It is 1509 and, for the people of the Burren in western Ireland, the Michaelmas Fair is a joyous time for trade and celebration, signaling the start of autumn. It's a chance to gather, buy and sell their wares, and pay tribute to the lord of their clans. But this year is different. The greedy steward of the MacNamara clan has decided to raise the amount demanded for its tribute, and it's not long before tempers are running high. When the steward is found beaten to death in the local churchyard, it falls upon Mara, the Burren's Brehon Judge, to piece the puzzle together. Was it revenge, greed, or something more sinister that motivated the murder? When another body is discovered and alleged a suicide, Mara is unconvinced. And despite the distraction of a surprising offer of marriage, it is up to her to bring the killer to justice before there can be yet another death.

This book suggests crime fiction is now the most relevant and valid form of writing which can deal with modern Ireland in terms of the post-'Troubles' landscape and post-Celtic Tiger economic boom. The book takes a chapter by chapter approach with each chapter and author discussing a different facet of Irish crime writing for example, Declan Hughes discusses the influence of American culture on Irish crime writing and Tana French reflects on crime fiction and the post-Celtic Tiger Irish identity. This publication is aimed at both the academic and general reader.

Irish detective fiction has enjoyed an international readership for over a decade, appearing on best-seller lists across the globe. But its breadth of hard-boiled and amateur detectives, historical fiction, and police procedurals has remained somewhat marginalized in academic scholarship. Exploring the work of some of its leading writers—including Peter Tremayne, John Connolly, Declan Hughes, Ken Bruen, Brian McGilloway, Stuart Neville, Tana French, Jane Casey, and Benjamin Black—The Contemporary Irish Detective Novel opens new ground in Irish literary criticism and genre studies. It considers the detective genre’s position in Irish Studies and the standing of Irish authors within the detective novel tradition. Contributors: Carol Baraniuk, Nancy Marck Cantwell, Brian Cliff, Fiona Coffey, Charlotte J. Headrick, Andrew Kincaid, Audrey McNamara, and Shirley Peterson.

Born in England in 1857, Agnes Mary Frances Robinson contributed to cultural and literary currents from nineteenth-century Victorianism to twentieth-century modernism; she was equally at home in London and Paris and prolific in both English and French. Yet Robinson remains an enigma on many levels. This literary biography integrates Robinson's unorthodox life with her development as a writer across genres. Best known for her poetry, Robinson was also a respected biographer, history writer, travel writer, and contributor of reviews and articles to the Times Literary Supplement for nearly forty years. She had a romantic friendship with the writer Vernon Lee and two happy – and celibate – marriages. Her salons in London and Paris were attended by major literary and artistic figures, and she counted amongst her friends Robert Browning, Oscar Wilde, John Addington Symonds, Gaston Paris, Ernest Renan, and Maurice Barrès. Reflecting a decade of research in international archives and family papers, A. Mary F. Robinson reveals the extraordinary woman behind the popular writer and critically acclaimed poet.

Reprint of the original, first published in 1877.

In 1919, Prime Minister David Lloyd George of the United Kingdom of Great Britain and Ireland noted that “there is a path of fatality which pursues the relations between the two countries and makes them eternally at cross purposes.” For better or worse, Ireland has frequently been defined by its relationship with its neighbor to the east. And for centuries, English monarchs and governments have struggled with what they came to term “the Irish Question.” Through 76 primary source documents, contextualized by informative introductions and annotations, this volume explores the political, economic, and cultural impacts of the relationship between Ireland and England.