made their own clothing. For a short length of time, everyone cooked on a huge open pit. They prayed, inspired, encouraged, and made unified efforts together to lighten the load of chores of one another. They suffered the hardship of floods, crop infestation, poor farming equipment, and loss of profits. Through it all, unity blended them together as a community. After many years of hard work, the town flourished. Disagreements were natural in personality differences but were short lived. They migrated from a sharecrop farm thirty miles away. They tread large bodies of water that sometimes rose above waistlines. Small children were placed upon mens shoulders or on one of the old mules. Women carried the bundles of food and what little clothing they owned. It was a rough going, but majority of the people endured it. They had small clippings of flowers, twigs from fruit trees, and roots from vegetables. The substance of their existence was on their backs, mules, and wooden trestles that the men fashioned. Scraps of wood and small trees made up the trestles. This was the beginning of the Willows. Once settled, many differences occurred, natural in personalities, but they were able to accomplish agreement with the help of the county judge. The drama was getting to that point. Thanks for reading. See what you would do in these cases.

“I absolutely loved this book. It had me gripped from the very first chapter . . . unputdownable! A real page turner.” —Goodreads reviewer, five stars Murders past and present will unite a couple against their enemies—or tear them apart forever—in this suspenseful thriller from the author of The Victim. Rosie Cantrell has a past that even her husband knows nothing of. Born Samantha Ashby, she abandoned her old life when her twin sister was murdered and their trust fund was stolen. Journalist Frank Stokes knows Rosie’s story, and, nearly ten years later, he intends to write a book about the sisters. Tracing Rosie, he visits Thursdale, the village where she now lives with Mike and their baby son, Noah. Compelled to reveal her past to Mike, Rosie tells him of the man she dated who later killed her sister—and who was subsequently killed while in prison awaiting trial. To this day, there is no sign of the two-million-pound trust fund. When Stokes goes missing, the police question Rosie and Mike—and when Stokes’s body is found close to their cottage, they become persons of interest. Soon, the investigation uncovers even more secrets, and threatens to destroy both their marriage and their lives . . .

Owen's been given the green light to go home; finally, after several weeks in the hospital following his plane crash. Ty's coming to fly him home, sounds like a great idea, right? Owen isn't so sure; he's not convinced he should be on a plane. Is it time for Owen to re-think his career choice, again? Despite his concerns, his and Karla's families rally around him to make sure he's alright. Maggie and Ollie have been navigating life together since they were aged out of the foster care system several years ago. Maggie's starting to think they are out on some dirt road stranded at two o’clock in the morning and no one’s up. Ollie's convinced Maggie's family is out there somewhere and keeps making attempts to help her find them. Ollie's attempts are waning on Maggie. Not to mention, Maggie's job is posing new challenges and Ollie gets laid off from a career he's loved. Will life ever get back to normal for Maggie and Ollie?